Worst Boys in Town: And Other Addresses to Young Men and Women, Boys and Girls Authored by Rev. James L. Hill D.D.

Creek Internationalism in an Age of Revolution, 1763–1818 examines how Creek communities and their leaders remained viable geopolitical actors in the trans-Appalachian West well after the American Revolution. The Creeks pursued aggressive and far-reaching diplomacy between 1763 and 1818 to assert their territorial and political sovereignty while thwarting American efforts to establish control over the region. The United States and the Creeks fought to secure recognition from the powers of Europe that would guarantee political and territorial sovereignty: the Creeks fought to maintain their connections to the Atlantic world and preserve their central role in the geopolitics of the trans-Appalachian West, while the American colonies sought first to establish themselves as an independent nation, then to expand borders to secure diplomatic and commercial rights.             Creeks continued to forge useful ties with agents of European empires despite American attempts to circumscribe Creek contact with the outside world. The Creeks’ solicitation of trade and diplomatic channels with British and Spanish colonists in the West Indies, Canada, and various Gulf Coast outposts served key functions for defenders of local autonomy. Native peoples fought to preserve the geopolitical order that dominated the colonial era, making the trans-Appalachian West a kaleidoscope of sovereign peoples where negotiation prevailed. As a result, the United States lacked the ability to impose its will on its Indigenous neighbors, much like the European empires that had preceded them. Hill provides a significant revisionist history of Creek diplomacy and power that fills gaps within the broader study of the Atlantic world and early American history to show how Indigenous power thwarted European empires in North America.  

Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement. Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.