This book of new essays investigates the category of the post-colonial as a theoretical concept, discourse, and state of mind. In an international forum of both literary critics and writers, these essays look at contemporary writing in English throughout the world in an attempt to revision the current critical practice of post-colonial studies. Structured as a dialogue between different views, Critics and Writers Speak will add to the self-reflexivity among post-colonial critics, extending the debate and stimulating dialogue about the future of post-colonial studies.

This book of new essays investigates the category of the post-colonial as a theoretical concept, discourse, and state of mind. In an international forum of both literary critics and writers, these essays look at contemporary writing in English throughout the world in an attempt to revision the current critical practice of post-colonial studies. Structured as a dialogue between different views, Critics and Writers Speak will add to the self-reflexivity among post-colonial critics, extending the debate and stimulating dialogue about the future of post-colonial studies.

2018 marks the tenth anniversary of an International Congress that gathered in Ghent to celebrate and discuss the work of Etty Hillesum, a woman who died in Auschwitz, whose diaries and letters have been translated into 67 languages. She is unquestionably one of the most singular voices from the Holocaust. But most in our country have never heard of her. So, who was Etty Hillesum? She was a Dutch Jew who died at the age of 29, leaving behind deeply moving, intellectually profound diaries and letters written during the last two years of her life under Nazi occupation. We only have these works because she threw them from a train on her way to the death camp. This volume is their visionary responses to Etty Hillesum.

It is August of 1963, the year of the Taylor/Burton film epic Cleopatra, showcasing a passion too grand to be contained on the movie screen. The women of the Kalyna Beach cottage community gather for gin and gossip, trading the current racy bestsellers among themselves as they seek a brief escape from the predictable rhythms of children and chores. But dramatic change is coming this summer as innocence falters and the desire for change reaches a boiling point, threatening to disrupt the warm, sweet, heady days and the lives of parents and children, family and friends, forever.

Through Genevieve--a woman struggling with an idealistic vision of love--a door is opened into the lives of the characters through which Marie-Claire Blais came to the forefront of feminism in Canada. Night after night in a club called The Underground, Genevieve and her friends live out their loves and their tragedies apart from the day-to-day life of the city. Each glance, each embrace, and each ensuing encounter weaves a profound matrix of human isolation, with transcendence found in the healing power of love.