In this fourth volume of a projected six, Huxley registers his deep misgivings about the course of history in the late 1930s as the world moved toward a second global war. Many of his essays reflect his continuing interest in the conventions of popular culture as well as the philosophy of science and history, particularly as they inform developments in art and politics. But his larger concerns oscillate between empirical science and the particulars of social history, on the one hand, and his need for a grounding of absolute truth that would transcend both. His critique of politics and the prevailing ideologies of fascism and capitalism overlaps with his attempt to locate a foundational truth in a world of change and diversity. He embraced a form of political pacifism that intersected with an increasing attraction to religious quietism and mysticism. And he made a sustained effort to reconcile mystical experience with contemporary theories of physics and the philosophy of science. At their best, Huxley's essays stand among the finest examples of the genre in modern literature. "A remarkable publishing event...beautifully produced and authoritatively edited." Jeffrey Hart.

These first two volumes of a projected five, in preparation for several years, begin a major publishing venture, collecting the complete essays of one of the giants of modern English prose and of social commentary in our time. The first two volumes span the most productive period of Huxley's career. "Volume I" begins with his essays for Gilbert Murray's Athenaeum and his music essays for the "New Westminster Gazette." "Volume II" continues through the 1920s and includes his controversial essays on India and the empire in "Jesting Pilate." The essays of both volumes range from nuanced assessments of art and architecture to political analyses, history, science, religion, and art, and a newly discovered series on music. Wide-ranging, allusive, and witty, they are informed by the probing skepticism of a highly educated and ironically incisive member of the English upper middle class. Huxley's fascination with the codes and conventions of European culture, his growing apprehensions about the menacing collapse of the European political order, and his awareness of the impact of science and technology on the post-Versailles world of England, France, Germany, and the United States form the basis for his critique. His subjects overlap with the satirical novels he wrote during the period between the wars, culminating in "Point Counter Point" and "Brave New World." At their best, these essays stand among the finest examples of the genre in modern literature.

This 2006 textbook provides a concise introduction to the key concepts and tools of statistical mechanics. It also covers advanced topics such as non-relativistic quantum field theory and numerical methods. After introducing classical analytical techniques, such as cluster expansion and Landau theory, the authors present important numerical methods with applications to magnetic systems, Lennard-Jones fluids and biophysics. Quantum statistical mechanics is discussed in detail and applied to Bose-Einstein condensation and topics in astrophysics and cosmology. In order to describe emergent phenomena in interacting quantum systems, canonical non-relativistic quantum field theory is introduced and then reformulated in terms of Feynman integrals. Combining the authors' many years' experience of teaching courses in this area, this textbook is ideal for advanced undergraduate and graduate students in physics, chemistry and mathematics.

This textbook provides a concise introduction to the key concepts and tools of modern statistical mechanics. It also covers advanced topics such as non-relativistic quantum field theory and numerical methods. After introducing classical analytical techniques, such as cluster expansion and Landau theory, the authors present important numerical methods with applications to magnetic systems, Lennard-Jones fluids and biophysics. Quantum statistical mechanics is discussed in detail and applied to Bose-Einstein condensation and topics in astrophysics and cosmology. In order to describe emergent phenomena in interacting quantum systems, canonical non-relativistic quantum field theory is introduced and then reformulated in terms of Feynman integrals. Combining the authors' many years' experience of teaching courses in this area, this textbook is ideal for advanced undergraduate and graduate students in physics, chemistry and mathematics.

These first two volumes of a projected five, in preparation for several years, begin a major publishing venture, collecting the complete essays of one of the giants of modern English prose and of social commentary in our time. The first two volumes span the most productive period of Huxley's career. Volume I begins with his essays for Gilbert Murray's Athenaeum and his music essays for the New Westminster Gazette. Volume II continues through the 1920s and includes his controversial essays on India and the empire in "Jesting Pilate." The essays of both volumes range from nuanced assessments of art and architecture to political analyses, history, science, religion, and art, and a newly discovered series on music. Wide-ranging, allusive, and witty, they are informed by the probing skepticism of a highly educated and ironically incisive member of the English upper middle class. Huxley's fascination with the codes and conventions of European culture, his growing apprehensions about the menacing collapse of the European political order, and his awareness of the impact of science and technology on the post-Versailles world of England, France, Germany, and the United States form the basis for his critique. His subjects overlap with the satirical novels he wrote during the period between the wars, culminating in Point Counter Point and Brave New World. At their best, these essays stand among the finest examples of the genre in modern literature.

Over the course of his long career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an uncompromising irreligion toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underpins the previously unpublished play Now More Than Ever. Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose scheme for industrial renewal drives him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base. This volume contains the full text of Now More Than Ever, a play hitherto believed to be lost. A "thinker's play," it is the last of Huxley's major writings to be published and immensely important to understanding his development as a writer. The editors of this volume have annotated the play for contemporary readers. Their introduction sets the play in the context of Huxley's intellectual life..

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!