This book discusses different aspects of the cinematic and literary representation of war. The papers in this volume consider the roles of war films and war novels in remaking historical memories, the influence of films and novels as social media and debate their roles as instruments of propaganda and mystification. The book is organized along chronological and geographical lines, looking first at the First and Second World Wars in Europe; then the Pacific War; the Vietnam War; and espionage and propaganda in the Cold War and Post-Cold War.

This book discusses various aspects of World War I. It focuses on topics proposed by contributors resulting from their own research interests. Nevertheless, as a result of common efforts, re-visiting those chosen aspects of the Great War of 1914-1918 enables the presentation of a volume that shows the multidimensional nature and consequences of this turning point in the history of particular nations, if not all mankind. This book, if treated as an intellectual journey through several continents, shows that World War I was not exclusively Europe's war, and that it touched - in different ways - more parts of the globe than usually considered

This volume is a collection of thirty papers written by authors from around the world. The writers focus on topics related to their own research interests. As a result, readers obtain a worldwide perspective on World War II from academics working on nearly every continent, proving that World War II was, probably, the first ever truly global experience for humanity. Present are many and different perspectives on the war. Eighty years after the end of World War II, these academics share their knowledge and reflections about a gruesome, but still not very remote time. In the new millennium, their studies should remind readers that the 'end of history' has been an impossible illusion and warn that peace and stability in international relations are not a given.