'It's a cliche to compare novelists to Jane Austen, but in the case of Jane Gardam it happens to be true. Her diamond-like prose, her understanding of the human heart, her formal inventiveness and her sense of what it is to be alive - young, old, lonely, in love - never fades' Amanda Craig 'I love Jane Gardam, especially Old Filth' Nina Stibbe 'Her work, like Sylvia Townsend Warner's, has that appealing combination of elegance, erudition and flinty wit' Patrick Gale 'One of the finest writers around. Old Filth has stayed with me for years...Can't think of anyone who achieves so much with so few words' Sathnam Sanghera Sir Edward Feathers has had a brilliant career, from his early days as a lawyer in Southeast Asia, where he earned the nickname Old Filth (Failed In London, Try Hong Kong) to his final working days as a respected judge at the bar. Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the demands of his work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away. Jane Gardam has written a literary masterpiece that retraces much of the twentieth century's torrid and momentous history. Feathers' childhood in Malaya during the British Empire's heyday, his schooling in pre-war England, his professional success in Southeast Asia and his return to England toward the end of the millennium, are vantage points from which the reader can observe the march forward of an eventful era and the steady progress of that man, Sir Edward Feathers, Old Filth himself, who embodies the century's fate.

From the inimitable Jane Gardam, whose "Old Filth" trilogy cemented her status as one of England's greatest living novelists, comes a collection of short stories that showcase her subversive wit, gentle humor, and insight into the human condition. Gardam's versatility is on full display, while her sublime grasp of language and powers of observation remain as provocative as ever.

Growing up in Edwardian south London, Alice Rowlands longs for romance and excitement, for a release from a life that is dreary, restrictive and lonely. Her father, a vet, is harsh and domineering; his new girlfriend brash and lascivious. Alice seeks refuge in memories and fantasies, in her rapturous longing for Nicholas, a handsome young sailor, and in the blossoming of what she perceives as her occult powers. A series of strange events unfolds that leads her, dressed in bridal white, to a scene of ecstatic triumph and disaster among the crowds on Clapham Common. The Vet's Daughter is a uniquely vivid, witty and touching story of love and mystery.

When Polly Flint was six she was sent to live with her two holy aunts close to the Irish Sea. For Polly the world of booksNespecially Defoe's novel "Robinson Crusoe"Nbecame a life saving source of emotional and intellectual nourishment.

'It's a cliche to compare novelists to Jane Austen, but in the case of Jane Gardam it happens to be true. Her diamond-like prose, her understanding of the human heart, her formal inventiveness and her sense of what it is to be alive - young, old, lonely, in love - never fades' Amanda Craig 'Her work, like Sylvia Townsend Warner's, has that appealing combination of elegance, erudition and flinty wit' Patrick Gale 'Sharp, humane, generous and wonderfully funny, she is one of our very finest writers' Hilary Mantel Shortlisted for the 2014 Folio Prize. Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that Titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love. Veneering's were not the usual beginnings of an establishment silk: the son of a Russian acrobat marooned in northeast England and a devoted local girl, he escapes the war to emerge in the Far East as a man of panache, success and fame. But, always, at the stuffy English Bar he is treated with suspicion: where did this blond, louche, brilliant Slav come from? Veneering, Filth and their friends tell a tale of love, friendship, grace, the bittersweet experiences of a now-forgotten Empire and the disappointments and consolations of age.

Eliza Peabody is one of those dangerously blameless women who believe they have God in their pocket. She is a modern-day Florence Nightingale, always up at the Hospice or the Wives' club; she is too enthusiastic; she talks too much. Her concern for the welfare of her wealthy south London neighbours even extends to ingenuous, well-meaning notes of unsolicited advice under the door. It is just such a one-sided correspondence that heralds Eliza's undoing. Did her letter have something to do with Joan's abrupt disappearance from number forty-one? What to make of the long absences of her husband and Joan's, and of the two men's new, inseparable friendship? And why will no one else on Rathbone Road speak of Joan? As Eliza's own life seems to disintegrate, she finds that, despite the pity and embarrassment with which her neighbours greet her, she is at last being drawn into their lives - although not in the way she had once fantasised about. This is a sharp, poignant and wickedly funny tale of love, heartache and disillusionment.

"Jane Gardam's beautiful, vivid and defiantly funny novel is a must.""The Times"

"Gardam's superb new novel is surely her masterpiece . . . one of the most moving fictions I have read in years . . . This is the rare novel that drives its readers forward while persistently waylaying and detaining by the sheer beauty and inventiveness of it style.""The Guardian"

"The Whitbread winner scores again with a compelling novel based, in part, on the early life of Rudyard Kipling.""Time Out"

Sir Edward Feathers has progressed from struggling young barrister to wealthy expatriate lawyer to distinguished retired judge, living out his last days in comfortable seclusion in Dorset. The engrossing and moving account of his life, from birth in colonial Malaya, to Wales, where he is sent as a "Raj orphan," to Oxford, his career and marriage, parallels much of the 20th century's torrid and twisted history.

"Old Filth" was nominated for the 2005 Orange Prize.

Jane Gardam lives with her husband and three children in England. She has won Katherine Mansfield Award, the PEN Macmillan Silver Pen Award, the Whitbread Novel Award (twice), and has been shortlisted for the Booker Prize. She was recently awarded the Heywood Hill Literary Prize in recognition of a distinguished literary career.

This delightful novel describes the post-war summer of 1946 - and follows the growing-up of three young women in the months between leaving school and taking up their scholarships at university. Una Vane, whose widowed mother runs a hairdressing salon in her front room ('Maison Vane Glory - Where Permanent Waves are Permanent'), goes bicycling with Ray, the boy who delivers the fish and milk. Hetty Fallowes struggles to become independent of her possessive, loving, tactless mother. And Lieselotte Klein, who had arrived in 1939 on a train from Hamburg, uncovers tragedy in the past and magic in the present. Rooted in the north of England, THE FLIGHT OF THE MAIDENS is peopled with extraordinary characters, who are evoked with all the humour, compassion and eye for detail that mark Jane Gardam as one of Britain's most gifted and original novelists.

'It's a cliche to compare novelists to Jane Austen, but in the case of Jane Gardam it happens to be true. Her diamond-like prose, her understanding of the human heart, her formal inventiveness and her sense of what it is to be alive - young, old, lonely, in love - never fades' Amanda Craig 'Her work, like Sylvia Townsend Warner's, has that appealing combination of elegance, erudition and flinty wit' Patrick Gale Filth (Failed In London, Try Hong Kong) is a successful lawyer when he marries Elisabeth in Hong Kong soon after the War. Reserved, immaculate and courteous, Filth finds it hard to demonstrate his emotions. But Elisabeth is different - a free spirit. She was brought up in the Japanese Internment Camps, which killed both her parents but left her with a lust for survival and an affinity with the Far East. No wonder she is attracted to Filth's hated rival at the Bar - the brash, forceful Veneering. Veneering has a Chinese wife and an adored son - and no difficulty whatsoever in demonstrating his emotions . . . How Elisabeth turns into Betty and whether she remains loyal to stolid Filth or is swept up by caddish Veneering, makes for a page-turning plot in a perfect novel which is full of surprises and revelations, as well as the humour and eccentricites for which Jane Gardam's writing is famous.

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret's shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce.

When sweet, healthy hearty Holly Fox dies suddenly in childbirth, the Surrey village whose pearl she was reverberates with shock. She leaves behind her a helpless, silent husband, and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother Thomasina will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North - 'the very strangest people you ever saw my dear'. With wisdom, generosity, and understanding, Jane Gardam takes as her subject the English heart in all its eccentric variety. FAITH FOX sheds a clear, true light on the pain of bereavement whilst always offering the joyous possibility of a new beginning.

'Her territory isn't young or old; it's the heart-and brain-matter of people, their desires and worries and fantasies and intricate interactions. All of this is set capably against a particular landscape, and the result tends to be vivid and real. Beautiful, like Willa Cather' Meg Wolitzer, New York Times The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bill and Harry, two children who find wonder at every turn as they experience the Hollow Land. Everyday challenges give a daring edge to this rural work and play. There are mysteries to explore and uncover , like the case of the Egg Witch, and everyone is curious about the Household Name, a visitor from London, moving into the jewel of the territory, Light Farm. Gardam is at her best with this novel, which won the Whitbread award in 1981.

Throughout her career, prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets. A mother watching her children on the beach dreams of a long-lost lover, an abandoned army wife sees a ghost at a moorland gate, a translator adrift in Geneva is haunted by the unspeakable manifestation of her own fears, and a colonial servant wreaks a delicious revenge on her monstrous masters. Gardam's cast is wide and wonderful, saints and mystics, trollops and curmudgeons, yearning mothers and lost children, beloved figures such as Old Filth and less familiar - but equally unforgettable - characters like Signor Settimo, the sad-eyed provincial photographer marooned in Shipley or Florrie Ironside, the ferocious matron he seduces. With a mischievous ear for dialogue, a glittering eye for detail and a capacious understanding of the vagaries of the human heart, Jane Gardam's stories will captivate, sadden and delight.

It is a wet day in Dorset, and walking to a luncheon party is Sir Edward Feathers QC, followed by two elderly friends: his scruffy neighbour and sparring partner, Veneering, and Fiscal-Smith, the meanest lawyer ever to make a fortune at the Bar. Fans of Jane Gardam's bestselling novel, OLD FILTH, will be delighted to encounter Filth, now almost ninety, making his immaculate way to Privilege Hill, named perhaps for the Prive-Lieges who arrived with the Normans, but more probably for the village privies. Ranging from a Victorian mansion converted into a home for unmarried mothers to a wartime hospital in the middle of the Blitz, from ghost stories to brilliant observations of love and loneliness in their various manifestations - including, in 'Pangbourne', a woman who falls in love with a gorilla - to reflections on the haphazard nature of intellect and memories in 'The Last Reunion', the stories in this collection mix Jane Gardam's trademark sardonic wit with a delicate tenderness and a touch of the surreal.

"Funny and moving."-The New York Times

In prose vibrant and witty, The Queen of the Tambourine traces the emotional breakdown-and eventual restoration-of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman's confrontation with the realities of sanity will delight readers who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. Winner of the Whitbread Prize for Best Novel of the Year.

I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine' Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her- a confining world of Order Marks, wartime restrictions, viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica she has been told that she is 'beyond all possible doubt', a born writer. With her inability to conform, her absolute compulsion to tell the truth and her dedication to accurately noting her experiences, she knows this anyway. But what she doesn't know is that the experiences that sustain and enrich her burgeoning talent will one day lead to a new- and entirely unexpected- reality.

Jane Gardam's funny and wise masterpiece, reissued with a new introduction by Nina Stibbe Filth, in his heydey, was an international lawyer with a practice in the Far East. Now, only the oldest QCs can remember that his nickname stood for Failed In London Try Hong Kong. Long ago, Old Filth was a Raj orphan - one of the many young children sent 'Home' from the East to be fostered and educated in England. Jane Gardam's novel tells his story, from his birth in what was then Malaya to the extremities of his old age. In doing so, she not only encapsulates a whole period from the glory days of the British Empire, through the Second World War, to the present and beyond, but also illuminates the complexities of the character known variously as Eddie, the Judge, Fevvers, Filth, Master of the Inner Temple, Teddy and Sir Edward Feathers. 'Beautiful, vivid, defiantly funny' The Times 'This novel is surely Gardam's masterpiece... On the human level, it is one of the most moving fictions I have read in years' Guardian 'Sharp, humane, generous and wonderfully funny, she is one of our very finest writers' Hilary Mantel 'Old Filth has stayed with me for years... I can't think of anyone who achieves so much with so few words' Sathnam Sanghera

In 1904, when she was six, Polly Flint went to live with her two holy aunts at the yellow house by the marsh - so close to the sea that it seemed to toss like a ship, so isolated that she might have been marooned on an island. And there she stayed for eighty-one years, while the century raged around her, while lamplight and Victorian order became chaos and nuclear dred. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

Jane Austen's love life- long the subject of speculation- is finally, delightfully dealt with in the title story of this collection. Many of the other stories, like 'The Sidmouth Letters,' bring together past and present- with sometimes hilarious, sometimes disturbing, often intensely moving results. With quiet elegance and devastating accuracy, Jane Gardam probes many and varied lives. We meet a trio of Kensington widows, mean-spirited and middle-aged, paying improbable tribute to a long exploited nanny; we await- with dread- a stranger to tea in an Engliish home; we witness the mercurial changes that take place in young love, and we watch as a bohemian, passionate past returns to tempt domestic bliss.

Marigold Green calls herself 'hideous, quaint and barmy'. Other people calle her Bilgewater, a corruption of Bill's daughter. Growing up in a boys' school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence