This reissued work, first published in 1987, examines the problematic and divisive attitudes which bourgeois and socialist feminists take to the question of the links between patriarchy and capitalism and the importance of class conflict as a major cause of women's subordination. Engels still occcupies a central role in this debate and feminists writing in the hundred years since the publication of The Origin of the Family, Private Property and the State frequently turn to this book in an attempt to find validation for their central argument.

The contributors to this volume reconsider Engels' theories and review evidence from those societies that have attempted to implement his belief that the key to the emancipation of women lies in their entry to social production.

Many debate whether religion is good for our health. Starting with this question, Janet Sayers, author of Mothering Psychoanalysis and Freudian Tales, provides a fascinating account of today's psychotherapy.

Divine Therapy is told through love stories. They highlight the risks and healing transformations of what some call 'at-one-ment' with another in love, mysticism, art and psychoanalysis. Sayers movingly explores this by drawing on the philosophical and psychological writings of William James, Sigmund Freud, Carl Jung, Sabina Spielrein, Simone Weil, Erich Fromm, Paul Tillich, Viktor Frankl, Melanie Klein, Adrian Stokes, Marion Milner and Donald Winnicott. She ends with one of the major figures of current psychoanalysis, Wilfred Bion, and with the insights of his followers, notably Christopher Bollas, Neville Symington and Julia Kristeva.

Illustrated with love letters, pictures, biographical details and case histories, Divine Therapy tells an intriguing chronicle of science, religion and therapy that also constitutes an engaging overview for students, specialists and general readers alike.

Sigmund Freud: The Basics is an easy-to-read introduction to the life and ideas of Sigmund Freud, the founder of psychoanalysis and a key figure in the history of psychology. Janet Sayers provides an accessible overview of Freud's early life and work, beginning with his childhood. Her book includes the stories of his most famous patients: Dora, Little Hans, the Rat Man, Judge Schreber, and the Wolf Man. It also discusses Freud's key ideas such as psychosexual development, the Oedipus complex, and psychoanalytic treatment. Sayers then covers Freud's later work, with a description of his observations about depression, trauma and the death instinct, as well as his 1923 theory of the id, ego, and superego. The book includes a glossary of key terms and concludes with examples of how psychoanalysis has been applied to the study of art, literature, film, anthropology, religion, sociology, gender politics, and racism. Sigmund Freud: The Basics offers an essential introduction for students from all backgrounds seeking to understand Freud's ideas and for general readers with an interest in psychology. For those already familiar with Freudian ideas, it offers a helpful guide to their interdisciplinary applications and context not least today.

Sigmund Freud: The Basics is an easy-to-read introduction to the life and ideas of Sigmund Freud, the founder of psychoanalysis and a key figure in the history of psychology. Janet Sayers provides an accessible overview of Freud's early life and work, beginning with his childhood. Her book includes the stories of his most famous patients: Dora, Little Hans, the Rat Man, Judge Schreber, and the Wolf Man. It also discusses Freud's key ideas such as psychosexual development, the Oedipus complex, and psychoanalytic treatment. Sayers then covers Freud's later work, with a description of his observations about depression, trauma and the death instinct, as well as his 1923 theory of the id, ego, and superego. The book includes a glossary of key terms and concludes with examples of how psychoanalysis has been applied to the study of art, literature, film, anthropology, religion, sociology, gender politics, and racism. Sigmund Freud: The Basics offers an essential introduction for students from all backgrounds seeking to understand Freud's ideas and for general readers with an interest in psychology. For those already familiar with Freudian ideas, it offers a helpful guide to their interdisciplinary applications and context not least today.

In Freud's Art - Psychoanalysis Retold Janet Sayers provides a refreshing new introduction to psychoanalysis by retelling its story through art. She does this by bringing together experts from psychoanalysis, art history, and art education to show how art and psychoanalysis illuminate each other.

Freud's Art begins with major founders of psychoanalysis - Freud, Jung, Spielrein and Klein. It then details art-minded developments of their ideas by Adrian Stokes, Jacques Lacan, Marion Milner, Anton Ehrenzweig, Donald Winnicott, and Wilfred Bion before concluding with the recent theories of Jean Laplanche and Julia Kristeva. The result is a book which highlights the importance of psychoanalysis, together with painting and the visual arts, to understanding the centrality of visual imagery, fantasy, nightmares and dreams to all of us, artists and non-artists alike.

Illustrated throughout with fascinating case histories, examples of well known and amateur art, doodles, drawings, and paintings by both analysts and their patients, Freud's Art provides a compelling account of psychoanalysis for all those studying, working in, or simply intrigued by psychology, mental health and creativity today.

Illustrated with Barbara Hepworth's abstract stone carving, with other works of art, and with fascinating vignettes from Adrian Stokes's writing, this biography highlights his revolutionary emphasis on the materials-led inspiration of architecture, sculpture, painting, and the avant-garde creations of the Ballets Russes. In also detailing Stokes's role as catalyst of the transformation of St Ives in Cornwall into an internationally-acclaimed centre of modern art, and his falling in love again in his early forties, this biography shows how Stokes used all these experiences, together with his many years of psychoanalytic treatment by Melanie Klein, in forging insights about ways the outer world gives form to the inner world of fantasy and imagination.

In answering these questions, Janet Sayers highlights the revolution wrought in both sexes' psychology by adolescence, particularly by its fantasies of divided selves and loves and of 'boy crazy' grandiosity and romance.
Illustrated throughout with fascinating examples from a groundbreaking study of adolescent memories and dreams, Boy Crazy presents an engaging account of this little-researched period of human development. Sayers also draws on her own work as a therapist, and weaves in vignettes from fiction and film, to demonstrate the significance we attach in adulthood to our experiences as adolescents. She suggests that men and women respond differently to the sexual awakening that takes place during their teens, and to their own memories of that part of their life. In relating the findings of her research the author also explores to what extent the theories of Freud, Jung and feminism shape our understanding of the formative effect of adolescent experiences and emotions.
Boy Crazy provides a fascinating insight into the repercussions of adolescence on our adult lives and loves and will appeal to the general and specialist reader alike.

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This reissued work, first published in 1987, examines the problematic and divisive attitudes which bourgeois and socialist feminists take to the question of the links between patriarchy and capitalism and the importance of class conflict as a major cause of women's subordination.

In Freud's Art - Psychoanalysis Retold Janet Sayers provides a refreshing new introduction to psychoanalysis by retelling its story through art. She does this by bringing together experts from psychoanalysis, art history, and art education to show how art and psychoanalysis illuminate each other.

Freud's Art begins with major founders of psychoanalysis - Freud, Jung, Spielrein and Klein. It then details art-minded developments of their ideas by Adrian Stokes, Jacques Lacan, Marion Milner, Anton Ehrenzweig, Donald Winnicott, and Wilfred Bion before concluding with the recent theories of Jean Laplanche and Julia Kristeva. The result is a book which highlights the importance of psychoanalysis, together with painting and the visual arts, to understanding the centrality of visual imagery, fantasy, nightmares and dreams to all of us, artists and non-artists alike.

Illustrated throughout with fascinating case histories, examples of well known and amateur art, doodles, drawings, and paintings by both analysts and their patients, Freud's Art provides a compelling account of psychoanalysis for all those studying, working in, or simply intrigued by psychology, mental health and creativity today.

Illustrated with Barbara Hepworth's abstract stone carving, with other works of art, and with fascinating vignettes from Adrian Stokes's writing, this biography highlights his revolutionary emphasis on the materials-led inspiration of architecture, sculpture, painting, and the avant-garde creations of the Ballets Russes. In also detailing Stokes's role as catalyst of the transformation of St Ives in Cornwall into an internationally-acclaimed centre of modern art, and his falling in love again in his early forties, this biography shows how Stokes used all these experiences, together with his many years of psychoanalytic treatment by Melanie Klein, in forging insights about ways the outer world gives form to the inner world of fantasy and imagination.

Helene Deutch, Karen Horney, Anna Freud, Melanie Klein

"Gripping, novelistic accounts. . . . Interweaving biography, psychological analysis, and interpretation of each woman's theories, Sayers creates memorable characters whose differences become clear. . . . A useful, deeply intelligent book." —Booklist

Once patriarchal and phallocentric, psychoanalysis has now become strongly mother-centered. This book tells the story of that revolution through biographical portraits of four pioneering figures in the early institutions of psychoanalysis.

"In lucid, uncluttered prose, Janet Sayers presents the reader witha fresh viewing of the lives and times of four extraordinary women pioneer analysts. Sayers recounts how they were able to shift the theoretic balance of the day to include the creative evolution of their thinking. This book is of value not only for the novice, but certainly for many others who can learn from these excellent, abridged biographies." —Dr. Helene DeRosis

"[Brings] together four extraordinarily influential women and enables us to celebrate the courage with which they described their perceptions of the psychology of women." —Phyllis Grosskurth, New York Times Book Review