The Museum Rietberg in Zurich possesses an old and important collection of Southeast Asian sculpture, but until now it has never been fully documented and analysed. It includes stone statues from the Cham culture of Vietnam, examples of which can otherwise only be seen in the Cham Museum in Da Nang and the Mus e Guimet in Paris; sculptures of the Khmer from Cambodia which are among the earliest artefacts of this culture collected in Europe; and statues from Thailand and Indonesia. The works brought together in this publication give an excellent introduction to the fascinating world of Southeast Asian art. Lucid and engaging, the book is filled with photographs of the artworks, and also includes some rare historical photographs which among other things show two of the sculptures in their original locations."

Rindge reads Luke s parable of the Rich Fool (12:16 21) as a sapiential narrative and situates this parable within a Second Temple intertextual conversation on the interplay of death and possessions. A rich analysis of Jewish (Qoheleth, Ben Sira, 1 Enoch, Testament of Abraham) and Greco-Roman (Lucian, Seneca) texts reveals a web of disparate perspectives regarding how possessions can be used meaningfully, given life s fragility and death s inevitability and uncertain timing. Departing from standard interpretations of Luke s parable as a simple critique of avarice, Rindge explicates the multiple ways in which the parable and its immediate literary context (12:13 34) appropriate, reconfigure, and illustrate this contested conversation, and shows how these themes are chosen and adapted for Luke s own existential, ethical, and theological concerns.