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Windows for the world explores the display and reception of
nineteenth-century British stained glass in a secular exhibition
context. International in scope, the book focuses on the global
development of stained glass in this period as showcased at, and
influenced by, these exhibitions. It recognises those who made and
exhibited stained glass and demonstrates the long-lasting impact of
the classification and modes of display at these events. A number
of exhibits are illustrated in colour and are analysed in relation
to stylistic developments, techniques and material innovations, as
well as the broader iconographies of nation and empire in the
nineteenth century. -- .
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