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James Mussell reads nineteenth-century scientific debates in light
of recent theoretical discussions of scientific writing to propose
a new methodology for understanding the periodical press in terms
of its movements in time and space. That there is no disjunction
between text and object is already recognized in science studies,
Mussell argues; however, this principle should also be extended to
our understanding of print culture within its cultural context. He
provides historical accounts of scientific controversy, documents
references to time and space in the periodical press, and follows
magazines and journals as they circulate through society to shed
new light on the dissemination and distribution of periodicals,
authorship and textual authority, and the role of mediation in
material culture. Well-known writers like H. G. Wells and Arthur
Conan Doyle are discovered in new contexts, while other authors,
publishers, editors, and scientists are discussed for the first
time. Mussell is persuasive in showing how his methodology
increases our understanding of the process of transformation and
translation that underpins the production of print and informs
current debates about the status of digital publication and the
preservation of archival material in electronic forms. Adding to
the book's usefulness are an extended bibliography and a discussion
of recent debates regarding digital publication.
James Mussell reads nineteenth-century scientific debates in light
of recent theoretical discussions of scientific writing to propose
a new methodology for understanding the periodical press in terms
of its movements in time and space. That there is no disjunction
between text and object is already recognized in science studies,
Mussell argues; however, this principle should also be extended to
our understanding of print culture within its cultural context. He
provides historical accounts of scientific controversy, documents
references to time and space in the periodical press, and follows
magazines and journals as they circulate through society to shed
new light on the dissemination and distribution of periodicals,
authorship and textual authority, and the role of mediation in
material culture. Well-known writers like H. G. Wells and Arthur
Conan Doyle are discovered in new contexts, while other authors,
publishers, editors, and scientists are discussed for the first
time. Mussell is persuasive in showing how his methodology
increases our understanding of the process of transformation and
translation that underpins the production of print and informs
current debates about the status of digital publication and the
preservation of archival material in electronic forms. Adding to
the book's usefulness are an extended bibliography and a discussion
of recent debates regarding digital publication.
Sir Oliver Lodge was a polymathic scientific figure who linked the
Victorian Age with the Second World War, a reassuring figure of
continuity across his long life and career. A physicist and
spiritualist, inventor and educator, author and authority, he was
one of the most famous public figures of British science in the
late nineteenth and early twentieth centuries. A pioneer in the
invention of wireless communication and later of radio
broadcasting, he was foundational for twentieth-century media
technology and a tireless communicator who wrote upon and debated
many of the pressing interests of the day in the sciences and far
beyond. Yet since his death, Lodge has been marginalized. By
uncovering the many aspects of his life and career, and the
changing dynamics of scientific authority in an era of
specialization, contributors to this volume reveal how figures like
Lodge fell out of view as technical experts came to dominate the
public understanding of science in the second half of the twentieth
century. They account for why he was so greatly cherished by many
of his contemporaries, examine the reasons for his eclipse, and
consider what Lodge, a century on, might teach us about taking a
more integrated approach to key scientific controversies of the
day.
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