The nine essays in this volume examine women's public and private lives from sixteenth century England to twentieth-century Chicago, from Queen Elizabeth I to Jane Addams of Hull House. Editor Janet Sharistanian's main purpose in organizing these essays is to offer a response to and a critique of theories of the domestic/public split in Western ideology and history that have emerged from feminist anthropology.

The eight essays in this volume explore the public, or extra-domestic, lives of women, examining the connections between their activities in the public and private domains. The purpose underlying this theme is twofold: first, to counteract the common tendency to ignore the influence of women outside of the home, and second, to test some generalizations about women's status and social roles which have developed from feminist scholarship. Taking as a starting point the model of cultural anthropologist Michelle Z. Rosaldo, which suggests that asymmetry between the roles of men and women stems not from biology but from social custom, the contributors go on to discuss and question various aspects of this theory.

'As I looked about me I felt that the grass was the country, as the water is the sea. The red of the grass made all the great prairie the colour of wine-stains...And there was so much motion in it; the whole country seemed, somehow, to be running.' My Antonia (1918) depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows. Jim Burden recounts his memories of Antonia Shimerda, whose family settle in Nebraska from Bohemia. Together they share childhoods spent in a new world. Jim leaves the prairie for college and a career in the east, while Antonia devotes herself to her large family and productive farm. Her story is that of the land itself, a moving portrait of endurance and strength. Described on publication as 'one of the best [novels] that any American has ever done', My Antonia paradoxically took Cather out of the rank of provincial novelists as the same time that it celebrated the provinces, and mythologized a period of American history that had to be lost before its value could be understood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.