The study of opacity falls under the general programme of showing how the meaning of any complex sentence is composed from the meanings of its constituent clauses, phrases and words. Opaque constructions are special from this point of view because the compositional principles that determine their meaning are so intricate. The main argument of this book is that the systematic ambiguity of opaque constructions has generally been underestimated.

The study of opacity falls under the general programme of showing how the meaning of any complex sentence is composed from the meanings of its constituent clauses, phrases and words. Opaque constructions are special from this point of view because the compositional principles that determine their meaning are so intricate. The main argument of this book is that the systematic ambiguity of opaque constructions has generally been underestimated.

This book contains papers that were written to honor Professor Lyn Frazier on the occasion of her retirement from the University of Massachusetts Amherst. Some were presented at the Lynschrift on May 19-20, 2018; others were written especially for this volume. The papers report original research on, or research-based theoretical analyses of, several of the domains that Professor Frazier contributed to during her career. The volume begins with a brief overview of Professor Frazier's research contributions and an appreciation of the contributions she has made to the field of psycholinguistics and to her students and colleagues. The next several chapters discuss the roles that prosody plays in language processing, and the volume continues with chapters on the topic that established Professor Frazier as a major psycholinguistic theorist, syntactic processing. The volume then explores the roles semantics and pragmatics play in language comprehension, and concludes with reports of applications and extensions of research on language processing. All chapters were contributed by current and former students and colleagues of Professor Frazier in gratitude for the impact she has had on their lives and careers.

As the war to end all wars is about to be followed by another, a young woman finds her life taking the same tragic course as her mother's. One night in the summer of 1938 Violet Lowther's mother Peggy is dying, her father Ellis is drunk in the pub, and Violet's life is being ruined behind a dance hall in Barnsfield by a young miner who doesn't look like Clark Gable after all. By September, the British Prime Minister is flying to Munich to try to make peace with Hitler, and in the same week, Violet travels to the remote moorland of Thorndale to visit relatives, escaping her own war with her father. But when Violet learns the truth about Ellis' love for Peggy, will she finally be able to make her peace with him? The Peacemaker is a story of buried family secrets and the search for understanding from one generation to the next, and between men and women. Set at a pivotal moment in history it exposes how, in hiding our darkest experiences, the same human tragedies occur over and over again. 'A deftly handled historical novel with a modern twist.' Carole Bromley, author of The Stonegate Devil

An anthology of poetry and prose edited by Sue Knight.

Throughout the nineteenth century, Native and non-Native women writers protested U.S. government actions that threatened indigenous people’s existence. The conventional genres they sometimes adopted—the sensationalistic captivity narrative, sentimental Indian lament poetry, didactic assimilation fiction, and the mass-circulated commercial magazine—typically had been used to reinforce the oppressive policies of removal, war, and allotment. But in Unconventional Politics Janet Dean explores how four authors, Sarah Wakefield, Lydia Huntley Sigourney, the Muscogee/Creek S. Alice Callahan, and the Cherokee Ora V. Eddleman, converted these frameworks to serve a politics of dissent. Intervening in current debates in feminist and Native American literary criticism, Dean shows how these women advocated for Native Americans by both politicizing conventional literature and employing literary skill to respond to national policy. Dean argues that in protesting U.S. Indian policy through popular genres, Wakefield, Sigourney, Callahan, and Eddleman also critiqued cultural protocols and stretched the contours of accepted modes of feminine discourse. Their acts of improvisation and reinvention tell a new story about the development of American women’s writing and political expression.