The first modern biography of one of the most fascinating, and unjustly neglected, female rulers of the ancient world: Cleopatra Selene. Princess, prisoner, African queen – and surviving daughter of Cleopatra VII. In 1895, archaeologists excavating a villa at Boscoreale, outside Pompeii, uncovered a spectacular hoard of high-quality Roman silverware. In the centre of one especially fine gilded dish was a bust of a female figure with thick curly hair, deep-set eyes, a slightly hooked nose and a strong jaw, sporting an elephant's scalp headdress. Modern scholars believe it likely that she represents Cleopatra Selene, one of three children born to Cleopatra VII of Egypt and the Roman triumvir Mark Antony. Using the Boscoreale discovery as her starting-point, Jane Draycott recreates the life and times of a remarkable woman – the sole member of the Ptolemaic dynasty to survive following her parents' defeat at the Battle of Actium. Unlike her siblings, who were either executed as threat to Rome's new ruler, Augustus, or simply forgotten, Cleopatra Selene not only survived but prospered. Brought up in the household of Octavia the Younger, Augustus' sister, she married a north African prince, Juba II of Numidia, and became co-ruler with him of the Roman client kingdom of Mauretania. Cleopatra Selene was a princess who became a prisoner; a prisoner who became a queen; an Egyptian who became Roman; and a woman who became a powerful ruler in her own right at a time when most women were marginalised. Her life shines new and revelatory light on Roman politics, society and culture in the early years of the Empire, on Roman perceptions of Egypt, and on the relationship between Rome and one of its most significant allied kingdoms.

Saint Christina the Astonishing was born into a poor Belgian family in 1150. She 'died' aged 22 but at her requiem she rose from her coffin and flew away like a bird, wanting to escape the smell of sinful humanity. This was the first of many mad, disobedient exploits in her long and remarkable life. Jane Draycott and Lesley Saunders retell - through their own poems as well as brief extracts from medieval religious writers - Christina's story as a woman's search for selfhood. The book includes artworks from Peter Hay, which he created for the original edition in direct response to the poetry. First published in 1998 and long out of print, this new edition makes Jane Draycott and Lesley Saunders' sensual and exhilarating poetic collaboration available once more. 'Ascetic and excessive, exasperating, sometimes absurd, the life of the little-known St Christina provokes fantasies and questions. Was she a wonder worker? Or an anorexic, fuelled by hatred of the flesh? Or a powerful woman whose legendary flights set her free from her time and her place? Rather than offering pieties or diagnoses, Lesley Saunders and Jane Draycott, invite us to a feast of soul food. Their two distinctive voices meet the voices of the Middle Ages in an extraordinary blend of the sacred and the profane, the rapt and the irreverent, playful, sensual and deeply felt.' Philip Gross 'Poetry as exciting as this is rare: fusing an earthy sensuality with the spiritual, it lets us hear Christina's voice ringing clearly from the rafters.' Robyn Bolam

A long-awaited re-issue, beautifully redesigned, of Jane Draycott's 'Tideway', a mesmeric sequence of poems about London's working river in a time of transition, with paintings by Peter Hay specifically created for the first edition as companion pieces to the poems. The River Thames can be a dangerous place to work: powerful tides, strong winds, difficult bridges and paralysingly cold water. At the turn of the millennium, Jane Draycott spent several weeks with the London watermen on the city's tugs, barges, and salvage vessels - a community of highly skilled men and women watching their working landscape and their futures change around them week by week: docklands transformed, slipways built over, warehouses converted to luxury apartments. 'Tideway' brings the poems written during that time together with Hay's light-filled paintings and the transcribed words of the watermen themselves. "What Draycott manages in two sentences contains a world. It isn't just the concise audacity of the imagery created here that is persuasive... [her] confidence secures the registers and makes a fine, clear lyric. Moreover, she makes significance out of insignificance. Say it out loud; you'll want to sing it in time. Time's the theme." David Morley

Today, a prosthesis is an artificial device that replaces a missing body part, generally designed and assembled according to the individual's appearance and functional needs with a view to being both as unobtrusive and as useful as possible. In classical antiquity, however, this was not necessarily the case. The ancient literary and documentary evidence for prostheses and prosthesis use is contradictory, and the bioarchaeological and archaeological evidence is enigmatic, but discretion and utility were not necessarily priorities. So, when, howand why did individuals utilise them? This volume, the first to explore prostheses and prosthesis use in classical antiquity, seeks to answer these questions, and will be of interest to academics and students with specialistinterests in classical archaeology, ancient history and history, especially those engaged in studies of healing, medical and surgical practices, or impairment and disability in past societies.

Roman Domestic Medical Practice in Central Italy examines the roles that the home, the garden and the members of the household (freeborn, freed and slave) played in the acquisition and maintenance of good physical and mental health and well-being. Focussing on the period from the middle Republic to the early Empire, it considers how comprehensive the ancient Roman general understanding of health actually was, and studies how knowledge regarding various aspects of health was transmitted within the household. Using literary, documentary, archaeological and bioarchaeological evidence from a variety of contexts, this is the first extended volume to provide as comprehensive and detailed a reconstruction of this aspect of ancient Roman private life as possible, complementing existing works on ancient professional medical practice and existing works on domestic medical practice in later historical periods. This volume offers an indispensable resource to social historians, particularly those that focus on the ancient family, and medical historians, particularly those that focus on the ancient world.

Jane Draycott's translation of Pearl reissued as a Carcanet Classic. A Poetry Book Society Recommended Translation. In a dream landscape radiant with jewels, a father sees his lost daughter on the far bank of a river: `my pearl, my girl’. One of the great treasures of the British Library, the fourteenth-century poem Pearl is a work of poetic brilliance; its account of loss and consolation has retained its force across six centuries. Jane Draycott in her new translation remakes the imaginative intensity of the original. This is, Bernard O’Donoghue says in his introduction, `an event of great significance and excitement’, an encounter between medieval tradition and an acclaimed modern poet.

Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-called 'anatomical votives'. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.

This is the first comprehensive study of prosthetics and assistive technology in classical antiquity, integrating literary, documentary, archaeological, and bioarchaeological evidence to provide as full a picture as possible of their importance for the lived experience of people with disabilities in classical antiquity. The volume is not only a work of disability history, but also one of medical, scientific, and technological history, and so will be of interest to members of multiple academic disciplines across multiple historical periods. The chapters cover extremity prostheses, facial prostheses, prosthetic hair, the design, commission and manufacture of prostheses and assistive technology, and the role of care-givers in the lives of ancient people with impairments and disabilities. Lavishly illustrated, the study further contains informative tables that collate the aforementioned different types of evidence in an easily accessible way.

Years ago, archaeologists excavating near Pompeii unearthed a hoard of Roman treasures, among them a bowl depicting a woman with thick, curly hair and sporting an elephant-scalp headdress. For decades, theories circulated about her identity-until, at last, she was ascertained to be Cleopatra Selene, the only surviving daughter of Roman Triumvir Marc Antony and Egyptian Queen Cleopatra VII. Using this discovery as her starting point and creating a narrative from mere fragments in the archaeological record, historian Jane Draycott reconstructs the exceptional life of this woman who, although born into royalty and raised in her mother's court, was held captive by Augustus Caesar and his sister, Octavia, after her parents' demise. Yet as Draycott shows, Cleopatra Selene was destined to emerge as an influential ruler in her own right, as queen, alongside King Juba II, of Mauretania, an ancient African kingdom. A long-overdue historical corrective, Cleopatra's Daughter reclaims a mighty regent-and her infamous family-for posterity.

This volume focuses on the depiction of women in video games set in historical periods or archaeological contexts, explores the tension between historical and archaeological accuracy and authenticity, examines portrayals of women in historical periods or archaeological contexts, portrayals of female historians and archaeologists, and portrayals of women in fantastical historical and archaeological contexts. It includes both triple A and independent video games, incorporating genres such as turn-based strategy, action-adventure, survival horror, and a variety of different types of role-playing games. Its chronological and geographical scope ranges from late third century BCE China, to mid first century BCE Egypt, to Pictish and Viking Europe, to Medieval Germany, to twentieth century Taiwan, and into the contemporary world, but it also ventures beyond our universe and into the fantasy realm of Hyrule and the science fiction solar system of the Nebula.

Roman Domestic Medical Practice in Central Italy examines the roles that the home, the garden and the members of the household (freeborn, freed and slave) played in the acquisition and maintenance of good physical and mental health and well-being. Focussing on the period from the middle Republic to the early Empire, it considers how comprehensive the ancient Roman general understanding of health actually was, and studies how knowledge regarding various aspects of health was transmitted within the household. Using literary, documentary, archaeological and bioarchaeological evidence from a variety of contexts, this is the first extended volume to provide as comprehensive and detailed a reconstruction of this aspect of ancient Roman private life as possible, complementing existing works on ancient professional medical practice and existing works on domestic medical practice in later historical periods. This volume offers an indispensable resource to social historians, particularly those that focus on the ancient family, and medical historians, particularly those that focus on the ancient world.

Today, a prosthesis is an artificial device that replaces a missing body part, generally designed and assembled according to the individual's appearance and functional needs with a view to being both as unobtrusive and as useful as possible. In classical antiquity, however, this was not necessarily the case. The ancient literary and documentary evidence for prostheses and prosthesis use is contradictory, and the bioarchaeological and archaeological evidence is enigmatic, but discretion and utility were not necessarily priorities. So, when, howand why did individuals utilise them? This volume, the first to explore prostheses and prosthesis use in classical antiquity, seeks to answer these questions, and will be of interest to academics and students with specialistinterests in classical archaeology, ancient history and history, especially those engaged in studies of healing, medical and surgical practices, or impairment and disability in past societies.

"Over", Jane Draycott's third book, takes its title from a sequence of twenty-six poems based on the international phonetic alphabet: Alpha, Bravo, Charlie, Delta - In these and other pieces, Draycott creates a world of echoing voices and reflections. She evokes the mirrors and doorways, dreams and night-time journeys that transform the familiar: entrances into a different reality. "Over" explores liminal places where ocean meets land, land drops to ravine, lives intersect in piazzas. The poems cross thresholds between what is finished and what is 'not over yet', between present and past and, in an extract from her new translation of the medieval dream-vision Pearl, between a sunlit garden and the mysterious landscape of the world to come.

Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-called 'anatomical votives'. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.

This collection travels many paths and by-ways, beside some of which lie burning cars, or a young man speechless on a forest floor, or girls lost far from home. And there is a lighthouse...Travellers pass along these ways, in the darkness, in transit, hoping for safe passage through unknown territory. All are imagined with what Sean O'Brien describes as Draycott's 'quizzical, exultant, exact music'. The Night Tree is Jane Draycott's second book of poems, following Prince Rupert's Drop, a Poetry Book Society Recommendation short listed for the Forward Prize in 1999, and two smaller collections, Tideway (Two Rivers Press, 2002, illustrated by Peter Hay) and No Theatre (Smith/Doorstop) short listed for the Forward Prize for Best First Collection 1997.

Poet and artist Henri Michaux (1899-1984) was one of the most original and influential figures of twentieth century French poetry, hailed by Allen Ginsberg as 'master' and 'genius' and by Borges as 'without equal in the literature of our time'. In his vividly strange narratives Michaux creates a dream-like, mercurial world of wry invention unlike any other, idiosyncratic, resistant and philosophical. Often dramatic and incantatory in his poetics, he was also an extremely private person, shunning publicity, writing as he put it for all those 'suffering from their imaginations.' In Storms under the Skin Jane Draycott translates poems and prose-poems from Michaux's volumes 1927-54, including extracts from his best-loved creations Plume and the haunting realm of Les Emanglons, alongside poems written on the eve of war in Europe and during the Occupation.

The 2017 Cookham Festival's Stanley Spencer Poetry Competition invited poets to find inspiration for their own art in the work of this remarkable man. Stanley Spencer: an Anthology of Poems publishes a selection from the entries to the competition chosen by its judges, Jane Draycott, Carolyn Leder, and Peter Robinson. From this gathering, the shortlist of commended entries and the prize winners were then drawn. These carefully selected and sequenced poems are presented here in the company of appropriate images reflecting this painter's extraordinary life and works.

The purpose of this study is to examine the healing strategies employed by the inhabitants of Egypt during the Roman period, from the late first century BC to the fourth century AD, in order to explore how Egyptian, Greek and Roman customs and traditions interacted within the province. Thus this study aims to make an original contribution to the history of medicine, by offering a detailed examination of the healing strategies (of which 'rational' medicine was only one) utilised by the inhabitants of one particular region of the Mediterranean during a key phase in its history, a region, moreover, which by virtue of the survival of papyrological evidence offers a unique opportunity for study. Its interdisciplinary approach, which integrates ancient literary, documentary, archaeological and scientific evidence, presents a new approach to understanding healing strategies in Roman provincial culture. It refines the study of healing within Roman provincial culture, identifies diagnostic features of healing in material culture and offers a more contextualised reading of ancient medical literary and documentary papyri and archaeological evidence. This study differs from previous attempts to examine healing in Roman Egypt in that it tries, as far as possible, to encompass the full spectrum of healing strategies available to the inhabitants of the province. The first part of this study comprises two chapters and focuses on the practitioners of healing strategies, both 'professional' and 'amateur'. Chapter 2 examines those areas of ancient medicine that have traditionally been neglected or summarily dismissed by scholars: 'domestic' and 'folk' medicine with particular emphasis on the extent to which the specific natural environment of any given location affects healing strategies. Chapter Three examines the nature and frequency of eye diseases and injuries suffered by the inhabitants of Roman Egypt. Chapter Four examines the nature and frequency of the fevers suffered by the inhabitants of Roman Egypt, focusing first on the disease malaria, which is attested by papyrological, archaeological and palaeopathological evidence as having been suffered throughout Egypt. Chapter Five examines the dangers that the animal species of Egypt could pose to the inhabitants of the province, focusing particularly upon snakes, scorpions, crocodiles and lions, as attested by papyrological and epigraphic evidence such as private letters, mummy labels and epitaph inscriptions. The concluding chapter underlines the importance for a study of the healing strategies utilised in any province of the Roman Empire (or indeed any region in the ancient world) of taking into account the historical, geographical, cultural and social context of the location in question.

Despite the prevalence of video games set in or inspired by classical antiquity, the medium has to date remained markedly understudied in the disciplines of classics and ancient history, with the role of women in these video games especially neglected. Women in Classical Video Games seeks to address this imbalance as the first book-length work of scholarship to examine the depiction of women in video games set in classical antiquity. The volume surveys the history of women in these games and the range of figures presented from the 1980s to the present, alongside discussion of issues such as historical accuracy, authenticity, gender, sexuality, monstrosity, hegemony, race and ethnicity, and the use of tropes. A wide range of games of different types and modes are discussed, including platformers, strategy games , roguelikes, MOBA, action RPGs, and story-driven romance mobile games. The detailed case studies presented here form a compelling case for the indispensability of the medium to both reception studies and gender studies, and offer nuanced answers to such questions as how and why women are portrayed in the ways that they are.

The first modern biography of one of the most fascinating, and unjustly neglected, female rulers of the ancient world: Cleopatra Selene. Princess, prisoner, African queen - and surviving daughter of Cleopatra VII. In 1895, archaeologists excavating a villa at Boscoreale, outside Pompeii, uncovered a spectacular hoard of high-quality Roman silverware. In the centre of one especially fine gilded dish was a bust of a female figure with thick curly hair, deep-set eyes, a slightly hooked nose and a strong jaw, sporting an elephant's scalp headdress. Modern scholars believe it likely that she represents Cleopatra Selene, one of three children born to Cleopatra VII of Egypt and the Roman triumvir Mark Antony. Using the Boscoreale discovery as her starting-point, Jane Draycott recreates the life and times of a remarkable woman - the sole member of the Ptolemaic dynasty to survive following her parents' defeat at the Battle of Actium. Unlike her siblings, who were either executed as threat to Rome's new ruler, Augustus, or simply forgotten, Cleopatra Selene not only survived but prospered. Brought up in the household of Octavia the Younger, Augustus' sister, she married a north African prince, Juba II of Numidia, and became co-ruler with him of the Roman client kingdom of Mauretania. Cleopatra Selene was a princess who became a prisoner; a prisoner who became a queen; an Egyptian who became Roman; and a woman who became a powerful ruler in her own right at a time when most women were marginalised. Her life shines new and revelatory light on Roman politics, society and culture in the early years of the Empire, on Roman perceptions of Egypt, and on the relationship between Rome and one of its most significant allied kingdoms.

The Kingdom of Jane Draycott's fifth collection is clearly a world we know, altered a little by Draycott's distinctive, prismatic lyricism, whose loving attention to place and our moment is skewed in a way that opens the world afresh. Here are England's towns and countryside, roads and ports and sushi chains, yards and herbs, an airport and a columbarium, and poems that consider art in a time of plague by way of meditation on Titian, Apollinaire and Derek Jarman.

Despite the prevalence of video games set in or inspired by classical antiquity, the medium has to date remained markedly understudied in the disciplines of classics and ancient history, with the role of women in these video games especially neglected. Women in Classical Video Games seeks to address this imbalance as the first book-length work of scholarship to examine the depiction of women in video games set in classical antiquity. The volume surveys the history of women in these games and the range of figures presented from the 1980s to the modern day, alongside discussion of issues such as historical accuracy, authenticity, gender, sexuality, monstrosity, hegemony, race and ethnicity, and the use of tropes. A wide range of games of different types and modes are discussed, with particular attention paid to the Assassin's Creed franchise's 21st-century ventures into classical antiquity (first in Origins (2017), set in Hellenistic Egypt, and then in Odyssey (2018), set in classical Greece), which have caught the imagination not only of gamers, but also of academics, especially in relation to their accompanying educational Discovery Modes. The detailed case studies presented here form a compelling case for the indispensability of the medium to both reception studies and gender studies, and offer nuanced answers to such questions as how and why women are portrayed in the ways that they are.