Lawrence Gordon Clark directs this triple bill of BBC adaptations of the ghost stories by M.R. James. In 'Lost Hearts' (1973) young orphan Stephen (Simon Gipps-Kent) goes to stay at the generous Mr. Abney (Joseph O'Connor)'s estate where he is haunted by two children who previously lived in the house. It turns out the children have come to warn Stephen that Abney is not all that he seems. In 'The Ash Tree' (1975) Sir Richard Fell (Edward Petherbridge) inherits his uncle's manor and grounds. He moves in and decides to cut down an ash tree that could prove harmful to the property but before he gets the chance he begins to hear strange sounds and sees supernatural figures coming from the tree... In 'The Treasure of Abbot Thomas' (1974) cynical Reverend Somerton (Michael Bryant) is completely close-minded when it comes to paranormal activity. His steadfast beliefs falter, however, when his and Lord Peter Dattering (Paul Lavers)'s search for the treasure of alchemist Abbot Thomas (John Herrington) unleashes a terrifying spectre.

A collection of previously lost, now restored episodes - known by fans as the 'orphaned' episodes - from the legendary Doctor Who series. Episodes are: 'The Crusade' (1); 'The Crusade' (3) - with commentary by Julian Glover and Gary Russell; 'The Daleks' Master Plan' (2) - with commentary by Peter Purves, Kevin Stoney and Ray Cusick; 'The Daleks' Master Plan' (5); 'The Daleks' Master Plan' (10); 'The Celestial Toymaker' (4); 'The Underwater Menace (3)'; 'The Moonbase' (2); 'The Moonbase' (4); 'The Faceless Ones' (1); 'The Faceless Ones' (3); 'The Evil of the Daleks (2) - with commentary by Deborah Watling and Gary Russell; 'The Abominable Snowmen' (2) - with commentary by Deborah Watling and Gary Russell; 'The Enemy of the World' (3); 'The Web of Fear' (1) - with commentary by Deborah Watling, Derrick Sherwin and Gary Russell; 'The Wheel in Space (3)'; 'The Wheel in Space (6) - with commentary by Derrick Sherwin and Tristan de Vere Cole; and 'The Space Pirates' (2). 'Audio only' episodes are: 'The Crusade' (2); 'The Crusade' (4); 'The Moonbase' (1); and 'The Moonbase' (3).

Jo (Katy Manning) and the Doctor (Jon Pertwee) have been sent on a mission by the Time Lords to deliver a package to a recipient on the planet Solos. Arriving on a nearby space station, the Doctor becomes involved in the planet's struggle to gain its independence from Earth's colonial powers. But the current colonial leader, a man known only as the Marshal, is not keen to give up control, and is planning to bomb the inhabitants out of existence.

The new normal isn't very normal. but then, neither was the old ...James Mellor, prominent corporate cartoonist and regular. contributor to private eye magazine, presents his favourite cartoons from the time of coronavirus. This is the story of how we were locked down and unlocked, tested and traced, then jabbed and pinged from the satirical to the silly, quarantoons is a record of, and antidote to, the strange times we live in. It was a strange feeling to watch a disaster coming from afar. Like a tidal wave in slow motion, inexorably moving closer. In the UK we saw the news from China, then from New York, then Italy. In today’s globally connected world, the English Channel was no defensive moat. We watched as the virus spread closer and there was nothing any of us could do. Well, we could go and buy large amounts of toilet roll, but there was nothing we could usefully do. I say nothing we could do; being British, we did what we always do. We made jokes, we made fun, and we carried on. Except for the oddballs buying the toilet roll, of course. Cartoonists who make fun of the news continued to make fun of the news. Laughter is a coping mechanism that helps confront adversity and dampen anxiety. It was very important to carry on cartooning. As many a redcoat joked down the centuries, ‘for what we are about to receive…’

The purpose of this little book is to help people understand the realities of trying to transition from working full-time to achieving genuine semi-retirement. David Mellor is making this journey himself and wanted to share with other people what it is really like. David has selected 30 lessons that he has learned thus far and tried to balance what he has experienced with observations from 30 other people. David's key objective is to present the reader with an opportunity to move forward with confidence and "eyes wide open".

Nobody said leaving would be easy... did they? Brexit - A Drawn Out Process is a collection of James Mellor's political cartoons from the referendum, the negotiations, the countdown to the Brexit-Day-that-wasn't, and beyond. This cartoon compilation tells the story of Brexit, with its deal and derailments, its splits and the spats, and features a familiar cast of hopeless politicians, bemused onlookers and anthropomorphic animals. In a book which crosses red lines, fails six tests, and crashes headlong into a backstop, James Mellor's cartoons chronicle the Brexit story (so far...). James Mellor's cartoons have appeared in Private Eye, The Sunday Telegraph, Business Impact and numerous other publications. He is the associate illustrator for Lea Graham Ltd. and cartoonist in residence for the financial services community, Octo Members Group.

Cartoonist James Mellor casts his eye over the events of the past year. From Brexit, Article 50 and a snap general election to events in space, international incidents and the ongoing saga of the 45th President of the USA, 2017 has been anything by dull. Drawn from 2017 features cartoons from the worlds of politics, business, history, film, TV and online culture which provide a sideways glance at some familiar stories.

Drawn From History is a cartoon journey through Britain's past. Cartoonist James Mellor traces the story of Britain from the end of the Ice Age to the dawn of the twenty-first century and captures a selection of the nation's most significant episodes (and some of the other slightly less significant happenings) with a humorous sideways slant.With a foreword from Gregg Wallace of BBC's MasterChef.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm23667229London: Stevens and Haynes, 1876. xvi, 144 p.; 18 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Columbia Law School Libraryocm32778063Includes index.London: Stevens and Haynes, 1867. xv, 208 p.; 19 cm.