Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.

What are the still-unknown horizons of world thought? This book brings together prominent scholars from varying disciplines to speculate on this obscure question and the many crossroads that face intellectuals in our contemporary era and its aftermath. The result is a collection of "manifestos" that contemplate a potential global future for thinking itself, venturing across some of the most marginalized sectors of East and West (with particular emphasis on the Middle Eastern and Islamicate) in order to dissect crucial issues of culture, society, philosophy, literature, art, religion, and politics. The book explores themes such as as universality, translation, modernity, language, history, identity, resistance, ecology, catastrophe, memory, and the body, offering a groundbreaking alignment of texts and ideas with far-reaching implications for our time and beyond.

What are the still-unknown horizons of world thought? This book brings together prominent scholars from varying disciplines to speculate on this obscure question and the many crossroads that face intellectuals in our contemporary era and its aftermath. The result is a collection of "manifestos" that contemplate a potential global future for thinking itself, venturing across some of the most marginalized sectors of East and West (with particular emphasis on the Middle Eastern and Islamicate) in order to dissect crucial issues of culture, society, philosophy, literature, art, religion, and politics. The book explores themes such as universality, translation, modernity, language, history, identity, resistance, ecology, catastrophe, memory, and the body, offering a groundbreaking alignment of texts and ideas with far-reaching implications for our time and beyond.

This short book engages the myriad dimensions of Night, through ancient rituals, medieval storytelling, modern philosophy, and futuristic images, in order to explore the human experience of the after-dark. It thereby tracks Night through the prisms of its most fascinating practitioners: namely, those who keep strange hours and navigate the various potentialities of nocturnal experience (both of terror and enchantment). The Thief's Night; The Runaway's Night; The Drunkard's Night; The Insomniac's Night; The Revolutionary's Night; The Lunatic's Night; The Sorcerer's Night. Undoubtedly, each of these conceptual figures provides a unique gateway into understanding the powerful sensorial effects of evening, as well as its vast connections to larger questions of time, space, fear, nothingness, desire, death, forgetting, vision, secrecy, criminality, monstrosity, and the body.

Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.