With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. James Joyce's astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery. Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.

This Norton Critical Edition is based on Hans Gabler's acclaimed text and is accompanied by his introduction and textual notes. John Paul Riquelme provides detailed explanatory annotations. "Backgrounds and Contexts" is thematically organized to provide readers with a clear picture of the novel's historical, cultural, and literary inspirations. Topics include "Political Nationalism: Irish History, 1798-1916," "The Irish Literary and Cultural Revival," "Religion," and "Aesthetic Backgrounds." "Criticism" begins with John Paul Riquelme's helpful essay on the novel's structural form and follows with twelve diverse interpretations by, among others, Kenneth Burke, Umberto Eco, Hugh Kenner, Maud Ellmann, Joseph Valente, and Marian Eide. A Selected Bibliography is also included.

Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family - their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. This 'language' is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a 'revolution of the word', this astonishing book amounts to a powerfully resonant cultural critique - a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined.

Exam board: Cambridge Assessment International Education Level & Subject: A Level English Literature First teaching: September 2020 First examination: June 2023

HarperCollins is proud to present its new range of best-loved, essential classics. 'Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.' Autobiographical in tone, Joyce's tale of Stephen Dedalus' journey into adulthood explores the intellectual and moral development of an artist as he struggles to overcome the ingrained Catholic consciousness of his childhood - a family life governed by Irish history, religion and politics. Realistic and innovative in its approach, the style of writing proved controversial upon publication in 1916 and the character of Stephen on a quest for his identity did not appeal to readers.However, Joyce expertly encapsulates the development of individual consciousness and the role of the artist in society in what is considered one of his greatest works.

HarperCollins is proud to present its new range of best-loved, essential classics. 'One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.' Revealing the truths and realities about Irish society in the early 20th century, Joyce's Dubliners challenged the prevailing image of Dublin at the time. A group portrait made up of 15 short stories about the inhabitants of Joyce's native city, he offers a subtle critique of his own town, imbuing the text with an underlying tone of tragedy. Through his various characters he displays the complicated relationships, hardships and mundane details of everyday life and the desire for escape - a yearning that so closely mirrored his own experiences.

Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by. In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.

'- What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland.' Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes without interference, the original 1922 text. Jeri Johnson's commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.

This heart is sore and sad. Crossed in love?

The manuscript of 'Giacomo Joyce', written in James Joyce's best handwriting and folded between the covers of a school notebook, was discovered in Trieste. Most likely written in 1914, some of it served as a rehearsal for passages in Ulysses. Had Joyce meant to pillage it or publish it? Either way, this fragmented evocation of unrequited desire is, in the words of Joyce's biographer Richard Ellmann, a work of 'small, fragile, enduring perfection'.

With a new introduction by Colm Tóibín.

Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

With an Introduction and Notes by Dr. Jacqueline Belanger, University of Cardiff. A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland. Written with a light touch, this is perhaps the most accessible of Joyce's works.

Introduction and Notes by Laurence Davies, Dartmouth College, New Hampshire. Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by. In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.

Universally known for his groundbreaking prose - especially for the monumental novel Ulysses and its depictions of Dublin at the turn of the twentieth century - James Joyce started off as a writer of lyrical poetry, a genre which he never abandoned in his lifetime and which informs and enriches the rest of his literary production. This volume, which includes Joyce's first published book, Chamber Music, as well as his later collection Pomes Penyeach and several other uncollected poems, reveals a lesser-known facet of the great modernist's artistic career and a glimpse into his poetical sensibility.

The greatest novel of the twentieth century, now in a beautiful Clothbound Classics centenary edition Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'.

First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist'. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in 'The Egoist' journal.

This third edition, newly revised and updated, includes comprehensive and all-new annotations (over 9,000 notes) by Joyce scholar Sam Slote, Trinity College, Dublin, and Marc A. Mamigonian and John Turner. A lively repository of literary allusion and colloquial realism, this dazzlingly innovative, ambitious novel is here presented in its 1939 version, which contains notable textual differences from the standard editions currently in print. Controversial, scandalous, erudite and funny, Ulysses is undisputedly a landmark of twentieth-century Modernism. It charts one day - 16th June 1904 - in the lives of three inhabitants of Dublin, the advertising salesman Leopold Bloom, the artist Stephen Dedalus and Bloom's wife Molly. Their peregrinations, thoughts and encounters form the basis of the narrative, which becomes a celebration of all human experience through the lives of specific individuals in a specific place at a specific time. Ulysses is both an experimental novel and a book intimately concerned with the events of modern life.

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Literature, as Joyce tells us through the character of Stephen Dedalus, 'is the eternal affirmation of the spirit of man'. Written over a seven-year period, from 1914 to 1921, Ulysses has survived bowderlization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishingly wide-ranging allusions confirm its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction Ulysses is 'An endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'

This edition is the standard Random House/Bodley Head text that first appeared in 1960.

Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners "Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng."

First published in 1914, Dubliners depicts middle-class Catholic life in Dublin at the start of the twentieth century. Themes within the stories include the disappointments of childhood, the frustrations of adolescence, and the importance of sexual awakening. James Joyce was twenty-five years old when he wrote this collection of short stories, among which 'The Dead' is probably the most famous. Considered at the time as a literary experiment, Dubliners contains moments of joy, fear, grief, love and loss, which combine to form one of the most complete depictions of a city ever written, and the stories remain as refreshingly original and surprising in this century as they did in the last. This Macmillan Collector's Library edition of Dubliners features an afterword by dramatist Peter Harness. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist'. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in 'The Egoist' journal.

Masterpiece of semiautobiographical fiction reveals a powerful portrait of the coming of age of a young man of unusual intelligence, sensitivity and character. Telling portrayals of an Irish upbringing and schooling, the Catholic Church and its priesthood, Parnell and Irish politics, sexual experimentation and its aftermath, and problems with art and morality.