In late November 1864, the last Southern army east of the Mississippi that was still free to maneuver started out from northern Alabama on the Confederacy's last offensive. John Bell Hood and his Army of Tennessee had dreams of capturing Nashville and marching on to the Ohio River, but a small Union force under Hood's old West Point roommate stood between him and the state capital. In a desperate attempt to smash John Schofield's line at Franklin, Hood threw most of his men against the Union works, centered on the house of a family named Carter, and lost 30 percent of his attacking force in one afternoon, crippling his army and setting it up for a knockout blow at Nashville two weeks later. With firsthand accounts, letters and diary entries from the Carter House Archives, local historian James R. Knight paints a vivid picture of this gruesome conflict.

This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr begins with an historiographical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.

Between 1737 and 1746, James Knight a merchant, planter, and sometime Crown official and legislator in Jamaica wrote a massive two-volume history of the island. The first volume provided a narrative of the colony's development up to the mid-1740s, while the second offered a broad survey of most aspects of Jamaican life as it had developed by the third and fourth decades of the eighteenth century. Completed not long before his death in the winter of 1746-47 and held in the British Library, this work is now published for the first time. Well researched and intelligently critical, Knight's work is not only the most comprehensive account of Jamaica's ninety years as an English colony ever written; it is also one of the best representations of the provincial mentality as it had emerged in colonial British America between the founding of Virginia and 1750. Expertly edited and introduced by renowned scholar Jack Greene, this volume represents a colonial Caribbean history unique in its contemporary perspective, detail, and scope.

This new, thoroughly updated third edition of Bradt's Sierra Leone remains the only English-language guide dedicated to this unique West African destination, one of only three countries where the uber-elusive pygmy hippo can be found and where coastal mountains and sheltered beaches are the stuff of daydreams and postcards. With Bradt's Sierra Leone you can explore the infamous diamond mines and rainforest-covered mountains; go in search of pygmy hippos or relax on the country's beaches and islands. Offering significantly more coverage than any other guide, it is an ideal companion for tourists, volunteers and international workers alike, and also covers newly declared eco-tourist sites as well as the trans-boundary 'peace park' of Gola Forest National Park, shared with neighbouring Liberia. This new edition also covers Freetown's new beach music festival, as well as details of everything from where to visit rescued chimpanzees to touring the traditional wooden-board homes of the Krio people, descendants of repatriated slaves from the Americas and Europe. Sierra Leone continues to be one of the best beach destinations in West Africa, and also one of the region's best trekking destinations, given the varied topography and the presence of Mount Bintumani, West Africa's highest peak. The country has seen a heartening recovery since emerging from civil war a decade ago and the Bradt guide is the first to take stock of the country's post-Ebola travel situation. Sierra Leone is proudly back on the tourism map for the adventurous, beach-loving, jungle-exploring, mountain-scaling and curious of heart traveller.

As a kid, Bernie Shakeshaft's mischievous and reckless behaviour led him to became known as the wild one of his devout Catholic family. It isn't surprising that his path led him to the Northern Territory, a place where people often go to either lose themselves or find themselves. Bernie, a searcher for his purpose in life, found himself. He had many jobs, firstly as a ringer on a cattle station owned by the Packer family, and later as a dingo trapper for the Parks and Wildlife Service. Throughout it all, he drank, he swore, he fought, and took chances with his own well-being. But, crucially, he also developed deep connections with the Indigenous people, and it was these connections that helped lay the foundations for what was to come. He worked for youth welfare organisations, and all the while he built up his knowledge about helping wayward youths, particularly those from Indigenous communities. Years later, Bernie was living in Armidale. He'd been visiting too many kids in prison and going to too many funerals. The usual methods weren't working so that reckless, mischievous kid inside him decided he could do better. He started a youth program called BackTrack, with three aims: To keep them alive, out of jail and chasing their hopes and dreams. For most, this was their last chance. Combining life skills, education, job preparedness with rural work, Bernie threw in one other factor: dogs! And it works. With the help of these working dogs, the lost boys (and girls) find their way back on track. These days, Backtrack youth tour the country competing in dog-jumping trials. Bernie and the BackTrack team are now supporting other communities in Lake Cargelligo, Broken Hill, Dubbo and Grafton, and have forged a new beginning for over 1000 young people. This one man is making a huge difference. In BACK ON TRACK, bestselling author James Knight tells Bernie's story and the stories of those whose lives he has saved. It is a powerful reminder that we should never give up on our kids. 'This fella Bernie, he's a good fella, a bit of a genius really. What a great story.' - Russell Crowe

This classic compendium of ancient Indian artifacts from the entire southeastern United States remains an indispensable reference source for professionals and enthusiasts alike.

From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in "Sun Circles and Human Hands " present the archaeological record of the art and native crafts of the prehistoric southeastern Indians. Painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories, "Sun Circles and Human Hands" is remarkable for its breadth of illustration of Indian-made artifacts and its comprehensive documentation. Although research over the last 50 years has disproven many of the early theories reported in the text--which were not the editors' theories but those of the archaeologists of the day--the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.

Broadly acclaimed when it first appeared, this new printing has the added value of Knight's foreword, which places the work in its proper context. Useful to museums, state and national parks, school libraries, gift stores, archaeological agencies, and private collections, "Sun Circles and Human Hands" is a rich pictorial survey accessible to anyone interested in early American Indian culture.

"The mannequins are here again. I can feel them throbbing in my ears. They're standing around in the kitchen, impassive as stone. But inside they're laughing. I'm not getting out of bed for them, not this time." In the Dark Room is a surreal novella written and illustrated by James Knight, author of Head Traumas. The story is narrated by a bedridden man who finds himself besieged by memories, fantasies and the mannequins at the bottom of the stairs. Knight's combination of words and pictures invites us into a strange yet familiar world, governed by the logic of a dream. This special edition includes 40 full colour "oneirographs", Knight's trademark dream pictures.

Void Voices is a descent into the Hell that is our contemporary culture. Inevitably, Trump and Brexit feature. Dante's guide was Virgil; Knight's is an undead T S Eliot. Along the way, the reader is assailed by a cacophony of heterogeneous material, including song lyrics, doctored news stories, lines from old poems, transcriptions of nonsense texts generated by Google Translate. The Hell is that of our culture; it is also that of the poem itself: poem as voice-filled void.