This book presents an exhaustive treatment of a long-standing problem of Proto-Indo-European and Italic philology: the development of the Proto-Indo-European voiced aspirates in the ancient languages of Italy. In so doing it tackles a central issue of historical linguistics: the plausibility of explanations for sound change. The author argues that the problem can be resolved by combining a traditional philological investigation with experimental phonetics. Philological methods enable the presentation of the first integrated account of the evidence for the Italic languages, with detailed discussion of languages other than Latin. Theory and methods from experimental phonetics are then adopted to offer a new explanation for how the sound change might have taken place. At the same time, phonetic methods also confirm the traditional reconstruction of voiced aspirates for Proto-Indo-European. Thus the book offers a case-study of the successful application of synchronic theory and method to a problem of diachrony.

One of the finest achievements of Western culture is its brilliant heritage of classical music. A Gift of Music looks at the lives of the greatest composers who have given us this heritage, and especially at how their music was shaped by their beliefs.

The result is a remarkable and inspiring book, showing the importance of Christian faith for many composers, and the effect of this upon their music. But it also shows how the lack of faith has brought profound change in the meaning and form of contemporary music.

Thus A Gift of Music seeks to open up a whole new world of music--to encourage listening to the finest compositions with new understanding and pleasure, and to stretch our ears and imaginations. It is a book which will be greatly appreciated by those who already love classical music, and by others who want to explore this delightful world for the first time.

Consider the worshipful lyrics of "Holy, Holy, Holy"; the comforting assurance of "His Eye Is On the Sparrow"; the trusting submission of "Have Thine Own Way, Lord"; the bold declaration made by "O for a Thousand Tongues." They are some of our greatest hymns--and some of the most powerful words in Christendom. Lyrics that help us grasp the reality of faith, set to beautiful music that speaks to our hearts.

The stories behind the hymns are powerful as well. In this book the authors have detailed the intriguing and often tragic circumstances from which many of our best-loved hymns came. They are stories about the private struggles and personal triumphs these men and women hymn writers experienced--stories that give their already-meaningful songs added significance.

Great Christian Hymn Writers is a wonderful resource for worship services, devotional talks, and home schools, as well as for use in your private devotions. And it's worthwhile reading for anyone who's interested in learning where these hymns came from and how it is that they continue to affect us so much.

The Edinburgh Companion to Scots is a comprehensive introduction to the study of older and present-day Scots language. The aim of the volume is to explain and illustrate methods of research into Scots and Scottish English. Topics include the grammar, vocabulary and pronunciation of contemporary speech in Scotland, and the investigation of Older Scots written texts. There is further coverage of issues such as modern literary Scots, language planning, placenames and personal names, and the development of Scots overseas. Each chapter gives a brief overview of the topic, and provides case studies to illustrate avenues of exploration for those beginning to develop research techniques. The book is designed as an accessible introduction to key issues and methods of investigation for undergraduate students interested in the way language has developed in Scotland.