"The Critic in the Modern World" explores the work of six influential literary critics--Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood--each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, ""The Critic in the Modern World ""considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

My story is about love... No, it's about loss... No, it's about love and loss and pain and loneliness... But it's funny! Calvin is going to completely revolutionise his life. Escape his abusive boyfriend, detonate his inner sex bomb, see (and shag) the world. Yes, he's going to change things, and everything will be wonderful, and he's going to be so happy. Definitely. Finally. Right? Together with Wilf, a rusty Volkswagen Polo which, like Calvin, has seen better days, they hit the road on a wild ride of dodgy Airbnbs, greasy takeaways, anonymous graveyard sex and banging 80s power ballads - ending up somewhere they never imagined they'd go. But is Calvin breaking free, breaking down, or just breakdancing in hot pants? This riotous and heartfelt new play from James Ley (Love Song to Lavender Menace) takes audiences on a hilarious and unapologetic ride through Scotland as Calvin and Wilf attempt to escape loneliness, cope with mental illness and learn to love themselves, with the help of one another. This edition was published alongside the production at Traverse Theatre for the Edinburgh Festival Fringe in August 2022.

Gordon is homonormative and fears he might be pathologically boring until he meets Cumpig and Manpussy at a sex party in Leith.  When they tell him about Europe’s biggest gay sex party in Berlin, Gordon obviously wants to go, but can he really transform into a sex pig?  A new LGBTQ play about love, friendship and Schokoladenkuchen from James Ley. First previewed on 21 July 2022 and presented at Edinburgh Festival Fringe as part of the 2022 Made in Scotland Showcase, by Stories Untold Productions Ltd.   ‘A filthy and brilliantly-paced joyride’ ★★★★ The Scotsman on Wilf Shortlisted for 2023 Best New Play CATS (Critics Awards for Theatre in Scotland)

"The Critic in the Modern World" explores the work of six influential literary critics--Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood--each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, ""The Critic in the Modern World ""considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

In 1982, two friends Bob and Sigrid opened their new radical lesbian, gay and feminist bookshop, 'Lavender Menace' on Edinburgh's Forth Street. On the eve of the shop's 5th birthday, sales assistants Paul and David take a look back at its origins, in this funny, moving play. Cast your mind back to 1982 - Margaret Thatcher sends the British Fleet to the Falklands, Channel 4 comes to the living room and Prince William is born. But this play has nothing to do with all that. This play is about activism, community and fighting for acceptance with words, music, humour and heart. The play looks back at 1982, as Bob and Sigrid open their shop. A trailblazing venture that began life in the cloakroom of a gay club, the shop will become the beating heart of Edinburgh's LGBT+ community. Now, on the final night of the shop's existence, sales assistants Lewis and Glen look back at its origins, its importance, its celebration of queer culture, how things have changed for the better (maybe)...And straight away the arguments begin! Love Song to Lavender Menace is a beautifully funny and moving exploration of the love and passion it takes to make something happen and the loss that is felt when you have to let it go. "Ley's script achieves a deft and sophisticated balance of subjects and registers, shedding light on queer experience with humour, warmth, passion and complexity." (The Scotsman)

Includes the plays Spain, I Heart Maths and Up The theme of self-indulgence unites the three plays in The Ego Plays collection. At the heart of each is a gay man asking a lot of questions... about himself. These questions range from scientififIc and philosophical musings to angst-ridden pleas for enlightenment. They come from men who have become so trapped in their own situations that they can no longer successfully connect with the outside world. Up is a play about despair, I Heart Maths is a play about love and Spain is a play about moving on. Together they present the cognitive processes of three men who have allowed personal problems to grow to monstrous proportions. In each of these plays excessive self analysisleads to the main characters taking desperate measures, though frequently also leading to humorous consequences. But while these plays are comedies, exploring the perils of taking oneself too seriously, they are not intended to be cruel. Instead they set their characters free by making their worst fears come true and then taking them somewhere new.