This book of new essays investigates the category of the post-colonial as a theoretical concept, discourse, and state of mind. In an international forum of both literary critics and writers, these essays look at contemporary writing in English throughout the world in an attempt to revision the current critical practice of post-colonial studies. Structured as a dialogue between different views, Critics and Writers Speak will add to the self-reflexivity among post-colonial critics, extending the debate and stimulating dialogue about the future of post-colonial studies.

This book of new essays investigates the category of the post-colonial as a theoretical concept, discourse, and state of mind. In an international forum of both literary critics and writers, these essays look at contemporary writing in English throughout the world in an attempt to revision the current critical practice of post-colonial studies. Structured as a dialogue between different views, Critics and Writers Speak will add to the self-reflexivity among post-colonial critics, extending the debate and stimulating dialogue about the future of post-colonial studies.

It is August of 1963, the year of the Taylor/Burton film epic Cleopatra, showcasing a passion too grand to be contained on the movie screen. The women of the Kalyna Beach cottage community gather for gin and gossip, trading the current racy bestsellers among themselves as they seek a brief escape from the predictable rhythms of children and chores. But dramatic change is coming this summer as innocence falters and the desire for change reaches a boiling point, threatening to disrupt the warm, sweet, heady days and the lives of parents and children, family and friends, forever.