For decades, conservative evangelicals and so-called gender critical feminists have worked hand-in-hand to oppose trans liberation. But how did this alliance come about? What makes it tick? And how can trans people and allies respond? In Gender Heretics, Rebecca Jane Morgan tackles this reactionary alliance head on. With unique insight, she explores how theological arguments snaked their way from anti-trans feminist tracts into the everyday practices of evangelical churches today, and how the unlikely alliance remains strong in spite of seemingly irreconcilable worldviews. Shedding light on the roots of today’s transphobic backlash, she provides crucial tools to overcome it, offering a hopeful way forward by advocating for a full recalibration of evangelical thought on gender identity and trans activism.

Stow your stuff in these colourful zippered Eco Pouches and stay organized everywhere you go. Set of two zip-top pouches: large pouch is 24 cm x 18 cm and small pouch is 22 cm x 13 cm. Pouches are made of recycled plastic that is tough enough to handle even sharp quilting, sewing, and art tools. They are also great for pens, jewellery, cosmetics, coins – the list is endless! Each pouch features quilts made from Pamela Jane Morgan's Purr-fect Patchwork.

Embrace your inner cat lady with contemporary cat-themed projects! Play with texture and style to create 16 unique projects from bags and decor to seven different quilts. Use dozens of techniques from basic piecing, hand embroidery, and machine sewing for a vintage-meets-modern aesthetic. Experiment with different textiles and fabrics to create bags, accessories, home decor, and quilts.

Child Victims explores the range and extent of crimes committed against children and assesses their impact. The testimony of over two hundred children gives voice, for the first time, to their experiences, their views, and their needs. It examines how children attain the status of `victims' in the criminal justice system. Drawing on recent research findings, the authors examine each stage of the legal process that a child encounters, from the initial reporting of the offence, through police investigation, to the trial itself. They contrast the specialist response to victims of child sexual abuse with the experience of children who are victims of other crimes, thrust into an adult system which takes little account of their needs. Child Victims concludes by examining the role of support services and agencies dealing with child victims, and makes a number of key recommendations for future policy.

IT was quite early on the following morning, when Mr. Delafield rung at the door of the house in which the father of Miss Henly resided. The gentleman had obtained the permission of the young lady, the preceding evening, to put himself on the list of her visiting acquaintance, and a casual introduction to both of Charlotte's parents had smoothed the way to this intimacy.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

IT was quite early on the following morning, when Mr. Delafield rung at the door of the house in which the father of Miss Henly resided. The gentleman had obtained the permission of the young lady, the preceding evening, to put himself on the list of her visiting acquaintance, and a casual introduction to both of Charlotte's parents had smoothed the way to this intimacy.

This new exhibition explores the work of the charismatic English artist Christopher Wood (1901-1930). The work of Wood, along with Ben and Winifred Nicholson, David Jones and Alfred Wallis, was fundamental in shaping Jim Ede's artistic vision. Paintings and drawings from the University of Cambridge and Kettle's Yard collections, many of which are not normally on display, will be brought together with archival materials including the artist's own set of playing cards to offer new insight into Wood's life and work. For the first time in almost 30 years, our own 'Boy with Cat' will be reunited with its sister painting 'Woman with Fox', which was given to the University of Essex by Jim Ede in 1964. A new publication exploring the relationship between Wood and Kettle's Yard will accompany the exhibition.