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Taylor Walker, now widowed, awaits the trial of the nemesis who
tried to kill her in Blood Ties. Her judgment is as flawed as ever
with relationships: The one with her rescuer, former DEA agent
Jeremy Briggs, hits a snag as she realizes she doesn't love him.
Jeremy's involvement with his boss, Eve McGuire, further muddles
matters and drives Taylor into a relationship with George Arroyo, a
charismatic Cuban-American architect. There's one obstacle: George
may have strangled his pregnant socialite fiancee-a dead ringer for
Taylor-in Miami; his red tie was found knotted around her neck.
Taylor's sheriff father cautions her about George: He's convinced
George is a killer who's after Taylor's inheritance. A crime wave
strikes the tiny panhandle town of Walker, Fla. Once again the
crimes are somehow tied to Taylor. One murder mimics the dead
socialite's: This time the murder weapon is Taylor's red bra: The
work of the Miami killer or a copycat? The trauma Taylor suffered
in Blood Ties, coupled with an undercurrent of menace and murder,
prove toxic for Taylor: Alarmed at her weight loss and recurring
nightmares, family and friends rally to place her in a Pensacola
mental health facility. Is someone trying to drive Taylor over the
edge to nab her money? Taylor confronts a killer and vows to take
charge of her life.
Artists run amok at the 2006 Great Gulfcoast Arts Festival The
idyllic setting of Seville Square provides a canvas for murder and
mayhem. The trouble starts when an obnoxious artist, Manolo
Friedman, proves to be a pain in the palette. From there, things go
consistently-and literally-down the Port-a-let: Fishermen,
environmentalists and developers wrangle over a proposed resort
project in Pensacola Bay. Money turns up missing in the festival
account. An artist "finds" 100 grand-and turns it over to the
festival treasurer. Some people aren't who they say they are. A
bumbling pair of petty thieves steals a bracelet-the wrong one on
the wrong day. But, worst of all, a killer's painting the park red.
Blood Ties: Under the title Blood Relations, a finalist in the
Mystery Category of the Writers' League of Texas 2008 Manuscript
Contest After a brutal rape and beating causes Taylor Walker
Campbell to miscarry, the panhandle town of Walker, Fla., rallies
around her. When her husband, Capt. Cameron Campbell, returns from
Iraq, he shoots an intruder in their home, coincidentally one of
Taylor's attackers. Struggling to regain control of her downwardly
spiraling life, Taylor finds her retired judge father ordered the
attack to "protect" her. When she recalls the day of the attack,
Taylor realizes a vicious misogynist remains at large. Crime
continues to stalk Walker-arson, murder, breaking and entering-all
with ties to Taylor, causing Pensacola cops to cast Taylor as the
"queenpin" of a drug ring. The photogenic, charismatic Cam reveals
a darker side: Taylor stumbles upon evidence of a torrid affair
with a military subordinate. After Cam publicly accuses Taylor of
an affair with Julius Perry, her 14-year-old black neighbor, she
fears felony charges. Her mother enlists an unlikely ally to thwart
Cam's scheme and subvert justice. Friends and family uncover the
truth about Judge Walker's first wife, who presumably died in New
Orleans five decades ago. When Taylor stumbles into a cold-blooded
killer's tri-state drug headquarters, she's held captive.
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