It's a year and a half after the events of "Anarchy," and the world is alive with magic.
On a tiny archipelago out of sight of the rest of the world lives Rory, a ten-year-old boy. He and his mother and a handful of survivors live an exhausting and precarious existence, entirely isolated. The sea is alive, and angry. Every man Rory can remember has been drowned. Everyone knows he'll be next.
One night, for the first time since the world changed and the curse descended, strangers appear on the island. They're on their way to England, seeking a powerful magic ring. And one of them seems to know Rory by sight...
Caught up in their quest, Rory enters an England of terrors and marvels, at the heart of which lies a place where journeys unimaginably longer and older than his will reach their end: Pendurra.

From the Alcatraz East Crime Museum and Jack the Ripper guided tours to the Phnom Penh killing fields, 'dark tourism' is now a multi-million-pound global industry. Even in the most pleasant tourist destinations, underlying harms are constantly perpetuated, affecting both consumers and those who work or live around such tourist hotspots. Highlighting 50 travel destinations across six continents, expert criminologists, psychologists and historians explore the past and contemporary issues which we often disregard during our everyday leisure. This captivating book is the 'go-to' guide for anyone interested in crime and deviance-related tourism. Accessible and digestible, it exposes a worrying trend in contemporary consumer culture, in which many of us partake.

The shock Brexit result highlighted a worrying trend: underemployed white men and women who have seen their standard of living fall, their communities disintegrate and their sense of value, function and inclusion diminish, desperately want a mainstream political party to defend their interests. However, no such party exists. These men and women cannot connect their declining fortunes and growing frustrations to their true cause. Instead, immigrants are scapegoated and groups like the English Defence League (EDL) emerge. This book is the first to offer an accessible and uncompromising look at the EDL. It aims to alter thinking about working-class politics and the rise of right-wing nationalism in the de-industrialised and decaying towns and cities of England. The rise of the right among the working class, the authors claim, is inextricably connected to the withdrawal of the political left from traditional working-class communities, and the left's refusal to advance the economic interests of those who have suffered most from neoliberal economic restructuring. Incisive, contentious and boundary-breaking, it uses the voices of men and women who now support far-right political groups to address the total failure of mainstream parliamentary politics and the rising tide of frustration, resentment and anger.

The years 2008 to 2013 saw a new generation of political protestors take to the streets. Riots disrupted many Western cities and new protest movements emerged, keen to address a bleak context of economic collapse and austerity politics. In this groundbreaking new study, Winlow, Hall, Briggs and Treadwell push past the unworldly optimism of the liberal left to offer an illuminating account of the enclosure and vacuity of contemporary politics. Focusing on the English riots of 2011, the ongoing crisis in Greece, the Indignados, 15M and Podemos in Spain, the Occupy movement in New York and London and the English Defence League in northern England, this book uses original empirical data to inform a strident theoretical critique of our post-political present. It asks: what are these protest groups fighting for, and what are the chances of success? Written by leading criminological theorists and researchers, this book makes a major contribution to contemporary debates on social order, politics and cultural capitalism. It illuminates the epochal problems we face today. Riots and Political Protest is essential reading for academics and students engaged in the study of political sociology, criminological theory, political theory, sociological theory and the sociology of deviance.

How much do you know about key issues in crime, crime control, policing and punishment in the UK? This exciting, dynamic and accessible book presents 50 key facts related to crime and criminal justice policy in Britain. Did you know that, contrary to public belief, in the UK a life sentence does actually last for life? And that capital punishment in the UK was abolished for murder in 1965 but the Death Penalty was a legally defined punishment as late as 1998? Offering thought-provoking insights into the study of crime, this fascinating "go to" book is packed with facts and figures revealing the myths and realities of crime in contemporary Britain.

The years 2008 to 2013 saw a new generation of political protestors take to the streets. Riots disrupted many Western cities and new protest movements emerged, keen to address a bleak context of economic collapse and austerity politics. In this groundbreaking new study, Winlow, Hall, Briggs and Treadwell push past the unworldly optimism of the liberal left to offer an illuminating account of the enclosure and vacuity of contemporary politics. Focusing on the English riots of 2011, the ongoing crisis in Greece, the Indignados, 15M and Podemos in Spain, the Occupy movement in New York and London and the English Defence League in northern England, this book uses original empirical data to inform a strident theoretical critique of our post-political present. It asks: what are these protest groups fighting for, and what are the chances of success? Written by leading criminological theorists and researchers, this book makes a major contribution to contemporary debates on social order, politics and cultural capitalism. It illuminates the epochal problems we face today. Riots and Political Protest is essential reading for academics and students engaged in the study of political sociology, criminological theory, political theory, sociological theory and the sociology of deviance.

All the men are dead - now it's the boys' turn. On a tiny archipelago, cut off from the rest of the world by a cursed sea, a handful of survivors live a precarious existence, clinging to their memories of the time before magic and their hope that those times will return. As far as he knows, Rory is the only boy left. Then the man comes, weaving his tales of a quest to find a powerful ring, and Rory finds himself embarking on a journey through terrors and marvels, once more in the world of men. And the moment of reckoning, when it comes, will bring an end to stories unimaginably older than his own.

For centuries it has been locked away Lost beneath the sea Warded from earth, air, water, fire, spirits, thought and sight. But now magic is rising to the world once more. And a boy called Gavin, who thinks only that he is a city kid with parents who hate him, and knows only that he sees things no one else will believe, is boarding a train, alone, to Cornwall. No one will be there to meet him.

The second novel in an astonishingly imaginative fantasy trilogy that began with the critically acclaimed and "supernaturally entertaining" ("Kirkus Reviews") "Advent."
If there's one thing Gavin Stokes knows, it's that something unimaginably dangerous has returned to the world. A mad dog runs amok, a mermaid floats in the bay, and a wild beast stalks the countryside. He and others make the same strange claim: magic has returned. All signs point to it.
Now, Gavin's aunt has disappeared. A young girl who's been accused of murder vanishes from a locked cell. She is at large somewhere in a vast wilderness. Meanwhile, a desolate child leaves the home that has kept her safe all her life and strikes out into the unknown. And a mother, half mad with grief for her lost son, sets off to find him.
There is a place where all their journeys meet. But someone is watching the roads...

"A drowning, a magician's curse, and a centuries-old secret."
When Gavin Stokes visits an estranged family member at Pendurra, a distant estate in Cornwall, the last thing he expects is to enter a world where the consequences of an ancient betrayal are being played out. If he accepts the challenge that this new world presents, he must confront an ancient evil and the crimes of the past that have taken the form of ghosts, like Miss Grey, who has haunted him from earliest childhood, and Marina, a little girl who also lives at Pendurra, and Swanny, Marina's mother, a mermaid. What Gavin soon discovers is that magic is real . . . and menacingly dangerous.

This is an essential introduction to undergraduate studies in criminology. Short, clear and concise, it offers students a comprehensive overview of the key themes covered on criminology courses. The Second Edition provides: Summaries of key course content, including new sections on race and ethnicity', ordinary crime', global and comparative criminology', green criminology' and zemiology' A helpful study skills section with extensive hints and tips on how to write essays and pass exams Useful learning features including a new chapter on thinking like a criminologist', covering the differences between theoretical and common sense' views Recent UK case studies as well as international examples drawn from Australia, Africa and America An all new companion website providing guides to further reading and links to relevant blogs, journal articles and websites Criminology: The Essentials is an indispensible learning tool. As well as mapping out course content in a coherent and engaging way, it offers students invaluable advice on how to get the most out of their studies.

"Written by one of the best Criminological Ethnographers in the business, this text will serve as an invaluable and insightful resource for both novice and seasoned ethnographers of criminological issues." - Anthony Ellis, University of Salford In the first textbook to cover ethnography specific to criminology, James Treadwell guides readers through the ethnographic research process in full, starting with a background to criminological ethnography, through planning and doing an ethnographic project, and finally, the writing up and reporting stage. The book provides guidance for navigating key issues in ethnography, including access and researcher safety, and supports readers when carrying out their project with helpful exercises, questions and checklists. It also includes insightful case studies comprised of classic works and the author's own ethnographic projects, along with a range of extra learning features including key terms, a glossary, and further reading suggestions. A valuable resource for anyone embarking on ethnographic research in criminology for the first time.

"Written by one of the best Criminological Ethnographers in the business, this text will serve as an invaluable and insightful resource for both novice and seasoned ethnographers of criminological issues." - Anthony Ellis, University of Salford In the first textbook to cover ethnography specific to criminology, James Treadwell guides readers through the ethnographic research process in full, starting with a background to criminological ethnography, through planning and doing an ethnographic project, and finally, the writing up and reporting stage. The book provides guidance for navigating key issues in ethnography, including access and researcher safety, and supports readers when carrying out their project with helpful exercises, questions and checklists. It also includes insightful case studies comprised of classic works and the author's own ethnographic projects, along with a range of extra learning features including key terms, a glossary, and further reading suggestions. A valuable resource for anyone embarking on ethnographic research in criminology for the first time.

What do Wagner's operas really mean? How much room do they leave for different perspectives? In this fresh and inventive book, James Treadwell lays open the rich possibilities for interpretation offered across the full range of Wagner's art. Focussing steadily on Wagner's music, dramas and prose writings, rather than on questions of biography or influence, the book carefully traces the tensions and uncertainties embedded within the composer's central themes. The result is a new and vivid depiction of the essential character of Wagner's work. Addressing both general Wagner enthusiasts and more scholarly students of music, Treadwell identifies and pursues the habitual concerns of Wagner's operas and writings: enchantment, seduction, heroism, victory, transcendence and sacredness. While Wagner's work repeatedly and urgently sets itself to deny various or ambiguous interpretations, the operas themselves are nevertheless far more intricate and conflicted than this denial allows for. In this altered light, the dimensions of Wagner's art are unexpectedly extended, and its enduring vitality is refreshingly reasserted. James Treadwell was lecturer and junior research fellow at the University of Oxford, and assistant professor of English at McGill University.

The word 'autobiography' is a late eighteenth-century coinage; yet by 1826 it was used as the title for a multi-volume anthology of self-writing, and in 1834 Thomas Carlyle wrote of 'these Autobiographical times of ours'. Over the course of those few decades, readers and writers came to recognize and name a new genre. This book is the first full study of the phenomenon, examining both the conditions and the practice of autobiographical writing in Romantic literature. Historians of autobiography have often pointed to the turn of the nineteenth century as a pivotal moment. In Rousseau and De Quincey's 'Confessions', Wordsworth's 'Prelude', and other canonical documents, it has been argued, self-writing begins to serve the purpose of expressing the individuality, autonomy, and interiority of the self. A more wide-ranging view of the actual state of autobiography at the time exposes this narrative as a misrepresentation. Self-writing does gain a new kind of prominence around 1800; not, however, because it articulates 'Romantic' ideologies of selfhood, but because it becomes a focus of scrutiny, and of contention. The decades of the Romantic period identified themselves as 'Autobiographical times' - but did so anxiously. This book asks: what forms did that recognition and that anxiety take within the literary culture of the period? What did autobiography mean to Romantic readers and writers? How do autobiographical texts of the period reflect, express, and negotiate these conditions? As well as reading a wide variety of those documents, with single chapters devoted to works by Coleridge, Byron, and Lamb, Treadwell examines writing on and around autobiography: essays, reviews, and other forms of commentary. By preserving a continuous relation between the texts and their contexts, this book offers the first proper study of what is actually meant by 'Romantic autobiography'.