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Newest research into drama and performance of the middle ages.
Medieval English Theatre is the premier journal in early theatre
studies. Its name belies its wide range of interest: it publishes
articles on theatre and pageantry from across the British Isles up
to the opening of the London playhouses and the suppression of the
civic mystery cycles, and also includes contributions on European
and Latin drama, together with analyses of modern survivals or
equivalents, and of research productions of medieval plays. This
volume features essays on stagecraft, performance, and reception
across a wide range of theatrical genres. Overlapping themes
include a return to the York Corpus Christi Play, the
practicalities of pageant waggon construction and maintenance,
mechanical stage effects, international influences, East Anglian
theatre and "folk" happenings, academic Latin drama, and private
gentry festivities. Contributors include Jamie Beckett, Phil
Butterworth, Peter Happe, James McBain, Tom Pettitt, James Stokes,
and Diana Wyatt.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
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