This book assesses the extent to which British news organizations gave exposure and credence to different political interpretations of economics and business news in the decade before the 2008 Financial Crisis. Through the content analysis of some 1,600 news items, this study provides compelling empirical evidence to inform often theoretical debates about neoliberal assumptions in the media. In each of the three pre-2008 case studies - economic globalization, private finance and public services, and Tesco - Merrill finds that the Telegraph, The Times, the Sunday Times and, to varying extents, the Guardian-Observer and the BBC gave limited exposure and credence to ideas from the left of the political spectrum. As such, he builds an important comparative picture of economic, business and financial journalism in the period before the defining event of the decade, the effects of which continue to resonate.

Following the widely celebrated "Collected Poems," this second volume in the series of James Merrill's works brings us Merrill as novelist and playwright. Just as in his poems we come upon prose pieces, dramatic dialogue, and even a short play in verse, in his novels and plays we find the rhythms of his poetry reflected and given new form.
Merrill's first novel, "The Seraglio," is a daring "roman a clef" derived in large part from his early life as the cosmopolitan son of Charles Merrill, one of America's most famous twentieth-century financiers. Written in a highly refined prose that owes something to Henry James, the book is a compelling portrait of the luxury and treachery swirling around the Southampton beach house of an irrepressible family patriarch, with his many mistresses and ex-mistresses in attendance, told from the point of view of his lively but troubled son. At the other end of the narrative spectrum we find "The (Diblos) Notebook," an experimental novel in which a young American's adventures on a Greek island are deconstructed and assembled into a tentative fiction before our eyes. Merrill's plays, including the one-act comedy of manners "The Bait" and the Chekhovian" The Immortal Husband"--a reinvention of the myth of Tithonus, who was granted eternal life but not eternal youth--are also fresh turns on his characteristic themes: home and travel, reality and artifice, simplicity and complication. And, for the first time in print, here is Merrill's short play "The Birthday," a fledgling effort written in 1947 and a fascinating window onto the concern with spiritual communication and the otherwordly that would later blossom into his great epic, " The Changing Light at Sandover."

"From the Hardcover edition."

Title: Geology of Tennessee.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Safford, James Merrill; 1869. xi. 550 p.; 8 . 7109.g.21.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

A theological guide to biblical preaching from prophetic texts, Preaching from the Prophets invites preachers to look with imagination at the possibilities of prophetic preaching today. With prophetic and assertive style, James and Christine Ward bridge the chasm between ancient Israel and our modern culture. They show how to choose text and develop sermons that address racism, ecology, and other major ethical issues of our time. Many pastors will refer to this volume again and again for its outstanding exegesis of crucial prophetic texts.

James Merrill himself once called his body of work "chronicles of love and loss," and in twenty books written over four decades he used the details of his own life--comic and haunting, exotic and domestic--to shape a portrait that in turn mirrored the image of our world and our moment. This volume rings together the best of Merrill--from the domestic rupture of "The Broken Home" to the universal connections of "Lost in Translation"; from the American storyteller of "The Summer People" to the ecologically motivated satirist of "Self-Portrait in a TyvekTM Windbreaker." Merrill dazzles at every turn, and this balanced and compact selection will be an ideal introduction to the work for both students and general readers, and an instant favorite among his familiars.
Log
Then when the flame forked like a sudden path
I gasped and stumbled, and was less.
Density pulsing upward, gauze of ash,
Dear light along the way to nothingness,
What could be made of you but light, and this?

James Merrill once called his poetic works 'chronicles of love and loss', and in twenty books written over four decades he used the details of his life - comic and haunting, exotic and domestic - to shape a compelling, sometimes intensely moving, personal portrait. Sophisticated, witty and ironic, his poetry also engages passionately with topical issues - war, terrorism, political corruption, AIDS, climate change and the destruction of nature. An admirer of Wallace Stevens, Elizabeth Bishop and W. H. Auden, Merrill, like them, has left a legacy that will speak to readers for years to come.