When a catastrophic wildfire suddenly rips through a woman's hometown, she thinks she is lucky to have survived . . . until she finds a dead woman in her driveway, clutching a piece of paper with her name on it. . . .

The blaze came out of nowhere one summer afternoon, a wall of fire fed by blustering wind. Yet, somehow, Alison is alive. She rode out the fire on the damp tiles of her bathroom, her entire body swaddled in a wet woolen blanket. As flames crackled around her, the bitter char of eucalyptus settled in the back of her throat, each breath more desperate than the last.

The wildfire that devastated the Victoria countryside Alison calls home sets in motion a chain of events that threatens to obliterate the carefully constructed life she is living. When Alison emerges from her sheltering place, she spots a soot-covered cherry red car in her driveway, and in it, a dead woman. Alison has never met Simone Arnold in her life . . . or so she thinks. So what is she doing here?

As Alison searches for answers across Australia's scorched bushlands, she soon learns that the fire isn't the only threat she's facing. . . .

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

• looking, the experience of seeing
• space and place
• the designer: the scenographic
• bodies in space
• making meaning

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography ? the term increasingly used to describe a more integrated reading of performance ? this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

This is a long overdue addition to a series of books and edited collections spawned initially from Immanuel Wallerstein's The Modern World-System. These 12 `theoretically informed case studies' from a 1987 conference add considerable insight to the heavy emphasis of the World-Systems approaches on macroeconomic determinism with the inclusion of ideological and cultural factors. Most cases address how capital uses social categories to cheapen industrial labor costs in Asia and the US. Two illuminating chapters analyze the `minoritization of immigrants' and variations in masculinity norms as aspects of this labor cheapening process. Choice A collection of papers presented at the Eleventh Annual Political Economy of the World-System Conference, this volume illustrates the degree to which fundamental processes of the world-system entail racist and sexist practices. The contributors have taken as their focus the attempt to both explain--in social, political, or historical terms--the pervasiveness of racism and sexism and trace the relationship between the two and the organization of the contemporary political economy. Taken together, their papers offer a more coherent treatment of the problem than has heretofore been available. By integrating an understanding of racial and sexual oppression with that of other processes that constitute the world-economy they offer new insights into the workings of the world-system and new hope for concerted efforts to eliminate racism and sexism. Many of the essays included here take the form of theoretically informed case studies. Detailed historical works explore such issues as labor force formation in the New York garment industry in the late 19th and early 20th century and competition in the world textile industry in the latter half of the 1880s. A critical analysis of the construction of census categories and an examination of the myths of differential ethnic success provide real-world examples of discrimination and its effects. A number of papers focus on the implications of our understanding of racial and sexual oppression for political struggle, while others assess the impact of women's exclusion from the workforce on power relationships in the home. Two major theoretical pieces address the issues in more general terms, emphasizing the circumstances under which racism and sexism are created and recreated in various contexts. Taken as a whole, the volume provides a necessary and enlightening re-examination of the role of race and gender in the world-economy.

For Love of a Soldier contains the stories of 29 people whose family members-spouses, siblings, children-are serving or have served in the American military during the Iraq War. The families tell their stories and explain why they believe that taking action to end American military involvement in Iraq is the best possible way to support the troops who are so dear to them. The passionate and articulate individuals whose interviews make up the body of the book include: spouses and parents of soldiers with post-traumatic stress disorder, a couple with eight children and grandchildren who have served or are currently serving in Iraq, the parents who have formed an organization of anti-war families, parents whose children have been killed or maimed in the war, and parents whose children have committed suicide after returning home from the war.

For Love of a Soldier contains the stories of 29 people whose family members_spouses, siblings, children_are serving or have served in the American military during the Iraq War. The families tell their stories and explain why they believe that taking action to end American military involvement in Iraq is the best possible way to support the troops who are so dear to them. The passionate and articulate individuals whose interviews make up the body of the book include: spouses and parents of soldiers with post-traumatic stress disorder, a couple with eight children and grandchildren who have served or are currently serving in Iraq, the parents who have formed an organization of anti-war families, parents whose children have been killed or maimed in the war, and parents whose children have committed suicide after returning home from the war.

For some, it was a movement for peace. For others, it was a war against the war. In the eyes of certain participants, the movement was cultural and social at its core, a matter of changing society. Still others defined their protests as political and sought out the economic root causes of the war. What many would agree upon was that it was a time when a remarkable generation came of age and a great nation was shaken to its very foundations. The protest movement in opposition to the Vietnam War was a complex amalgam of political, social, economic, and cultural motivations, factors, and events. Against the Vietnam War brings together the different facets of that movement and its various shades of opinion. Here the participants themselves offer statements and reflections on their activism, the era, and the consequences of a war that spanned three decades and changed the United States of America. The keynote is on individual experience in a time when almost every event had national and international significance. A foreword by Staughton Lynd considers the events of the Vietnam War in the context of the present war in Iraq.

The discovery and re-examination of women authors has been a key part of early modern women's studies, but a major problem has been the inaccessibility of the texts themselves. This series is designed to make available a comprehensive collection of writing in English from 1500 to 1700, both by women and for and about them. Each text is preceded by a short introduction providing an overview of the life and work of the writer, along with a survey of important relevant scholarship. The series is in two parts, covering the periods 1500 to 1640, and 1641 to 1700. It is complemented by a separate facsimile series of essential works and original monographs.

Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become 'naturalised' in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels' engagement with 'Aesthetics of Absence' through his own experience at the forefront of innovative music-theatre and performance making. In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions. As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.

Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become 'naturalised' in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels' engagement with 'Aesthetics of Absence' through his own experience at the forefront of innovative music-theatre and performance making. In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions. As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography - the term increasingly used to describe a more integrated reading of performance - this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

The Adventure Door is the story of twins Ritchie and Lauren Carter who always spend a week of every school holiday visiting their grandparents. Six months ago Grandpa Joe and Grandma Ivy moved to their new cottage on the coast. Readers will be treated to a special suprise, with the first offering housing 'Where it all began' and 'Return to Courtney Bay', the first two books in the series in one bumper edition. Each story begins and ends at the breakfast table, where Grandpa reads of a crime in the local newspaper and then tells all again when it is solved. In the garden there is a beautiful rose arch, stretching from one side to the other and more than a little mystery and intrigue can be found beyond it. Add to that Mrs Hart, their grandparents elderly neighbour who isn't quite what she seems....or is she?

Here is a thoughtful and honest relationship guide that combines real-world expertise with spiritual and magical principles of Wicca and Pagan religions, employing an eclectic mix of ancient mythology, modern psychology, and spiritual empowerment spells to help readers build loving, lasting bonds. The Wiccan Circle offers readers a template for a successful union, with one principle for each of the four cardinal directions (Equality, Consensus, Honesty, Freedom) and one (Balance) for the center.

Because every relationship is unique, a variety of partnerings are considered and celebrated without judgment or bias -- from same-sex couples to traditional marriage and Pagan handfastings to multi-partner relationships.