This volume includes "Divide and Edit: A Brief History of Book Divisions" by Carolyn Higbie; "Aristotle's Hamartia Reconsidered" by Ho Kim; "Callimachus and his Allusive Virgins" by Andrew Faulkner; "Theokritos' Idyll 16: The Kharites and Civic Poetry" by Jose Gonzalez; "Boxing and Sacrifice in Epic: Apollonius, Vergil, and Valerius" by Matthew Leigh; "The Rhodian Loss of Caunus and Stratonicea in the 160s" by Sviatoslav Dmitriev; "Trina tempestas (Carmina Einsidlensia 2.33)" by Radoslaw Pietka; "The Vanishing Gardens of Priapus" by James Uden; "Trimalchio and Fortunata as Zeus and Hera" by Maria Ypsilanti; "Ps.-Dionysius on Epideictic Rhetoric: Seven Chapters, or One Complete Treatise?" by Martin Korenjak; "The Grammarian C. Iulius Romanus and the Fabula Togata" by Jarrett T. Welsh; "Quintus of Smyrna and the Second Sophistic" by Silvio Bar; and "The Conversion of A. D. Nock in the Context of His Life, Scholarship, and Religious View" by Simon Price.

This book explores new ways of analysing interactions between different linguistic, cultural, and religious communities across the Roman Empire from the reign of Nerva to the Severans (96-235 CE). Bringing together leading scholars in classics with experts in the history of Judaism, Christianity and the Near East, it looks beyond the Greco-Roman binary that has dominated many studies of the period, and moves beyond traditional approaches to intertextuality in its study of the circulation of knowledge across languages and cultures. Its sixteen chapters explore shared ideas about aspects of imperial experience - law, patronage, architecture, the army - as well as the movement of ideas about history, exempla, documents and marvels. As the second volume in the Literary Interactions series, it offers a new and expansive vision of cross-cultural interaction in the Roman world, shedding light on connections that have gone previously unnoticed among the subcultures of a vast and evolving Empire.

Worlds of Knowledge in Women's Travel Writing rediscovers the works of a wide range of authors from the eighteenth to the twentieth century. A stowaway on a voyage circumnavigating the globe; a nineteenth-century visitor to schools in Japan; an Indian activist undertaking a pilgrimage to Iraq-these are some of the women whose experiences come to life in this volume. Worlds of Knowledge explores travel writing as a genre for communicating information about other cultures and for testing assumptions about the nature and extent of women's expertise. The book challenges the frequent focus in travel studies on English-language texts by exploring works in French and Urdu as well as English and focusing on journeys to France, Spain, Turkey, Iran, Iraq, India, Ethiopia, Japan, Australia, and the Falkland Islands. Written by experts in a wide range of fields, this interdisciplinary volume sheds new light on the range, innovation, and erudition of travel narratives by women.

The Invisible Satirist offers a fresh new reading of the Satires of Juvenal, rediscovering the poet as a smart and scathing commentator on the cultural and political world of second-century Rome. Breaking away from the focus in recent scholarship on issues of genre, this study situates Juvenal's Satires within the context of the politics, oratory, and philosophy of Rome under Trajan and Hadrian. In particular, the book shows how Juvenal offers a distinctively Roman response to the Greek sophists and philosophers of the so-called "Second Sophistic." Whereas earlier studies argued for the satirist's adoption of an ironic persona in his poems, this book stresses the absence of any guiding, coherent first-person voice in his work, emphasizing instead the poems' plurality of voices and thematic preoccupation with performance and disguise. These sprawling rhetorical texts, intricately constructed but deliberately lacking any strong personal voice, ultimately communicate a sense of rootlessness and loss of identity-a sense of being invisible-within the cosmopolitan second-century world. The book will appeal to students and scholars of Roman satire, Imperial Roman culture, and Second Sophistic literature.