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Rindge reads Luke s parable of the Rich Fool (12:16 21) as a
sapiential narrative and situates this parable within a Second
Temple intertextual conversation on the interplay of death and
possessions. A rich analysis of Jewish (Qoheleth, Ben Sira, 1
Enoch, Testament of Abraham) and Greco-Roman (Lucian, Seneca) texts
reveals a web of disparate perspectives regarding how possessions
can be used meaningfully, given life s fragility and death s
inevitability and uncertain timing. Departing from standard
interpretations of Luke s parable as a simple critique of avarice,
Rindge explicates the multiple ways in which the parable and its
immediate literary context (12:13 34) appropriate, reconfigure, and
illustrate this contested conversation, and shows how these themes
are chosen and adapted for Luke s own existential, ethical, and
theological concerns.
The Museum Rietberg in Zurich possesses an old and important
collection of Southeast Asian sculpture, but until now it has never
been fully documented and analysed. It includes stone statues from
the Cham culture of Vietnam, examples of which can otherwise only
be seen in the Cham Museum in Da Nang and the Mus e Guimet in
Paris; sculptures of the Khmer from Cambodia which are among the
earliest artefacts of this culture collected in Europe; and statues
from Thailand and Indonesia. The works brought together in this
publication give an excellent introduction to the fascinating world
of Southeast Asian art. Lucid and engaging, the book is filled with
photographs of the artworks, and also includes some rare historical
photographs which among other things show two of the sculptures in
their original locations."
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