Nearly 90 percent of residents in Dubai are foreigners with no Emirati nationality. As in many global cities, those who hold Western passports share specific advantages: prestigious careers, high salaries, and comfortable homes and lifestyles. With this book, Amelie Le Renard explores how race, gender and class backgrounds shape experiences of privilege, and investigates the processes that lead to the formation of Westerners as a social group. Westernness is more than a passport; it is also an identity that requires emotional and bodily labor. And as they work, hook up, parent, and hire domestic help, Westerners chase Dubai's promise of socioeconomic elevation for the few. Through an ethnography informed by postcolonial and feminist theory, Le Renard reveals the diverse experiences and trajectories of white and non-white, male and female Westerners to understand the shifting and contingent nature of Westernness-and also its deep connection to whiteness and heteronormativity. Western Privilege offers a singular look at the lived reality of structural racism in cities of the global South.

Nearly 90 percent of residents in Dubai are foreigners with no Emirati nationality. As in many global cities, those who hold Western passports share specific advantages: prestigious careers, high salaries, and comfortable homes and lifestyles. With this book, Amelie Le Renard explores how race, gender and class backgrounds shape experiences of privilege, and investigates the processes that lead to the formation of Westerners as a social group. Westernness is more than a passport; it is also an identity that requires emotional and bodily labor. And as they work, hook up, parent, and hire domestic help, Westerners chase Dubai's promise of socioeconomic elevation for the few. Through an ethnography informed by postcolonial and feminist theory, Le Renard reveals the diverse experiences and trajectories of white and non-white, male and female Westerners to understand the shifting and contingent nature of Westernness-and also its deep connection to whiteness and heteronormativity. Western Privilege offers a singular look at the lived reality of structural racism in cities of the global South.

The Maghrebi Quarter of Jerusalem long sat in the shadow of the Western Wall, the last vestige of the Second Temple. Three days after the June '67 War, Israeli forces razed the Quarter, its narrow alleys widened and homes removed, to create the Western Wall Plaza. With this book, Vincent Lemire offers the first history of the Maghrebi Quarter-spanning 800 years from its founding by Saladin in 1187 to house North African Muslim pilgrims through to its destruction. To bring this vanished district back to life, Lemire gathers its now-scattered documentation in the archives of Muslim pious foundations in Jerusalem and the Red Cross in Geneva, in Ottoman archives in Istanbul and Israeli state archives. He engages testimonies of former residents and looks to recent archaeological digs that have resurfaced household objects buried during the destruction. Today, the Western Wall Plaza extends over the former Maghrebi Quarter. It is one of the most identifiable places in the world-yet one of the most occluded in history. In the Shadow of the Wall offers a new point of entry to understand this consequential place.

Published in Tunis in 1938, Ninette of Sin Street is one of the first works of Tunisian fiction in French. Ninette's author, Vitalis Danon, arrived in Tunisia under the aegis of the Franco-Jewish organization the Alliance Israelite Universelle and quickly adopted-and was adopted by-the local community. Ninette is an unlikely protagonist: Compelled by poverty to work as a prostitute, she dreams of a better life and an education for her son. Plucky and street-wise, she enrolls her son in the local school and the story unfolds as she narrates her life to the school's headmaster. Ninette's account is both a classic rags-to-riches tale and a subtle, incisive critique of French colonialism. That Ninette's story should still prove surprising today suggests how much we stand to learn from history, and from the secrets of Sin Street. This volume offers the first English translation of Danon's best-known work. A selection of his letters and an editors' introduction and notes provide context for this cornerstone of Judeo-Tunisian letters.

Published in Tunis in 1938, Ninette of Sin Street is one of the first works of Tunisian fiction in French. Ninette's author, Vitalis Danon, arrived in Tunisia under the aegis of the Franco-Jewish organization the Alliance Israelite Universelle and quickly adopted-and was adopted by-the local community. Ninette is an unlikely protagonist: Compelled by poverty to work as a prostitute, she dreams of a better life and an education for her son. Plucky and street-wise, she enrolls her son in the local school and the story unfolds as she narrates her life to the school's headmaster. Ninette's account is both a classic rags-to-riches tale and a subtle, incisive critique of French colonialism. That Ninette's story should still prove surprising today suggests how much we stand to learn from history, and from the secrets of Sin Street. This volume offers the first English translation of Danon's best-known work. A selection of his letters and an editors' introduction and notes provide context for this cornerstone of Judeo-Tunisian letters.

Ivan Jablonka's grandparents' lives ended long before his began: although Mates and Idesa Jablonka were his family, they were perfect strangers. When he set out to uncover their story, Jablonka had little to work with. Neither of them was the least bit famous, and they left little behind except their two orphaned children, a handful of letters, and a passport. Persecuted as communists in Poland, as refugees in France, and then as Jews under the Vichy regime, Mates and Idesa lived their short lives underground. They were overcome by the tragedies of the twentieth century: Stalinism, the mounting dangers in Europe during the 1930s, the Second World War, and the destruction of European Jews. Jablonka's challenge was, as a historian, to rigorously distance himself and yet, as family, to invest himself completely in their story. Imagined oppositions collapsed-between scholarly research and personal commitment, between established facts and the passion of the one recording them, between history and the art of storytelling. To write this book, Jablonka traveled to three continents; met the handful of survivors of his grandparents' era, their descendants, and some of his far-flung cousins; and investigated twenty different archives. And in the process, he reflected on his own family and his responsibilities to his father, the orphaned son, and to his own children and the family wounds they all inherited. A History of the Grandparents I Never Had cannot bring Mates and Idesa to life, but Jablonka succeeds in bringing them, as he soberly puts it, to light. The result is a gripping story, a profound reflection, and an absolutely extraordinary history.

The Maghrebi Quarter of Jerusalem long sat in the shadow of the Western Wall, the last vestige of the Second Temple. Three days after the June '67 War, Israeli forces razed the Quarter, its narrow alleys widened and homes removed, to create the Western Wall Plaza. With this book, Vincent Lemire offers the first history of the Maghrebi Quarter—spanning 800 years from its founding by Saladin in 1187 to house North African Muslim pilgrims through to its destruction. To bring this vanished district back to life, Lemire gathers its now-scattered documentation in the archives of Muslim pious foundations in Jerusalem and the Red Cross in Geneva, in Ottoman archives in Istanbul and Israeli state archives. He engages testimonies of former residents and looks to recent archaeological digs that have resurfaced household objects buried during the destruction. Today, the Western Wall Plaza extends over the former Maghrebi Quarter. It is one of the most identifiable places in the world—yet one of the most occluded in history. In the Shadow of the Wall offers a new point of entry to understand this consequential place.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. A Jewish Childhood in the Muslim Mediterranean brings together the fascinating personal stories of Jewish writers, scholars, and intellectuals who came of age in lands where Islam was the dominant religion and everyday life was infused with the politics of the French imperial project. Prompted by novelist Leïla Sebbar to reflect on their childhoods, these writers offer literary portraits that gesture to a universal condition while also shedding light on the exceptional nature of certain experiences. The childhoods captured here are undeniably Jewish, but they are also Moroccan, Algerian, Tunisian, Egyptian, Lebanese, and Turkish; each essay thus testifies to the multicultural, multilingual, and multi-faith community into which its author was born. The present translation makes this unique collection available to an English-speaking public for the first time. The original version, published in French in 2012, was awarded the Prix Haïm Zafrani, a prize given by the Elie Wiesel Institute of Jewish Studies to a literary project that valorizes Jewish civilization in the Muslim world.

Meddeb wages a war of interpretations in this book demonstrating that Muslims cannot join the concert of nations unless they set aside outmoded notions such as jihad, and realize that the feuding among monotheisms must give way to the more important issue of what it means to be a citizen intoday's post-religious global setting.
Abdelwahab Meddeb makes an urgent case for an Islamic reformation, located squarely in Western Europe, now home to millions of Muslims, where Christianity and Judaism have come to coexist with secular humanism and positivist law. He is not advocating "moderate" Islam, which he characterizes as thinly disguised Wahabism, but rather an Islam inspired by the great Sufi thinkers, whose practice of religion was not bound by doctrine.
To accomplish this, Meddeb returns to the doctrinal question of the text as transcription of the uncreated word of God and calls upon Muslims to distinguish between Islam's spiritual message and the temporal, material, and historically grounded origins of its founding scriptures. He contrasts periods of Islamic history--when philosophers and theologians engaged in lively dialogue with other faiths and civilizations and contributed to transmitting the Hellenistic tradition to early modern Europe--with modern Islam's collective amnesia of this past.

Abdelwahab Meddeb makes an urgent case for an Islamic reformation, located squarely in Western Europe, now home to millions of Muslims, where Christianity and Judaism have come to coexist with secular humanism and positivist law. He is not advocating "moderate" Islam, which he characterizes as thinly disguised Wahabism, but rather an Islam inspired by the great Sufi thinkers, whose practice of religion was not bound by doctrine. To accomplish this, Meddeb returns to the doctrinal question of the text as transcription of the uncreated word of God and calls upon Muslims to distinguish between Islam's spiritual message and the temporal, material, and historically grounded origins of its founding scriptures. He contrasts periods of Islamic history-when philosophers and theologians engaged in lively dialogue with other faiths and civilizations and contributed to transmitting the Hellenistic tradition to early modern Europe-with modern Islam's collective amnesia of this past. Meddeb wages a war of interpretations in this book, in his attempt to demonstrate that Muslims cannot join the concert of nations unless they set aside outmoded notions such as jihad and realize that feuding among the monotheisms must give way to the more important issue of what it means to be a citizen in today's postreligious global setting.

A brokenhearted man leaves behind his familiar Europe to find himself in a desert land equal parts dull and dreamlike, torn between his desire to lose himself in this new country or hide away with the pampered expatriates who reside in a green zone known as the Ring.

The tale is simple, if grim: a disenfranchised teenage boy from the housing projects on the outskirts of Paris rapes and murders the manager of the supermarket where his mother works. But Gerard Gavarry is a writer who knows how literary inventiveness can shed new light on a serious subject, and Hoppla! tells its story three times, in three separate sections, each in a different tone or mode and with different sets of images and vocabularies. The first relies on tropical images and the characters speak in a lexicon borrowed from the coconut industry--as if the Parisian suburbs had been transported to an exotic shore; the second is nautical in nature; the third invokes the mythology of the centaur, and ancient Greece butts up against modern-day France. Gavarry's bloody and poetic narrative takes dead aim at the social, political, and personal roots of violence, and argues for the transformative power of fiction.

At some Parisian lost-and-found, a mysterious manuscript scribbled onto stray bits of hotel stationary and postcards and stuffed into an abandoned briefcase comes into the hands of an "editor," who claims to faithfully transcribe and assemble the random texts. On the face of it, these consist of fastidious descriptions of a series of hotel rooms in cities around the globe, but their world-weary writer, a certain "Olivier Rolin," is also involved in a number of highly improbable international networks, populated by unsavory thugs and Mata Haris in distress. Author Olivier Rolin has dipped into his extensive travel notebooks to create this highly inventive novel that spoofs, among others, the decaying international espionage scene, the literary author publicity tour, and official French culture, all against a backdrop of the queasy alienation secreted by standard-issue hotel rooms across the globe.

The Power of Flies begins in a courtroom, where a man is undergoing an interrogation. He has committed a crime, and he must now explain himself. But instead of letting the judge, lawyer, and psychiatrist question him, he asks himself all the questions--and answers them. While ranting on to the court about various topics--his family, the museum where he works as a tour guide, and even the French philosopher and mathematician, Blaise Pascal--the narrator of The Power of Flies reveals himself to be both calculating and unstable. In this latest novel from acclaimed French writer Lydie Salvayre, it is up to the reader to sort through his philosophical diatribe to discover why this man turned killer.

A literary exploration into the serendipitous convergences underpinning the writing of a novel (here, Ge rard Gavarry s masterful Hoppla! 1 2 3), this rare and revealing glimpse into the creative process pulls back the curtain on the composition of a playful and self-conscious work of fiction.

Here is a book about a man, supposedly a writer, who tries to write a novel, because he promised his readers he would. But he doesn't have anything to say. He keeps erasing what he writes, and rewriting it, without having the slightest idea where he's going with it. Soon enough he realizes that looking out of the window, sitting in front of his typewriter, describing anything and everything, is not enough to write a novel. His three friends, Edmond, Edgar, and Edouard, will aid him in his task . . . Pigeon Post will be the second book Dalkey Archive has published by the Romanian writer Dumitru Tsepeneag (after the critically acclaimed Vain Art of the Fugue), and we will be publishing more of his works in the years to come.

A word-crazed monologue in the mind of a man flying to his war-torn native country for the first time in years, "Without Origin" explores the ways a family, homeland, friendship, or even a favorite author, can come to overwhelm one's individuality.