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Drama / 3m, 3f (w/doubling) / Unit set Newly revised edition! From
the author of the best-selling novel, The House of God, this
critically acclaimed version which played Off-Broadway in 2007,
tells the amazing story of the two men who pioneered Alcoholics
Anonymous, and of their wives, who founded Al Anon. During the
roaring '20s, New York stockbroker Bill Wilson rides high on money,
fame, and booze. In '29, both he and the market crash and he
becomes a hopeless drunk. Dr. Bob Smith, a surgeon in Akron, Ohio,
and a pillar of the community, has been a secret drunk for thirty
years, often going into the operating room hungover and high on
sedatives. His family has tried everything to no avail. Through an
astonishing series of events involving doctors, ministers, the
Oxford Group evangelical movement, and Henrietta Sieberling a scion
of the Goodyear Rubber fortune, Bill and Bob meet on Mother's Day
of 1935. The two men form a relationship which keeps each sober.
Fired up, they seek out a third drunk to see if their program will
work for others. Richly textured with the ragtime and jazz of the
era, the play tells a magnificent American success story. "A deeply
human, audience embracing tale." - Variety "One of the best plays
of the year." - San Diego Union Tribune "Inspiring." - Boston Globe
This ground-breaking book explores the theoretical, clinical and
training application of integrating mindfulness with all of the
arts therapies, and includes cutting-edge contributions from
neuroscience. Written by pioneers and leaders in the arts therapies
and psychology fields, the book includes 6 sections that examine
mindfulness and the arts therapies from different perspectives: 1)
the history and roots of mindfulness in relation to spirituality,
psychotherapy and the arts therapies; 2) the role of the expressive
arts in cultivating mindful awareness; 3) innovative approaches
that add mindfulness to the arts therapies; 4) arts therapies
approaches that are inherently mindfulness-based; 5) mindfulness in
the training and education of arts therapists; and 6) the
neuroscience underlying mindfulness and the arts therapies.
Contributors describe their pioneering work with diverse
applications: people with cancer, trauma, chronic pain, substance
abuse, severe mental illness, clients in private practice,
adolescents at camp, training dance and art therapists, and more.
This rich resource will inspire and rejuvenate all clinicians and
educators.
""We have to talk."" For many men, these are the four worst words
in the English language, especially when they're uttered by a
female partner. But it doesn't have to be that way, argue Samuel
Shem and Janet Surrey in their pathbreaking and practical new book.
"Male relational dread"--that all-too-familiar reaction set off by
women's "relational yearnings"--can be tamed, and in its place can
emerge true satisfaction for men and women.To demonstrate how this
is done, Shem and Surrey take us behind the scenes of their popular
workshops. We hear couples speak intimately about anger, guilt,
resentment, shame, and sex. We watch them wrestle collectively with
the gender divide in their relationships--the deep disconnects, or
"impasses," that reflect the vastly different developmental paths
men and women have traveled. We see couples learn to bridge the
poles of dread and yearning, to emerge from isolation into
mutuality. We witness their moments of sadness, humor, and,
ultimately, discovery.Filled with moving stories of real people
struggling with real problems, "We Have to Talk" shatters the
"rules" and offers dramatic proof that men and women are not from
different planets after all. It is certain to be seen as "the"
relationship book for the new millennium.
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