A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude. This book takes a genealogical account of Third Theatre as a concept and a practice that draws attention to the historical Third Theatre Encounters that have taken place across Europe and Latin America since the 1970s. The work of renowned Third Theatre groups and organisations, such as LUME (Brazil), Grupo Cultural Yuyachkani (Peru), Triangle Theatre (UK) and Nordisk Teaterlaboratorium - NTL (Denmark), are explored to reveal how a multifarious poetics of Third Theatre is manifest through these artists' approaches to performer training, dramaturgy and cultural action. Three critical pillars - unconditional hospitality, artisanal craft and (re)enchantment - are employed in order to illuminate the shared ethos of the Third Theatre community and its exemplification as a mode of cultural performance. This informative text will be of great use to students and scholars of drama and theatre studies, and its dedicated section on performer training exercises offers the reader pathways into an experiential engagement with Third Theatre craft.

A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude. This book takes a genealogical account of Third Theatre as a concept and a practice that draws attention to the historical Third Theatre Encounters that have taken place across Europe and Latin America since the 1970s. The work of renowned Third Theatre groups and organisations, such as LUME (Brazil), Grupo Cultural Yuyachkani (Peru), Triangle Theatre (UK) and Nordisk Teaterlaboratorium - NTL (Denmark), are explored to reveal how a multifarious poetics of Third Theatre is manifest through these artists' approaches to performer training, dramaturgy and cultural action. Three critical pillars - unconditional hospitality, artisanal craft and (re)enchantment - are employed in order to illuminate the shared ethos of the Third Theatre community and its exemplification as a mode of cultural performance. This informative text will be of great use to students and scholars of drama and theatre studies, and its dedicated section on performer training exercises offers the reader pathways into an experiential engagement with Third Theatre craft.

At the turn of the twentieth century, Amelie Rives was one of the most famous women in America. A member of Virginia's First Families-and granddaughter of a U.S. senator, she belonged to the southern aristocracy. Considered one of the great beauties of her time, Rives leveraged both her connections and her own considerable talent to become a best-selling author and then married into the wealthy Astor family. As Jane Turner Censer makes clear in this long overdue biography, Rives's personal story-filled with enormous triumphs and calamities-was, if anything, as fascinating as her art.Rives's most famous novel, The Quick or the Dead?, published when she was just twenty-four, was a sensation in its time, but soon she began to grapple with marital woes, an addiction to morphine and cocaine, and reams of unfavorable press coverage. Dramatically she took control of her celebrity: she divorced her husband and married a Russian prince, broke free of addiction, and changed her image to that of a European princess. Rives then regained her writing career, including plays produced on Broadway. Censer draws from Rives's early diaries, correspondence, and publications as well as the massive newspaper coverage she received during her lifetime to provide insights into the limits imposed on and actions taken by ambitious, elite young women in the late nineteenth-century South. As a trailblazer, Rives used her beauty, brains, and wayward behavior to make a splash in a manner later adopted by southern women as disparate as Zelda Fitzgerald and Tallulah Bankhead.

Eugenio Barba is recognized as one of the most important theatre practitioners working today. Along with the company he founded over fifty years ago, the world-acclaimed Odin Teatret, he continues to produce extraordinary theatre performances that tour the world, and his International School of Theatre Anthropology has greatly developed research into the craft of the actor. Now revised and updated, this volume reveals the background to and work of a major influence on twentieth- and twenty-first century performance. Eugenio Barba is the first book to combine: an overview of Barba's work and that of his company, Odin Teatret exploration of his writings and ideas on theatre anthropology, and his unique contribution to contemporary performance research in-depth analysis of the 2000 production of Ego Faust, performed at the International School of Theatre Anthropology a practical guide to training exercises developed by Barba and the actors in the company. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Eugenio Barba is recognized as one of the most important theatre practitioners working today. Along with the company he founded over fifty years ago, the world-acclaimed Odin Teatret, he continues to produce extraordinary theatre performances that tour the world, and his International School of Theatre Anthropology has greatly developed research into the craft of the actor. Now revised and updated, this volume reveals the background to and work of a major influence on twentieth- and twenty-first century performance. Eugenio Barba is the first book to combine: an overview of Barba's work and that of his company, Odin Teatret exploration of his writings and ideas on theatre anthropology, and his unique contribution to contemporary performance research in-depth analysis of the 2000 production of Ego Faust, performed at the International School of Theatre Anthropology a practical guide to training exercises developed by Barba and the actors in the company. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

'Warm, wonderful and very wet at times! I LOVED it!' FAITH HOGAN, author of The Ladies' Midnight Swimming Club The start of something new... When Kate is faced with an 'empty nest' when her youngest daughter, Ella, leaves for university, she starts to wonder: what comes next? Decades after abandoning her university hobby, Kate nervously joins a local ladies rowing team and is surprised to find how much she enjoys it! More than anything, though, Kate finds that the team of strong women bring new adventures and unlikely friendships she hadn't even realised were missing from her life... A life-affirming, uplifting story for fans of Josie Lloyd and Faith Hogan

From Surfing to the Secret Life of Rats, Extreme Science will excite and inspire 8-11 year olds. High-interest topics grab the reader and introduce some key science concepts in an accessible and innovative way. The action-packed pages are designed to motivate struggling and reluctant readers, and a reading age of 7 makes the content super-accessible. Extreme titles are ideal for supporting creative classroom teaching and for spicing up topic libraries.

Catherine Piron is in Noumea, searching for traces of the father she barely remembers. She meets journalist Henri Boulez, her only lead in a foreign country. Their journey into the remote regions of New Caledonia uncovers an extraordinary story that, like the island itself, brille a la fois claire et noire au soleil - shimmers light and dark in the sun.

This impressively researched book tells the important but little-known story of elite southern white women's successful quest for a measure of self-reliance and independence between antebellum strictures and the restored patriarchy of Jim Crow. Profusely illustrated with the experiences of fascinating women in Virginia and North Carolina, it presents a compelling new chapter in the history of American women and of the South.

As were many ideas, notions of the ideal woman were in flux after the Civil War. While poverty added a harder edge to the search for a good marriage among some "southern belles," other privileged white women forged identities that challenged the belle model altogether. Their private and public writings from the 1870s and 1880s suggest a widespread ethic of autonomy. Sometimes that meant increased domestic skills born of the new reality of fewer servants. But women also owned and transmitted property, worked for pay, and even pursued long-term careers. Many found a voice in a plethora of new voluntary organizations, and some southern women attained national celebrity in the literary world, creating strong and capable heroines and mirroring an evolving view toward northern society.

Yet even as elite southern women experimented with their roles, external forces and contradictions within their position were making their unprecedented attitudes and achievements socially untenable. During the 1890s, however, virulent racism and pressures to re-create a mythic South left these women caught between the revived image of the southern belle and the emerging emancipated woman.

Just as the memoirs of southern white women have been key to understanding life during the Civil War, the writings of such women unlock the years of dramatic change that followed. Informed by myriad primary documents, Jane Turner Censer immerses us in the world of postwar southern women as they rethought and rebuilt themselves, their families, and their region during a brief but important period of relative freedom.

Many historians of late have portrayed upper-class southerners of the antebellum period as inordinately aristocratic and autocratic. Some have even seen in the planters' family relations the faint yet distinct shadow of a master's dealings with his slaves. Challenging such commonly held assumptions about the attitudes and actions of the pre-Civil War southern elite, Jane Turner Censer draws on an impressive array of primary and secondary sources, including letters, diaries, and other first-person accounts as well as federal census materials and local wills, deeds, and marriage records, to show that southern planters, at least in their relations with their children, were caring, affectionate, and surprisingly egalitarian. Through the close study of more than one hundred North Carolina families, she reveals the adults to have been doting parents who emphasised to their children the importance of education and achievement and the wise use of time and money. The planters guided their offspring toward autonomy by progressively granting them more and more opportunities for decision making. By the time sons and daughters were faced with choosing a marriage partner, parents played only a restrained advisory role. Similarly, fathers left career decisions almost entirely up to their sons. Censer concludes that children almost invariably met their parents' high expectations. Most of them chose to marry within their class, and the second generation usually maintained or improved their parents' high economic status. On the other hand, Censer finds that planters rarely developed warm, empathetic relationships with their slaves. Even the traditional ""mammy,"" whose role is southern planter families was been exalted in much of our literature, seems to have held a relatively minor place in the family structure. Bringing to light a wealth of previously unassimilated information, North Carolina Planters and Their Children points toward a new understanding of social and cultural life among the wealthy in the early nineteenth-century South.

A coming-of-age story and commentary on the trials of womanhood in the Reconstruction South Originally published in 1878 after Henry Wadsworth Longfellow recommended it to Harper and Brothers, Like Unto Like marks the emergence of a feminist critique of southern society a full generation before Ellen Glasgow and Kate Chopin published their well-known works. The novel follows a romance between a free-spirited, intellectual southerner, Blythe Herndon, and a former abolitionist and Union soldier, Roger Ellis. Seeing marriage to an outsider as an escape from the strictures of southern society, Blythe soon realizes that even Roger will expect deference from his wife. She acknowledges her inability, despite a desire to be free from convention, to accept Roger's egalitarian views on race relations, his notions of free love, and his past affair with a married woman. In addition to warning female readers of the potential dangers of marriage, Bonner recognizes the importance of race in southern attitudes and breaks new ground in creating a range of African American characters. Jane Turner Censer's new introduction accords Bonner the long-delayed literary recognition she deserves.