Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A tragedy of Virginian colonial frontier
In the summer of 1786 a large war party of Shawnee Indians entered Abb's Valley, Virginia, and descended on the household of militia officer Captain John Moore which included members of his immediate family together with hired labourers. The family occupied a substantial log building and were well armed, so Moore believed that his family was well placed to fight off a small Indian attack. The nearest homestead was six miles away and Moore, relying on his own abilities, thought it unnecessary to follow the example of neighbours by taking refuge in the nearest fort. The attack achieved complete surprise and Moore was killed before he could reach the safety of the house. What followed was an appalling, but typical, Indian massacre of the colonial period frontier in the 18th century. Various family members, young and old, were slaughtered on the spot, the property was set alight and a substantial herd of livestock was taken. Surviving members of the Moore family were taken as captives to the Indian townships, several of them being murdered on the journey. Once the survivors reached the Indian village there followed another period of torture which for Mrs. Moore and a teenage daughter proved fatal. Two young women survived their ordeals to eventually be ransomed. The story of this notable frontier tragedy was written by James Moore, a son of Mary Moore, who was one of the two ransomed captives. This a vital account of the struggles endured by the early settlers of the American wilderness and will be of essential interest to anyone interested in the early history of the state of Virginia.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians. -- .