The works of D.H. Lawrence have always generated critical controversy. From the early prosecution of "The RainboW" (1915) to more recent disputes about feminist criticism, Lawrence engenders strong feelings, both for and against his writings. His appeal, both artistic and intellectual, knows no boundaries. His works remain in print and are widely taught, anthologized, and translated around the world. So too, his texts have engaged some of the best critical minds, and scholarship on Lawrence and his works continues to grow. This reference chronicles the critical response to his writings.

A chronology presents the highlights in his publishing career, while an introductory essay summarizes the major trends in Lawrence criticism. The sections that follow present previously published reviews and essays on his novels, plays, poems, short fiction, and prose and letters. These items are arranged chronologically to illustrate the response to Lawrence over time. The volume closes with a selected, general bibliography.

The appeal of Katherine Mansfield's work knows no geographical boundaries. All of her writings remain in print, she is widely read, taught, and anthologized throughout the world, and her work has been translated into diverse languages. The essays in this volume chart the response to Mansfield's work across time and place. Included are the earliest reviews of her writing from the beginning of the twentieth century, as well as pieces exemplifying modern critical approaches to her work. Born in New Zealand in 1888, Katherine Mansfield left Wellington when she was nineteen to begin a career as a writer in London. In the years that followed, she received critical acclaim and counted among her friends T. S. Eliot, D. H. Lawrence, Virginia Woolf, Bertrand Russell, and Aldous Huxley. Since her untimely death from tuberculosis in 1923, her writings have drawn increasingly varied critical attention. Through a collection of essays and reviews, this volume traces the critical response to Mansfield's writings. The volume includes the earliest reviews of her work in 1911 through the most recent examinations of her fiction. Though the pieces included are written in English, some essays discuss her links with Europe and with French, German, and Asian critics. An introductory essay and chronology briefly overview the critical reception of her work, and a selected bibliography lists bibliographical, biographical, and critical studies.