Anglo-India's regional literature was both a practical and imaginative response to a pivotal period in the early colonialism of South Asia. Awarded as Honorable Mention of the Louis Gottschalk Prize by the American Society for Eighteenth-Century Studies (ASECS). Shortlisted for the Kenshur Prize by the Center for Eighteenth-Century Studies, Indiana University, John Ben Snow Prize by the North American Conference on British Studies, Marilyn Gaull Book Award by the Wordsworth-Coleridge Association. During the later decades of the eighteenth century, a rapid influx of English-speaking Europeans arrived in India with an interest in expanding the creation and distribution of anglophone literature. At the same time, a series of military, political, and economic successes for the British in Asia created the first global crisis to shepherd in an international system of national ideologies. In this study of colonial literary production, James Mulholland proposes that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. The EIC drew its employees from around the British Isles, bringing together people with a wide variety of ethnic and national origins. Its cultural infrastructure expanded from presses and newspapers to poetry collections, letters, paper-making and selling, circulating libraries, and amateur theaters. Recovering this rich archive of documents and activities, Mulholland shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. He shows why Anglo-Indian literary publics cohered during this period, reexamining the relationship between writing in English and imperial power in a way that moves beyond the easy correspondence of literature as an instrument of empire. Tracing regional and "translocal" links among Madras, Calcutta, Bombay, and settlements surrounding the Bay of Bengal, Before the Raj recovers a network of authors, reading publics, and corporate agents to demonstrate that anglophone literature adapted itself to geographical politics and social circumstances, rather than being simply imitative of the works produced in the English metropole. Mulholland introduces readers to figures like the Calcutta-born Eyles Irwin, the first man to sustain a literary career from India. We also meet James Romney, an army officer who wrote poems and plays, including a stage adaptation of Tristram Shandy. Alongside these men were anonymous female poets, hailed as the harbingers of an "anglo-asiatic taste," and captive adolescent Europeans who, caught up in the conflict with southern India's last independent ruler, Tipu Sultan, were forcibly converted to Islam, castrated, and made to cross-dress as "dancing boys" for Tipu's entertainment. Revealing the vibrant literary culture that existed long before the characters of Rudyard Kipling's best-known works, Before the Raj reveals how these writers operated within a web of colonial cities and trading outposts that borrowed from one another and produced vital interlinked aesthetics.

Anglo-India's regional literature was both a practical and imaginative response to a pivotal period in the early colonialism of South Asia. Awarded as Honorable Mention of the Louis Gottschalk Prize by the American Society for Eighteenth-Century Studies (ASECS). Shortlisted for the Kenshur Prize by the Center for Eighteenth-Century Studies, Indiana University, John Ben Snow Prize by the North American Conference on British Studies, Marilyn Gaull Book Award by the Wordsworth-Coleridge Association. During the later decades of the eighteenth century, a rapid influx of English-speaking Europeans arrived in India with an interest in expanding the creation and distribution of anglophone literature. At the same time, a series of military, political, and economic successes for the British in Asia created the first global crisis to shepherd in an international system of national ideologies. In this study of colonial literary production, James Mulholland proposes that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. The EIC drew its employees from around the British Isles, bringing together people with a wide variety of ethnic and national origins. Its cultural infrastructure expanded from presses and newspapers to poetry collections, letters, paper-making and selling, circulating libraries, and amateur theaters. Recovering this rich archive of documents and activities, Mulholland shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. He shows why Anglo-Indian literary publics cohered during this period, reexamining the relationship between writing in English and imperial power in a way that moves beyond the easy correspondence of literature as an instrument of empire. Tracing regional and "translocal" links among Madras, Calcutta, Bombay, and settlements surrounding the Bay of Bengal, Before the Raj recovers a network of authors, reading publics, and corporate agents to demonstrate that anglophone literature adapted itself to geographical politics and social circumstances, rather than being simply imitative of the works produced in the English metropole. Mulholland introduces readers to figures like the Calcutta-born Eyles Irwin, the first man to sustain a literary career from India. We also meet James Romney, an army officer who wrote poems and plays, including a stage adaptation of Tristram Shandy. Alongside these men were anonymous female poets, hailed as the harbingers of an "anglo-asiatic taste," and captive adolescent Europeans who, caught up in the conflict with southern India's last independent ruler, Tipu Sultan, were forcibly converted to Islam, castrated, and made to cross-dress as "dancing boys" for Tipu's entertainment. Revealing the vibrant literary culture that existed long before the characters of Rudyard Kipling's best-known works, Before the Raj reveals how these writers operated within a web of colonial cities and trading outposts that borrowed from one another and produced vital interlinked aesthetics.

In "Sounding Imperial," James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating "primitive" speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.

Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. "Sounding Imperial" traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry's role in the formation of national culture and the exercise of colonial power.

"Sounding Imperial" offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.

If you've considered leaving your religion, you are not alone. Each year over two million adults in the United States decide to no longer identify themselves with a specific religion. In 2012, according to the annual Pew Forum American Religious Identity Survey, over 45 million (20%) of the adults in the United States no longer claimed a religious tradition. For a variety of reasons, many are discovering religion doesn't work for them any longer. Unfortunately, for those becoming post-religious, there is very little being written by them or for them. In this book, James Mulholland - a former Christian minister and author of several best-selling religious books - offers practical advice to those struggling to make the shift from a religious to a non-religious life. Regardless of your religious background, there are common challenges in this transition. Understanding your losses, obstacles and opportunities can ease your pain and speed your development as a post-religious person. Leaving Your Religion guides those leaving a religious tradition through the process of leaving home, walking away and moving forward. When you think about your religious life or your understanding of God, if you struggle with persistent doubts, growing discomfort and feelings of sadness or anger, Leaving Your Religion may be for you. If you're already journeying away from religion, it may be a helpful travel guide. The book provides direction for those on the cusp of leaving, those who've walked away and those who - though they've left their religion - still struggle with sadness or anger. There are questionnaires, reflection questions, exercises, quotes and advice for the journey away from religion. Leaving Your Religion offers a gentle word of encouragement and hope for those seeking to create a non-religious life.

Co-Production is a model of practice in which service providers work with service users in the provision of social care services - in effect, a working partnership. This book explores the theory and practice of this developing innovative practice in social work and related fields. Examples of methods and services designed on co-production principles are given by the experienced contributors, including housing initiatives where the users, rather than professionals, provide support to each other, the development of local area co-ordination as a service response to dilemmas of geography, and whether restorative justice can provide a better direction in re-integration than traditional criminal justice. Drawing together key figures in the field of social care, this book will be essential reading for social care practitioners and service providers, academics, researchers and students. This topical series examines areas of particular interest to those in social and community work and related fields. Each book draws together different aspects of the subject, highlighting relevant research and drawing out implications for policy and practice. The project is under the editorial direction of Professor Joyce Lishman, Head of the School of Applied Social Studies at the Robert Gordon University.

If God is love . . . Why are so many Christians fearful? Why do so many Church leaders sound hateful? Why does religion often create more pain than healing? What would it take for our world to become more gracious? InIf Grace Is True, pastors Philip Gulley and James Mulholland revealed their belief that God will save every person.

They now explore the implications of this belief and its power to change every area of our lives. They attempt to answer one question: If we took God's love seriously, what would our world look like? Gulley and Mulholland argue that what we believe is crucial and dramatically affects the way we live and interact in the world.

Beliefs have power. The belief in a literal hell, where people suffer eternally, has often been used by the Church to justify hate and violence,which contradict what Jesus taught about love and grace. The authors present a new vision for our personal, religious, and corporate lives, exploring what our world would be like if we based our existence on the foundational truth that God loves every person. Gulley and Mulholland boldly address many controversial issues people in the pews have wondered about but churches have been unwilling to tackle. For too long, the , the Christian tradition has been steeped in negativity, exclusion, and judgment. Gulley and Mulholland usher us into a new era -- an age where grace and love are allowed to reign.