Esther Williamson Ballou was greatly admired by all who encountered her remarkable versatility as a musician and teacher. Although her music has continued to be performed over the years since her death in 1973, this volume is the first book-length study of her life and contributions to the musical world. The result of an extensive bibliographical search, and repeated contact with Esther's husband, Harold, and her friends and colleagues, James R. Heintze's bio-bibliography will provide the researcher with information about what materials exist and where they are located, that until now was not available.

First published in 1994. This study covers a wide cross-section of topics, individuals, groups, and musical practices representing various regions and cities. The subjects discussed reflect the religious, ethnic, and social plurality of the American musical experience as well as the impact on cultural society provided by the arrival of new musical immigrants and the internal movements of musicians and musical practices. The essays are arranged principally on the basis of the historical chronology of the cultural practices and subjects discussed. Each article helps to shed additional light on cultural expressions through music in eighteenth- and nineteenth-century America.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

In this, the first comprehensive study of the music of the Fourth of July, information on notable Independence Day compositions and performances is presented chronologically from 1777 through 2008. The book demonstrates the remarkable significance of music in Fourth of July celebrations. Noteworthy topics and occasions include music at the White House; music by immigrant and ethnic groups; dedications of statues and monuments; symphonies and philharmonic orchestras; the centennial and bicentennial; world's fairs; music in prisons, circuses, and amusement parks; and many others.

This collection of new essays focuses on the crucial period at the end of the 19th and early 20th century when American music developed its own unique social and cultural institutions.

First published in 1994. This study covers a wide cross-section of topics, individuals, groups, and musical practices representing various regions and cities. The subjects discussed reflect the religious, ethnic, and social plurality of the American musical experience as well as the impact on cultural society provided by the arrival of new musical immigrants and the internal movements of musicians and musical practices. The essays are arranged principally on the basis of the historical chronology of the cultural practices and subjects discussed. Each article helps to shed additional light on cultural expressions through music in eighteenth- and nineteenth-century America.