A valuable sourcebook for costume designers, dressmakers and those involved in historical reenactments, this book contains all the information you need to create authentic clothes from the Tudor period. Computer-generated, historically accurate patterns enable you to make a wide range of garments, such as doublets, hose, bodices, skirts, hats and headdresses - even underwear. There are also plenty of ideas for decoration and embellishment such as ruffs, cuffs, collars, embroidery and other surface decoration. The full range of Tudor society is represented, including lower- and middle-class clothing as well as the more sumptuous costumes from the courts of Henry VIII and Elizabeth I. There is also information on how to store and look after your finished clothing. In addition to the patterns, there are detailed drawings of each costume and information about historical context, including original paintings and source material.

Gertrude Stein and Laura Riding enjoyed a fascinating if brief three-year friendship via correspondence between 1927 and 1930, and in A Description of Acquaintance, Logan Esdale and Jane Malcolm make the letters available to a larger audience for the first time. Riding and Stein are important figures in twentieth-century poetry and poetics and are considered progenitors of later movements such as L=A=N=G=U=A=G=E poetry. The editors contextualize their relationship and its time period with an introduction; annotations to the letters; and supplementary materials, including pieces by Stein and Riding that exemplify their singular perspectives on modernism as well as their personal poetics. The book provides unique insight into Stein's and Riding's writing processes as well as the larger literary world around them, making it a must-read for anyone interested in twentieth-century poetry.

This new edition of "Contemporaries and Snobs," a landmark collection of essays by Laura Riding, offers a counter-history of high modernist poetics.
Laura Riding's "Contemporaries and Snobs" (1928) was the first volume of essays to engage critically with high modernist poetics from the position of the outsider. For readers today, it offers a compelling account--by turns personal, by turns historical--of how the institutionalization of modernism denuded experimental poetry. Most importantly, "Contemporaries and Snobs" offers a counter-history of the idiosyncratic, of what the institution of modernism left (and leaves) behind. With Gertrude Stein as its figurehead, the book champions the noncanonical, the "barbaric," and the undertheorized.
Riding's nuanced defense of a poetics of the person in "Contemporaries and Snobs" represents a forgotten but essential first attempt to identify and foster what is now a well-defined poetic lineage that leads from Stein to the contemporary experimental avant-garde. In these essays, Riding takes her readers on a remarkably thorough tour through the critical scene of the 1920s. Among other influential treatises, she considers T. S. Eliot's "The Sacred Wood" and his editorial essays in "The Criterion," Allen Tate's "Poetry and the Absolute," John Crowe Ransom's essays on the modernist poet, Edgell Rickword's essays in "The Calendar of Modern Letters," and Herbert Read's posthumous publication of T. E. Hulme's essays. All of this criticism, Riding notes, gave modern poets a sheen of seriousness and professionalism, but was it good for poetry? Her decisive answer is "no." This new edition includes an introduction by Laura Heffernan and Jane Malcolm that makes legible the many connections between "Contemporaries and Snobs" and the critical debates and poetic experiments of the 1920s, as well as explanatory notes, a chronological bibliography of Riding's work, and an index of proper names.