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First entire collection centred on Chaucer's Book of the Duchess,
making a compelling case for its importance and value. The Book of
the Duchess, Chaucer's first major poem, is foundational for our
understanding of Chaucer's literary achievements in relation to
late-medieval English textual production; yet in comparison with
other works, itstreatment has been somewhat peripheral in previous
criticism. This volume, the first full-length collection devoted to
the Book, argues powerfully against the prevalent view that it is
an underdeveloped or uneven early work, and instead positions it as
a nuanced literary and intellectual effort in its own right, one
that deserves fuller integration with twenty-first-century Chaucer
studies. The essays within it pursue lingering questions as well as
new frontiers in research, including the poem's literary
relationships in the sphere of French and English writing, material
processes of transmission and compilation, and patterns of
reception. Each chapter advances an original reading of the Book of
the Duchess that uncovers new aspects of its internal dynamics or
of its literary or intellectual contexts. As a whole, the volume
reveals the poem's mobility and elasticity within an increasingly
international sphere of cultural discourse that thrives on dynamic
exchange and encourages sophisticated reflection on authorial
practice. Jamie C. Fumo is Professor of English at Florida State
University. Contributors: B.S.W. Barootes, Julia Boffey, Ardis
Butterfield, Rebecca Davis, A.S.G. Edwards, Jeff Espie, Philip
Knox, Helen Phillips, Elizaveta Strakhov, Sara Sturm-Maddox, Marion
Wells.
The questions of fame and reputation are central to Chaucer's
writings; the essays here discuss their various treatments and
manifestations. Fama, or fame, is a central concern of late
medieval literature: where fame came from, who deserved it, whether
it was desirable and how it was acquired and kept. An interest in
fame was not new but was renewed and rethought within the
vernacular revolutions of the later Middle Ages. The work of
Geoffrey Chaucer collates received ideas on the subject of fama,
both from the classical world and from the work of his
contemporaries. Chaucer's place in these intertextual negotiations
was readily recognized in his aftermath, as later writers adopted
and reworked postures which Chaucer had struck, in their own bids
for literary authority. This volume tracks debates onfama which
were past, present and future to Chaucer, using his work as a
centre point to investigate canon formation in European literature
from the late Middle Ages and into the Early Modern period. Isabel
Davis is Senior Lecturer in Medieval Literature at Birkbeck,
University of London; Catherine Nall is Senior Lecturer in Medieval
Literature at Royal Holloway, University of London. Contributors:
Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis,
Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway,
Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T.
Rossiter, Elizaveta Strakhov.
Making Chaucer's Book of the Duchess: Textuality and Reception is
the first comprehensive book-length study of Chaucer's earliest
major narrative poem and its reception. It provides a rigorous and
critically balanced assimilation of the Book of the Duchess, the
story of its reception and dissemination, and the major trends in
its interpretive history into the fabric of twenty-first century
Chaucer studies. Focusing on the construction and value of the Book
of the Duchess as a book, this study explores Chaucer's concern
with acts of writing and the textual mediation of experience. At
the same time, it contextualises Chaucer's poem within his era's
broader concerns with authority, reading practices, and the
vernacular. By yoking issues of creative and scholarly reception
with those of book production and materiality, Jamie C. Fumo's
study innovatively highlights acts of collaboration stemming from
the poem's status as a textual, imaginative act.
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