To celebrate the centennial of America's National Park Service, Picturing America's National Parks brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America's national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America's National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.

Launching his curatorial career at the George Eastman House in 1957, Nathan Lyons (1930-2016) soon made a mark in the museum world and in his workshops for photographers and curators alike. Yet his supporting role in the careers of rising stars such as Lee Friedlander and Garry Winogrand sometimes eclipsed the public's awareness of Lyons's own pioneering photography. Coinciding with a major exhibition at the George Eastman Museum in 2019, Nathan Lyons: In Pursuit of Magic is a long-overdue celebration of Lyons's astonishing body of work. Featuring more than two hundred and fifty compelling images, accompanied by critical essays, the book charts the distinct phases of Lyons's career. His early work, exemplified by his exuberant initiatives of the 1960s-the Visual Studies Workshop and the Society for Photographic Education-demonstrated that street photography and formalism are not mutually exclusive, as university photography courses began migrating from journalism to art departments. His final years, which included a shift to color at age eighty, are also explored in depth. A companion to Nathan Lyons: Selected Essays, Lectures, and Interviews, this is the definitive visual sourcebook on a highly influential innovator.

This book explores our unique relationship with nature through the garden. From famous locations such as Versailles to the simplest home vegetable gardens, from worlds imagined by artists to vintage family photos, The Photographer in the Garden traces the garden's rich history in photography and delights readers with spectacular pictures. The book explores gardens from many angles: the symbolism of plants and flowers, how humans cultivate the landscapes that surround them, the change of the seasons, and the gardener at work. An informative essay from curator Jamie M. Allen and picture-commentaries by Sarah Anne McNear broaden our understanding of photography and how it has been used to record the glory of the garden. Spanning the history of the medium itself, the book features photographers from all eras, including Anna Atkins, Karl Blossfeldt, Eugene Atget, Edward Steichen, Imogen Cunningham, Edward Weston, Stephen Shore, Robert Mapplethorpe, Nobuyoshi Araki, and Collier Schorr, to name a few. This sublime book brings together some of the most stunning photography in the history of the medium.

From her hand-colored, machine-stitched photographic prints to her artist's books and well-known Mountain Dream Tarot card deck (the first-known photographic treatment of the tarot) Bea Nettles's work has always upended tradition. Bea Nettles: Harvest of Memory presents the span of her art across half a century, in conjunction with an exhibition co-organized by the George Eastman Museum in Rochester, New York, and the Sheldon Art Galleries in St. Louis, Missouri. Recognized for her innovations in mixed-media photography, Nettles used alternative photographic processes that produced textured works, with subjects including self-portraits; investigations of the body and its relationship to nature and landscape; and the experience of mothering, loss, and aging. A tremendously productive artist, Nettles has received critical acclaim, and her work has become part of museum permanent collections from coast to coast. Now, for the first time in her fifty-year career, Bea Nettles: Harvest of Memory offers a large-scale retrospective of an artist who profoundly illuminates our inner worlds.