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What was Takako Konishi really doing in North Dakota, and why did
she end up dead? Did she get lost and freeze to death, as the
police concluded, while searching for the fictional treasure buried
in a snowbank at the end of the Coen Brothers' film Fargo? Or was
it something else that brought her there: unrequited love, ritual
suicide, a meteor shower, a far-flung search for purpose? The seed
of an obsession took root in struggling film student Jana Larson
when she chanced upon a news bulletin about the case. Over the
years and across continents, the material Jana gathered in her
search for the real Takako outgrew multiple attempts at screenplays
and became this remarkable, genre-bending essay that leans into the
space between fact and fiction, life and death, author and subject,
reality and delusion.
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