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Readers who suffere from low thyroid, or think they might, can find
the missing answers. For the person who's been told "it's not your
thyroid," without then being told convincingly what the problem is.
This book provides readers with the knowledge needed to communicate
and work with their docteors to get the treatment they deserve.
Readers who suffere from low thyroid, or think they might, can find
the missing answers. For the person who's been told it's not your
thyroid, without then being told convincingly what the problem is.
This book provides readers with the knowledge needed to communicate
and work with their docteors to get the treatment they deserve.
WHAT ABOUT MY WEIGHT? is one physician's answer to the
near-universal frustration he hears from patients about their
weight-management efforts. Not just another weight-loss program, no
simple, easy solutions are promised. The notion is banished that
"I'm eating right" matters one iota, if the pounds aren't coming
off, or worse, are still piling on. WHAT ABOUT MY WEIGHT? is an
"anti-program," if you will, starting from the premise that weight
control is far more complex than simply eating less and exercising
more, however important those interventions might be-and just as
humans are widely diverse in general, so are the causes of and
solutions for obesity. Hence, when a diet or fitness program or
magic pill works for one, there is an excellent chance the same
will not work as well, if at all for the next. Rather than
presenting the latest and greatest plan, WHAT ABOUT MY WEIGHT?
instead takes readers on an educational tour through the mechanisms
of human energy balance and what varied factors, touching virtually
all aspects of modern society, impact the successes or failures of
one's weight-control efforts. It aims to give the individual the
necessary tools, and a strategy for figuring out what combination
of changes in the areas of nutrition and physical activity and
health care and more will work best for him or her to achieve a
healthier body weight, preventing or improving diabetes,
cholesterol problems, and cardiovascular diseases. It is chockfull
of practical advice, ranging from not comparing yourself to others,
especially your husband; to how to read and use food labels; to how
often to weigh yourself (daily ); to ignoring marketing traps and
hype; to throwing away hackneyed assumptions regarding the benefits
of exercise and diet drinks and juicing, and the dangers of dietary
fat, coffee and alcohol. And while not by any stretch solely
responsible for the obesity epidemic, sweet beverages-whether
flavored with artificial no-calorie sweeteners, or high-fructose
corn syrup-are a particular target in the crosshairs of WHAT ABOUT
MY WEIGHT? Everybody struggling to lose or maintain weight owes it
to themselves to give this book a read.
IN THE HEAT OF THE NIGHT meets DELIVERANCE meets THE FEMININE
MYSTIQUE. During a 1967 Ku Klux Klan uprising ex-Nashville-PI
Sherry Russell is drawn into the investigation, in rural Alabama,
of the "Lavonia Massacre"-a heinous racial hate crime counting
amongst its victims the brother and pregnant sister-in-law of
Sherry's African-American housekeeper. Sherry takes the case partly
as a respite from her burly husband's increasing pressure to start
a family, the prospects of motherhood as daunting to this Betty
Friedan disciple as facing down Klan killers, wielding chains, and
baseball bats, even live rattlesnakes and the odd Tommy gun. One of
the murdered Negroes, Montie Collins, was a sharecropper charged
with killing a white farmer after an open-and-shut investigation by
the bigoted local sheriff. When Sherry's fresh feminine perspective
deftly clears Collins of the earlier killing, the Klan's
justification for the Massacre is lost, threatening the
machinations of a megalomaniacal Imperial Wizard. Suddenly square
in the Klan's crosshairs Sherry picks her way along a dangerous
trail-aided by a grizzled civil rights reporter, and an
eight-fingered Klan preacher-to more murder, a ruthless Klan
bombing, and an FBI counterintelligence operation run
unconstitutionally amok. But when the lead agent needs a woman to
infiltrate a big Klan rally, a blown cover strands Sherry at ground
zero of a race war to end all race wars.
MAFIA MONEY LAUNDERING. BLACKMAIL. MUSIC ROW. In 1960s Nashville
Sherry Russell is the daughter and ex-fiancee of hardnosed
newspapermen-"a 35-25-35 blonde, with gams like Marilyn
Monroe's"-part Janet Leigh in Psycho, part January Jones in Mad
Men, pinches here and there of Scarlett O'Hara and Lisbeth
Salander. After falling from grace as a starched-white-uniform
nurse the year The Feminine Mystique rocked America, Sherry is
reborn a private detective, cutting her teeth on her own
philandering police-reporter fiance. Then amid big-money
fund-raising to build the Country Music Hall of Fame, Sherry is
hired to stop, or perhaps fuel, a scandal targeting the sexpot
queen of country-western, threatening to squelch forever the
Nashville Sound. The case leads from the Grand Ole Opry, to
Tennessee's Cumberland Plateau, to sin-city Biloxi,
Mississippi-playground of East Coast organized crime, and epicenter
of a grisly swath of murder, graft, and corruption by the infamous
"Dixie Mafia." Virginal Sherry gets quickly in over her head on the
Biloxi Strip, bounced between competing criminal gangs, and while
chivalry in 1965 isn't quite dead, this detective gets treated like
a lady for only so long-down mean streets where "no nice girls"
walk-encountering the "only one-armed hit man east of the
Mississippi," and making a blood enemy out of a misogynistic Mafia
money man called "Sally Snake Eyes." This debut Sherry Russell
Thriller marches the sub-genre of historical mysteries featuring
nurses turned hardboiled PIs-Winspear's Maisie Dobbs in post-WWI
London, Stanley's Miranda Corbie in circa-1940 San Francisco-firmly
into the 1960s South.
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