An engaging study of Black Feminism as expressed through literature written by and about Black girlsIn Light and Legacies: Stories of Black Girlhood and Liberation, author Janaka Lewis examines Black girlhood in American literature from the mid-twentieth century to the present. The representation of Black girlhood in contemporary literature has long remained underexplored. Through this literary history of "Black Girl Magic," Lewis offers one of the first studies in this rapidly growing field of study. Light and Legacies poignantly showcases the activist dimensions of creative literature through work by women writers such as Toni Morrison and Toni Cade. As vectors of protest, these stories reflect historical events while also creating an enduring space of liberation and expression. The book provides didactic and reflective portrayals of the Black experience—an experience which has long been misunderstood. In a work both enlightening and personal, Lewis brilliantly weaves accounts of her own journey in conjunction with the liberating stories that shaped her and so many others.

An engaging study of Black Feminism as expressed through literature written by and about Black girlsIn Light and Legacies: Stories of Black Girlhood and Liberation, author Janaka Lewis examines Black girlhood in American literature from the mid-twentieth century to the present. The representation of Black girlhood in contemporary literature has long remained underexplored. Through this literary history of "Black Girl Magic," Lewis offers one of the first studies in this rapidly growing field of study. Light and Legacies poignantly showcases the activist dimensions of creative literature through work by women writers such as Toni Morrison and Toni Cade. As vectors of protest, these stories reflect historical events while also creating an enduring space of liberation and expression. The book provides didactic and reflective portrayals of the Black experience—an experience which has long been misunderstood. In a work both enlightening and personal, Lewis brilliantly weaves accounts of her own journey in conjunction with the liberating stories that shaped her and so many others.

While narratives of enslavement have become more central to conversations about African American women's writing, this book first discusses the genre of narratives of freedom and then examines women's relationships to the community as they seek to illustrate a collective free identity. I argue that these texts represent a sense of civil rights that emerges prior even to the ideas of racial uplift that reached a height for women in the late nineteenth century and moved into the twentieth century. Under the umbrella of freedom narratives, this book also reads black women's narratives of education, individual progress, marriage and family, labor, and intellectual commitments to see how they both reflect and produce national and community rebuilding projects. I argue that black women define freedom through all of the means listed above, but what is most significant for the purposes of their writing is freedom to choose their paths and to tell their own stories, in their own words and on their own terms.