Are people easy to understand? Do relationships with others come easy? People are more complicated than you we may think. We are all complicated, that is why all the many relationships that we have take a lot of work. Conclusion's takes a journey through many different types of relationships one can have with other people. This book allows you to stop and think about the hard work that goes into relationships and the rewards we take with us when the times comes to move forward. Relationships with others are probably one of the most precious gifts we receive. Reading this book will provide you with the insight from someone who has given a lot of time and effort into the relationships that he has with everyone in his life. This book will help you the reader to understand the many different parts of our relationships with us and our parents, siblings, friends and lovers, and most of all the relationship we have with ourselves

Film noir has always been associated with urban landscapes, and no two cities have been represented more prominently in these films than New York and Los Angeles. In noir and neo-noir films since the 1940s, both cities are ominous locales where ruthless ambition, destructive impulses, and dashed hopes are played out against backdrops indifferent to human dramas. In Urban Noir: New York and Los Angeles in Shadow and Light, James J. Ward and Cynthia J. Miller have brought together essays by an international group of scholars that examine the dark appeal of these two cities. The essays in this volume explore aspects of the noir and neo-noir cityscape that have been relatively unexamined, including the role of sound and movement through space, the distinctive character of certain neighborhoods and locales, and the importance of individual moments in time. Among the films discussed in this book are classic noirs Double Indemnity (1944), He Walked by Night (1948), and Criss Cross (1949), as well as neo-noirs such as Cotton Comes to Harlem (1970), Klute (1971), Taxi Driver (1976), Eyes of Laura Mars (1978), Cruising (1980), Alphabet City (1984), Devil in a Blue Dress (1995), Drive (2011), Rampart (2011), and Nightcrawler (2014). Uniting these essays is a thematic orientation toward darkness, whether interpreted in atmospheric and architectural terms, in social and psychological terms, or in terms of disruptive change, economic dislocation, and real or perceived existential threats. Offering multiple new perspectives on a wide range of films, Urban Noir will be of interest to scholars of film, media, politics, sociology, history, and popular culture.