Filled with updated information, equations, tables, figures, and citations, Environmental Investigation and Remediation: 1,4-Dioxane and Other Solvent Stabilizers, Second Edition provides the full range of information on 1,4-dioxane. It offers passive and active remediation strategies and treatment technologies for 1,4-dioxane in groundwater and provides the technical resources to help readers choose the best methods for their particular situation. This new edition includes all new information on remediation costs and reflects the latest research in the field. It includes new practical case studies to illustrate the concepts presented, including 1,4-dioxane occurrence in Long Island and the Cape Fear watershed in North Carolina. Features: Fully updated throughout to reflect the most recent research on 1,4-dioxane Describes the nature and extent of 1,4-dioxane releases, their regulation, and their remediation in a variety of geologic settings Examines 1,4-dioxane analytical chemistry, its many industrial uses, and 1,4-dioxane occurrence as a byproduct in production of many products Provides ample site data for recent and relevant remediation case studies, and a review of the widely varying regulatory landscape for 1,4-dioxane cleanup levels and drinking water limits Discusses the importance of accounting for contaminant archeology in investigating contaminated sites, and leveraging solvent stabilizers in forensic investigations While written primarily for practicing professionals, such as environmental consultants and attorneys, water utility engineers, and laboratory managers, the book will also appeal to researchers and academics as well. This new edition serves as a highly useful reference on the occurrence, sampling and analysis, and remedial investigation and design for 1,4-dioxane and related contaminants.

Art and Reality is a collection of general theoretical reflections and particular critical studies, in which John Anderson asserts the essential role of art and aesthetics in intellectual life. Rejecting the notion that artistic appreciation is simply a matter of spontaneous response or 'personal taste', Anderson argues that genuine criticism requires the application of general aesthetic principles and an awareness of the relationship between art and nature. In exploring how beauty is experienced and defined, he considers a wide range of authors, from Homer to Joyce, Melville to Dostoevsky, Shakespeare to Shaw. He outlines his underlying theory of aesthetics and offers commentary on some key controversies of his day, including psychoanalytic criticism, the Ern Malley hoax, and the censorship of Ulysses in Australia.With characteristic rigor and originality, Anderson proposes a philosophical way of approaching works of art, one which can lead us to a more meaningful and thoughtful engagement with literature.