This book is a study of the simultaneous physiological recordings and psychoanalytic observations when emotional/psychological responses to external stimuli occur "pari passu" with observed physiological changes. It is the culmination of the author's psychiatric and psychoanalytic work with patients over fifty years, and is based on the simple premise that physiological measurements cannot describe the mind and the mind cannot describe physiological processes. In order for us to have a significant knowledge of the object, we need both, and the authors argue that medical specialists and health professionals (doctors, nurses, psychoanalysts, psychotherapists, psychiatrists, etc.) need to be trained to adopt a Complementary approach to patients. Without a Complementary approach, patients are neglected. The complex relationship between mind and body offers vital clues to the individual s condition, and only by considering patients both physically and mentally can doctors and psychoanalysts make precise and competent judgements."

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well. 'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principle idea behind the paradoxical title, The Generosity of Acceptance.

Witty satire, political drama, transgressive social commentary, mystical meditation; for years, these topics were banned from the stage. In the late 19th and early 20th centuries decadent writers turned to decadence as a means of responding to urban modernity, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged narrow ideas about taste, decency, and progress, and recurring motifs included queer sexualities and genders, elitism, social class, degeneracy and decay. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to this fast-expanding field of decadent literature . The first publication of its kind to deal specifically with decadent dramatic works in the pre-modernist and modernist periods, Decadent Plays breaks new ground by exploring how the concept of decadence cuts across genre, styles, and culture, and by including little-known works that are currently out-of-print. Featuring work Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology includes a selection of mainstream and marginal plays, some of which have been translated into English for the first time. An essential and influential introduction to the fast-expanding field of decadent literature, this edited anthology is suitable for undergraduate and graduate students, and specialists and non-specialists alike.

"Psychotherapies and the Treatment of Cancer Patients "addresses the need for a more integrated care of cancer patients within hospitals which pays attention to the mental anguish as well as physical distress caused by the disease. This book based on Lawrence Goldie's own research with cancer patients, which has shown that psychoanalytic psychotherapy together with general medical care can significantly help dying patients cope with the pain and suffering associated with the disease.
Drawing on this research, the book advocates a more holistic approach to the cancer patient and suggests ways in which more expert attention might be provided through awareness, training and resources. The book describes the innovative approach within the hospital context to help individuals cope with cancer. As well as an overview of cancer and the therapeutic approach, topics covered include:
- The impact
- Of cancer on hospital relationships
- Cancer in different areas of the body and mind
- "Mind-bending pain"
- Dread and trauma-on being told the truth
- Psychoanalytic psychotherapy in the NHS "general" hospital
- Examining group processes in hospital
"Psychotherapy and the Treatment of Cancer Patients" challenges the existing orthodoxies about palliative care and points to ways in which the principles and methods of psychoanalysis can be applied successfully to cancer care within the hospital context.

Psychotherapy and the Treatment of Cancer Patients addresses the need for a more integrated care of cancer patients within hospitals which pays attention to the mental anguish as well as physical distress caused by the disease. This book is based on Lawrence Goldie's own research with cancer patients, which has shown that psychoanalytic psychotherapy together with general medical care can significantly help dying patients cope with the pain and suffering associated with the disease. Drawing on this research, the book advocates a more holistic approach to the cancer patient and suggests ways in which more expert attention might be provided through awareness, training and resources. The book describes the innovative approach of applying the psychoanalytic psychotherapeutic approach within the hospital context to help individuals cope with cancer. As well as an overview of cancer and the therapeutic approach, topics covered include: * the impact of cancer on hospital relationships * cancer in different areas of the body and mind * 'mind-bending pain' * dread and trauma - on being told the truth * psychoanalytic psychotherapy in the NHS 'general' hospital * examining group processes in hospital. Psychotherapy and the Treatment of Cancer Patients challenges the existing orthodoxies about palliative care and points to ways in which the principles and methods of psychoanalysis can be applied successfully to cancer care within the hospital context.

This book is a study of the simultaneous physiological recordings and psychoanalytic observations when emotional/psychological responses to external stimuli occur pari passu with observed physiological changes. It is the culmination of the author's psychiatric and psychoanalytic work with patients over fifty years, and is based on the simple premise that physiological measurements cannot describe the mind and the mind cannot describe physiological processes. In order for us to have a significant knowledge of the object the author argues that we need both, and that medical specialists and health professionals (doctors, nurses, psychoanalysts, psychotherapists, psychiatrists, etc.) need to be trained to adopt a Complementary approach to patients. The complex relationship between mind and body offers vital clues to the individual's condition, and only by considering patients both physically and mentally can doctors and psychoanalysts make precise and competent judgements.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well.'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principal idea behind the paradoxical title, The Generosity of Acceptance.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to t

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well.'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principal idea behind the paradoxical title, The Generosity of Acceptance.

The meaning of decadence varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural expression, principally in literature, through the work of such celebrated nineteenth-century decadents as Charles Baudelaire, Oscar Wilde, and many others. This volume takes the study of decadence beyond these canonical literary works to explore the phenomenon in broader historical, geographical, and cultural contexts. In thirty-five chapters by esteemed scholars from a range of disciplines, the Oxford Handbook of Decadence addresses different critical periods, such as classical antiquity, various ages of empire, the interwar era in the twentieth century, and contemporary times, as well as key places-France, Belgium, Britain, Italy, Germany, the Nordic nations, Russia and Ukraine, the Ottoman Empire, and Japan-and such genres as the novel, the short story, drama, the essay, prose poetry, and film. The volume also considers decadence more broadly as a culture not limited to literature by tracing its manifestations in such material forms as book design, fashion, interior decoration, and architecture, as well as through the experiential register of the senses: decadent vision, sound, smell, taste, and touch are all reflected, respectively, in painting, music, perfume, cuisine, and feeling. Finally, the chapters explore the theoretical resonance of decadence in such fields as theology, science, ecology, politics, psychoanalysis, and philosophy. By illuminating the various ways decadence can be construed, the Handbook offers an in-depth and original exploration into the paradox of decadence: a culture that draws its creative energy from the idea of decline.

The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and - in a special section on ancient Roman antecedents - from Latin. The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestos and declarations of principle by Theophile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal. The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de siecle and beyond. -- .

Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.

Witty satire, political drama, transgressive social commentary, mystical meditation; for years, these topics were banned from the stage. In the late 19th and early 20th centuries decadent writers turned to decadence as a means of responding to urban modernity, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged narrow ideas about taste, decency, and progress, and recurring motifs included queer sexualities and genders, elitism, social class, degeneracy and decay. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to this fast-expanding field of decadent literature . The first publication of its kind to deal specifically with decadent dramatic works in the pre-modernist and modernist periods, Decadent Plays breaks new ground by exploring how the concept of decadence cuts across genre, styles, and culture, and by including little-known works that are currently out-of-print. Featuring work Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology includes a selection of mainstream and marginal plays, some of which have been translated into English for the first time. An essential and influential introduction to the fast-expanding field of decadent literature, this edited anthology is suitable for undergraduate and graduate students, and specialists and non-specialists alike.

First published in 1802, "An Essay on Irish Bulls" was intended to show the English public the talent and wit of the Irish lower classes. Originally devised by Maria's father, Richard Lovell Edgeworth, Irish Bulls is an informal philosophic dialogue on the nature of Bulls (logical absurdities) and jokes and jests in general. Published at the time of the Union, the overarching theme is the confusions of identity and the relationship of Irish people to the English. This highly entertaining work has not been published as a single book since the nineteenth century. The editorial material and text for this edition are reproduced from the "Pickering & Chatto Novels" and "Selected Works of Maria Edgeworth", vol. 1. New introduction for this edition is by Jane Desmarais.