Psychological thriller set in the American ballet world starring Natalie Portman in an award-winning performance. Nina (Portman) is a dancer in a New York City ballet company. Still living with her domineering and obsessive mother Erica (Barbara Hershey), a former ballerina herself, Nina barely has a life outside her dancing. When the company's artistic director Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth MacIntyre (Winona Ryder) for a major new production of Swan Lake, Nina finds herself losing sight of her own identity as she becomes caught up in a twisted competitive friendship with her rival Lily (Mila Kunis). Portman won the 2011 Golden Globe, BAFTA and Academy Award for Best Actress.

Essays dealing with the question of how the theory and practice of archaeology should engage with the recent past. Heritage, memory, community archaeology and the politics of the past form the main strands running through the papers in this volume.The authors tackle these subjects from a range of different philosophical perspectives, with manydrawing on the experience of recent community, commercial and other projects. Throughout, there is a strong emphasis on both the philosophy of engagement and with its enactment in specific contexts; the essays deal with an interest in the meaning, value and contested nature of the recent past and in the theory and practice of archaeological engagements with that past. Chris Dalglish is a lecturer in archaeology at the University of Glasgow. Contributors: Julia Beaumont, David Bowsher, Terry Brown, Jo Buckberry, Chris Dalglish, James Dixon, Audrey Horning, Robert Isherwood, Robert C Janaway, Melanie Johnson, Sian Jones, Catriona Mackie, Janet Montgomery, Harold Mytum, Michael Nevell, Natasha Powers, Biddy Simpson, Matt Town, Andrew Wilson