In the 1980s alone, some 100 periodicals were published by and for inmates of America's prisons. Unlike their peers who passed their sentences stamping out licence plates, these convicts spent their days like reporters in any community - looking for the story. Yet their own story, the lengthy history of their unique brand of journalism, remained largely unknown. In this volume James McGrath Morris seeks to address the history of this medium, the lives of the men and women who brought it to life, and the controversies that often surround it.

During the past two centuries a vibrant prison press has chronicled life behind bars in American prisons, championed inmate causes, and challenged those in authority who sought to silence it. At its apex, several hundred periodicals were published by and for inmates. Unlike their peers who passed their sentences stamping out license plates, these convicts spent their days like reporters in any community-looking for the story. Yet their own story, the lengthy history of their unique brand of journalism, has remained largely unknown. In "Jailhouse Journalism," James McGrath Morris presents the history of this medium, the lives of the men and women who brought it to life, and the controversies that often surround it.

The dramatic history of prison journalism has included many famous, notorious, and unique personalities such as Robert Morris, the "financier of the America Revolution"; the Younger Brothers of the Jesse James gang; Julian Hawthorne, the only son of Nathaniel Hawthorne; men of the radical Industrial Workers of the World (IWW); Charles Chapin, famed city editor of New York's "Evening World" until he murdered his wife; Dr. Frederick Cook, North Pole explorer whose claim to have been the first to reach the pole is still debated today; Tom Runyon, who won a place for himself in history with an Underwood; and Wilbert Rideau, an illiterate teenaged murderer who raised prison journalism to the pinnacle of achievement.

In his new introduction Morris addresses the spread of prison journalism into other forms of media, such as radio and the Internet. He discusses the conflicts between those who publish jailhouse news and those who would wish to control, or eliminate it altogether.

In nineteenth-century industrial America, while Carnegie provided the steel, Rockefeller the oil, Morgan the money, and Vanderbilt the railroads, Pulitzer ushered in the modern mass media.

James McGrath Morris chronicles the epic story of Joseph Pulitzer, a Jewish Hungarian immigrant who amassed great wealth and extraordinary power during his remarkable rise through American politics and journalism. Based on years of research and newly discovered documents, "Pulitzer" is a classic, magisterial biography. It is a gripping portrait of the media baron who transformed American journalism into a medium of mass consumption and immense influence, and of the grueling legal battles he endured for freedom of the press that changed the landscape of American newspapers and politics.

This classic collection of nonfiction essays about life in New Mexico by the great Tony Hillerman remains a must read for anyone looking to understand the state's unique charm. The vivid pieces in The Great Taos Bank Robbery paint an indelible portrait of life--with all its magnificent quirks and foibles--in the Land of Enchantment. Celebrating fifty years since its original 1973 release, this anniversary edition offers a new introduction by noted Hillerman biographer James McGrath Morris and a foreword by Anne Hillerman, introducing a new generation of readers to the magic of Tony Hillerman and New Mexico.

The author of eighteen spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives. Morris offers a balanced portrait of Hillerman's personal and professional life and provides a timely appreciation of his work. In intimate detail, Morris captures the author's early years in Depression-era Oklahoma; his near-death experience in World War II; his sixty-year marriage to Marie; his family life, including six children, five of them adopted; his work in the trenches of journalism; his affliction with PTSD and its connection to his enchantment with Navajo spirituality; and his ascension as one of America's best-known authors of mysteries. Further, Morris uncovers the almost accidental invention of Hillerman's iconic detective Joe Leaphorn and the circumstances that led to the addition of Jim Chee as his partner. Hillerman's novels were not without controversy. Morris examines the charges of cultural appropriation leveled at the author toward the end of his life. Yet, for many readers, including many Native Americans, Hillerman deserves critical acclaim for his knowledgeable and sensitive portrayal of DinE (Navajo) history, culture, and identity. At the time of Hillerman's death, more than 20 million copies of his books were in print, and his novels inspired Robert Redford to adapt them to film. In weaving together all the elements of the author's life, Morris drew on the untapped collection of the author's papers, extensive archival research, interviews with friends, colleagues, and family, as well as travel in the Navajo Nation. Filled with never-before-told anecdotes and fresh insights, Tony Hillerman will thrill the author's fans and awaken new interest in his life and literary legacy.

Rich in evocative detail--from Paris cafes to Austrian chateaus, from the streets of Pamplona to the waters of Key West--The Ambulance Drivers tells the story of two aspiring writers, Ernest Hemingway and John Dos Passos, who met in World War I and forged a twenty-year friendship that produced some of America's greatest novels, giving voice to a generation shaken by war. In war, Hemingway found adventure, women, and a cause. Dos Passos saw only oppression and futility. Their different visions eventually turned their private friendship into a nasty public fight, fueled by money, jealousy, and lust. This is not only a biography of the turbulent friendship between two of the century's greatest writers but also an illustration of how war inspires and destroys, unites and divides.