When Ireland voted to let gay people get married, my stepdad hugged me and said, 'Your turn next, Ben! Get yourself a boyfriend. Make us proud.' So I decided to try. Ben is 17, gay, and happy most of the time. He's finished school and is on track to a great career - all that's missing is falling in love. Romantic but a little naive, Ben meets Peter online. But the guy of his dreams is still in the closet, his pal Soda is suddenly more interested in nights in than nights out, and his old school bully seems determined to ruin his life. Then, on top of everything else, his best friend, Chelsea, goes AWOL - just when he needs her most. Everything is changing and Ben's not sure what to do. But change brings all kinds of possibilities. You just have to be ready to see them. Can Ben navigate the pitfalls of modern gay dating, with all its highly sexualised expectations, and be true to himself?

This, the fifth and final volume in the Trinity Tales series, completes a cycle that began with tales from the 1960s. It invites readers to step into the world of Trinity College as it was in the first decade of this century through the reflections of students who attended the university during those years. Within its pages lie the stories of twenty-eight graduates from a mix of diverse backgrounds whose experiences may dispel the myths of what it means to be a ‘Trinity student’. The collection reveals the rapidly changing world of the early 2000s. This was a time of the internet revolution, when social media first affected student life, when mobile phones and laptops became ubiquitous, when handwritten work was passing into history, when The Buttery closed its doors – and all this coming against the backdrop of an overheating then imploding Irish economy. This kaleidoscope of recollections captures a student body in transformation and features stories of personal discovery and achievement against the odds. For some it proved a life-changing era when sexual, racial or class barriers were confronted. This volume concludes a remarkable half-century journey, portraying the lives of others, and of ourselves.