I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.' When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel. Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion, she reveals her original and questing mind. This riveting novel became an international classic, translated into nine languages, and has also been used as a medical school text.

The autobiography of New Zealand's most significant writerNew Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the "Mirror City" that sustains them, we are given not only a record of the events of a life, but also "the transformation of ordinary facts and ideas into a shining palace of mirrors." Frame's journey of self-discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive. This book contains selections from the long out-of-print collection entitled Janet Frame: An Autobiography (George Brazillier, 1991), which itself was originally published in three volumes: To the Is-land, An Angel at My Table, and The Envoy from Mirror City.

Owls Do Cry is the story of the Withers family: Francie, soon to leave school to start work at the woollen mills; Toby, whose days are marred by the velvet cloak of epilepsy; Chicks, the baby of the family; and Daphne, whose rich, poetic imagination condemns her to a life in institutions. 'Janet Frame's first full-length work of fiction, Owls Do Cry, is an exhilarating and dazzling prelude to her long and successful career. She was to write in several modes, publishing poems, short stories, fables and volumes of autobiography, as well as other novels of varied degrees of formal complexity, but Owls Do Cry remains unique in her oeuvre. It has the freshness and fierceness of a mingled cry of joy and pain. Its evocation of childhood recalls Blake's Songs of Innocence and of Experience, as well as the otherworldly Shakespearean lyric of her title and epigraph, but her handling of her dark material is wholly original' Margaret Drabble

First published in New Zealand in 1957, Owls Do Cry, was Janet Frame's second book and the first of her thirteen novels. Now approaching its 60th anniversary, it is securely a landmark in Frame's catalog and indeed a landmark of modernist literature. The novel spans twenty years in the Withers family, tracing Daphne's coming of age into a post-war New Zealand too narrow to know what to make of her. She is deemed mad, institutionalized, and made to undergo a risky lobotomy. Margaret Drabble calls Owls Do Cry "a song of survival"--it is Daphne's song of survival but also the author's: Frame was herself misdiagnosed with schizophrenia and scheduled for brain surgery. She was famously saved only when she won New Zealand's premier fiction prize. Frame was among the first major writers of the twentieth century to confront life in mental institutions and Owls Do Cry is important for this perspective. But it is equally valuable for its poetry, its incisive satire, and its acute social observations. A sensitively rendered portrait of childhood and adolescence and a testament to the power of imagination, this early novel is a first-rate example of Frame's powerful, lyric, and original prose.

This brand new collection of 28 short stories spans the length of Frame's career and contains some of the best she wrote. None of these stories have been published in a collection before, and more than half are here published for the first time in "Between My Father and the King."
The piece 'Gorse is Not People' caused Frame a setback in 1954, when Charles Brasch rejected it for publication in Landfall and, along with others for one reason or other, deliberately remained unpublished during her lifetime. Previously published pieces have appeared in "Harper's Bazaar," the "NZ Listener," the "New Zealand School Journal, Landfall" and "The New Yorker" over the years, and one otherwise unpublished piece, 'The Gravy Boat', was read aloud by Frame for a radio broadcast in 1953.
In these stories readers will recognize familiar themes, scenes, characters and locations from Frame's writing and life, and each offers a fresh fictional transformation that will captivate and absorb.

One of the great autobiographies of the twentieth century ...A journey from luminous childhood, through the dark experiences of supposed madness, to the renewal of her life through writing fiction. It is a heroic story, and told with such engaging tone, humorous perspective and imaginative power' Michael Holroyd, Sunday Times After being misdiagnosed with schizophrenia as a young woman, Janet Frame spent several years in psychiatric institutions. She escaped undergoing a lobotomy when it was discovered that she had just won a national literary prize. She then went on to become New Zealand's most acclaimed writer. As she says more than once in this autobiography: 'My writing saved me.' This edition contains all three volumes of Frame's autobiography: To the Is-Land, An Angel at My Table and An Envoy from Mirror City. 'One of the most beautiful and moving books I have ever read ...A masterpiece ...Janet's autobiography had an enormous effect on me. She struck a blow right to my heart' Jane Campion

'Janet Frame's luminous words are the more precious because they were snatched from the jaws of the disaster of her early life . . . and yet to read her is no more difficult than breathing' Hilary Mantel When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel. Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion, she reveals her original and questing mind. This riveting novel became an international classic, translated into nine languages, and has also been used as a medical school text. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

This collection of stories - Janet Frame's first published book - appeared in New Zealand in 1951, while she was confined in a mental hospital. It won the Hubert Church Award, and a threatened brain operation was averted. These stories bring into focus a crucial turning point in her life.

Harry Gill, a moderately successful writer of historical fiction, has been awarded the annual Watercress-Armstrong Fellowship--a 'living memorial' to the poet, Margaret Rose Hurndell. He arrives in the small French village of Menton, where Hurndell once lived and worked, to write. But the Memorial Room is not suitable -- it has no electricity or water. Hurndell never wrote here, though it is expected of Harry.
Janet Frame's previously unpublished novel draws on her own experiences in Menton, France as a Katherine Mansfield Fellow. It is a wonderful social satire, a send-up of the cult of the dead author, and -- in the best tradition of Frame -- a fascinating exploration of the complexity and the beauty of language.

Recipient of the prestigious Commonwealth Writers Prize in 1989, Janet Frame has long been admired for her startlingly original prose and formidable imagination. A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

Extract From New Yorker, V38, January 12, 1963.

Extract From New Yorker, V38, January 12, 1963.

Recipient of the prestigious Commonwealth Writers Prize in 1989, Janet Frame has long been admired for her startlingly original prose and formidable imagination. A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

From the author of "An Angel at My Table" comes an exquisitely written story of exile and return, homesickness, and belonging. Written in 1963, this is the first publication of a novel Frame considered too personal to be published while she was alive.

I'm a short story addict, both reading and writing them, and I always keep hoping for the perfect story.' (Janet Frame to Tim Curnow, January 1984) THE DAYLIGHT AND THE DUST is the most comprehensive selection of Janet Frame's stories ever published, taken from the four different collections released during her lifetime and featuring many of her best stories. Written over four decades, they come from her classic prize-winning collection THE LAGOON AND OTHER STORIES, first published in 1952, right up to the volume YOU ARE NOW ENTERING THE HUMAN HEART, published in the 1980s. This new selection also includes five works that have not been collected before. Janet Frame's versatility dazzles. Her themes range from childhood to old age to death and beyond. Within the pages of one book the reader is transported from small town New Zealand to inner-city London, and from realism to fantasy. This volume offers the most comprehensive collection of Janet Frame's unique and powerful writing.

All I had experienced, all the stories I had read or dreamed came to me the moment I, a stranger, turned the key in the lock of the unknown house.' In a sweltering basement in downtown Baltimore, Mavis Halleton, writer, ventriloquist and gossip, is struggling to write her novel when an unexpected invitation arrives. The Garretts, a couple Mavis has never heard of but who admire her work, are to spend time in Italy, and offer the use of their airy home in the Berkeley hills. During her stay, an earthquake hits northern Italy, and Mavis, to her surprise, inherits the house. But, surrounded by museum replicas and tasteful imitations, she finds reality itself is on shaky ground. In this highly inventive novel, reality, fiction and dreams are woven together as Janet Frame playfully explores the process of writing fiction.

'A deeply rewarding and beautiful novel' HILARY MANTEL 'The idea of a new novel by Janet Frame is in itself a delight and Towards Another Summer is a joy to read, with all the poise, inventiveness and clarity of her other work' MAGGIE O'FARRELL Life in England seems transitory for Grace Cleave as the pull of her native New Zealand grows stronger. She begins to feel increasingly like a migratory bird. Grace longs to find her own place in the world, if only she can decide where that is. But first she must learn to feel comfortable in her own skin, feathers and all. Written in 1963, Janet Frame considered this novel too personal to be published in her lifetime. 'In this deeply personal novel of exile and loneliness, Janet Frame proves the master of nostalgia, beauty and loss. Frame is, and will remain, divine' ALICE SEBOLD 'Exceptional . . . comic, melancholy and piercingly observant' Sunday Telegraph