Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Many people see their lives playing out like a movie they cannot control. They have come to feel like spectators watching a story unfold, unable to stop the stampeding consequences. They feel the die is cast, and nothing they do can alter the outcome. James MacDonald believes that is a lie. In 10 Choices he says, while people are where they are in life because of the choices they've made, they don't have to stay there. This book is about getting beyond self-help and blame shifting and changing at the deepest and most profound level...the will. A person's will is what he uses to choose and act. This book helps readers to discover the heights to which their wills, truly surrendered to God, can actually soar and the "10 choices" that can take them there. This impactful book will prompt readers to make 10 Choices that are sure to change their lives forever.

A book about birdsong, from the critically acclaimed author of Raptor. In Wild Air, James Macdonald Lockhart sets out to write about a series of birds as though he has his granny's role of listening to birds' songs and calls and relaying what she heard to her aged and by then quite deaf father - the famous naturalist Seton Gordon. From a nightjar's strange churring song on a heath in the south of England, to a lapwing displaying over the machair in the Outer Hebrides, he writes about eight different birds who he has spent most time with, returned to most often and relays what he hears. The eight species are all representative of a different habitat. Nightjars on a lowland heath; shearwaters on a mountain overlooking the sea; dippers on a river; skylarks in farmland; ravens in woodland; divers on a loch; lapwings on the coast; and nightingales in dense scrub. Not all of the birds are songbirds in the traditional sense, though each possesses its own distinctive music. That music can vary from the strange, as in the weird gurgling sound a shearwater makes inside its burrow, to the joyous exuberance of the skylark's song. Sometimes, he hears a lot, and sees little (shearwaters in the pitch dark); sometimes he sees a lot, but hears little (black-throated divers on their loch). But in every case the sounds the birds make become an introduction to their lives - an audible introduction to the birds and the places they are found.

Musical Mystery / additional music by Ed Linderman / Casting: 6m, 4f / Scenery: Interior

Scored for seven instruments. May be done with one piano. A zany, entertaining show that takes a satirical poke at Agatha Christie mysteries and musical styles of past years. Ten people are stranded in an isolated English country house during a raging thunderstorm. One by one they're picked off by cleverly fiendish devices. As the bodies pile up in the library, the survivors frantically race to uncover the identity and motivation of the cunning culprit.

"The audience adored the show."-- N.Y. Times.

"Engaging, funny, refreshing and original."-- N.Y. Post.

"An enchanting spoof."-- N.Y. Daily News.

"Both a spoof and a tribute to Agatha Christie ... played with fine tuned, flamboyantly melodramatic affectations." -- L.A. Times.

Disability studies have long been the domain of medical and pedagogical academics. However, in recent years, the subject has outgrown its clinical origins. In Freaks of History, James MacDonald presents two dramatic explorations of disability within the wider themes of sexuality, gender, foreignness and the Other. Originally directed by Martin Harvey and performed by undergraduate students at the University of Exeter, Wellclose Square and Unsex Me Here analyse cultural marginalization against the backdrop of infamous historical events. MacDonald, who is cerebral palsied, recognizes that disability narratives are rarely written by and for disabled people. Therefore, his plays, accompanied by critical essays and director's notes, are a welcome addition to the emerging discourse of Crip theory and essential reading for disability students and academics alike.

Designed for undergraduate performance, "Carnival Texts" comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin's concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humor. Making creative use of post-Brechtian performance theory, these texts blur the distinction between spectator and performer in a fascinating exploration of physical, moral, and cultural upheaval in a postmodern age. Performance theory is crucial to understanding how performance affects collective understanding, and this book will be of interest to a broad range of students of drama and theater.

Coming on the heels of the bicentennial of Abraham Lincoln's birth, Lincoln's Enduring Legacy offers highly readable and accessible perspectives on Lincoln at 200 in terms of his impact on great leaders and thinkers and his place in American history. The book explores how Lincoln's words and deeds have influenced the pursuit of justice and freedom and the practice of democracy in the century and a half since he governed. Lincoln, as an abolitionist, the architect of Reconstruction, an avowed Unionist, a wordsmith and rhetorician, his age's foremost prophet for democracy, and America's greatest president remains an iconic image in American memory.

Winner of The Royal Society of Literature Jerwood Award for Non-Fiction in 2011 and the Authors' Foundation Roger Deakin Award in 2011 A stunning debut in the tradition of Robert Macfarlane and Helen Macdonald Of all the birds of the British Isles, the raptor reigns supreme, sparking the imagination like no other. In this magnificent hymn to these beautiful animals, James Macdonald Lockhart explores all fifteen breeding birds of prey on these shores - from the hen harrier swimming over the land in the dregs of a May gale on Orkney, to the ghostly sparrowhawk displaying in the fields around his home in Warwickshire. This is a book that will change how we think of our own skies.

Sgeulachd Pheadair Rabaid Gaelic Translation of The Tale of the Peter Rabbit, published in 1902. While holidaying in Dunkeld, Beatrix Potter wrote her first draft of Peter Rabbit. Not surprisingly, Mr McGregor appears, as Perthshire is home of the ancient Clan Gregor. Now, at last, Gaelic-speaking children may delight in Tales of Peter Rabbit, family and friends.

For the greater part of recorded history the most successful and powerful states were autocracies; yet now the world is increasingly dominated by democracies. In "A Free Nation Deep in Debt," James Macdonald provides a novel answer for how and why this political transformation occurred. The pressures of war finance led ancient states to store up treasure; and treasure accumulation invariably favored autocratic states. But when the art of public borrowing was developed by the city-states of medieval Italy as a democratic alternative to the treasure chest, the balance of power tipped. From that point on, the pressures of war favored states with the greatest public creditworthiness; and the most creditworthy states were invariably those in which the people who provided the money also controlled the government. Democracy had found a secret weapon and the era of the citizen creditor was born. Macdonald unfolds this tale in a sweeping history that starts in biblical times, passes via medieval Italy to the wars and revolutions of the seventeenth and eighteenth centuries, and ends with the great bond drives that financed the two world wars.