This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.

What is the nature of the relationship between; early cultural citizenship and consumerism; ideology and economics; militant politics and constitutional reforms; class and gender?
Gender, Citizenship and Newspapers offers the reader an opportunity to look at the full range of ways in which gender is articulated and constructed in and through the press, both textually and professionally, in different national contexts.
The gendered nature of the relationship between the press and the emergence of cultural citizenship from the 1860s to the 1930s is explored through empirical data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity. This original, international research provides a helpful contribution to both media history, gender research, sociology and media studies.

This book represents the first systematic attempt to analyse media and public communications published in Britain by people of African and Afro-Caribbean origin during the aftermaths of war, presenting an in-depth study of print publications for the period 1919-1924. This was a period of post-conflict readjustment that experienced a transnational surge in special interest newspapers and periodicals, including visual discourse. This study provides evidence that the aftermath of war needs to be given more attention as a distinctly defined period of post-conflict adjustment in which individual voices should be highlighted. As such it forms part of a continuing imperative to re-discover and recuperate black history, adding to the body of research on the aftermaths of The First World War, black studies, and the origins of diaspora. Jane L. Chapman analyses how the newspapers of black communities act as a record of conflict memory, and specifically how physical and political oppression was understood by members of the African Caribbean community. Pioneering black activist journalism demonstrates opinions on either empowerment or disempowerment, visibility, self-esteem, and economic struggles for survival.

Comics, the Holocaust and Hiroshima breaks new ground for history by exploring the relationship between comics as a cultural record, historiography, memory and trauma studies. Comics have a dual role as sources: for gauging awareness of the Holocaust and through close analysis, as testimonies and narratives of childhood emotions and experiences.

This book is the first attempt to analyse records of people of Afro-Caribbean origin who appealed against repatriation during the painful period after Britain's 1919 race riots. Revealing personal letters and petitions from the West Indies, West Africa, and the UK, Jane Chapman demonstrates that conflict adjustment involving individual voices needs to be highlighted. She asks, what was the human environment, the dilemmas and the racist compulsions making transnational experiences in the British Empire so poignant? Analysing both the opinions of civil servants on appellants' statements of hardship and requests for financial help, and the voices of the appellants themselves, this book aims to rediscover black people's hidden heritage.

This book is the first attempt to analyse records of people of Afro-Caribbean origin who appealed against repatriation during the painful period after Britain's 1919 race riots. Revealing personal letters and petitions from the West Indies, West Africa, and the UK, Jane Chapman demonstrates that conflict adjustment involving individual voices needs to be highlighted. She asks, what was the human environment, the dilemmas and the racist compulsions making transnational experiences in the British Empire so poignant? Analysing both the opinions of civil servants on appellants' statements of hardship and requests for financial help, and the voices of the appellants themselves, this book aims to rediscover black people's hidden heritage.