A concubine is strangled in the Sultan's palace harem, and a young cadet is found butchered in the streets of Istanbul. Delving deep into the city's crooked alleyways, and deeper still into its tumultuous past, the eunuch Yashim discovers that some people will go to any lengths to preserve the traditions of the Ottoman Empire. Brilliantly evoking Istanbul in the 1830s, The Janissary Tree is a bloody, witty and fast-paced literary thriller with a spectacular cast.

When the body of a Russian agent is found down a monastery well, Yashim knows exactly who to blame. Fevzi Ahmet Pasha, commander of the Ottoman fleet. Years ago, when Yashim first entered the sultan's service, Fevzi Ahmet was his mentor. Ruthless, cruel, and - in Yashim's eyes - ultimately ineffective, he is the only man who makes him afraid. And now Yashim must confront the secret that Fevzi Pasha has been keeping all these years, a secret whose roots lie deep in the tortured atmosphere of the sultan's harem, where normal rules are suspended, and women can simply disappear. Once again, Yashim and his friends encounter treachery and politics, played out against the backdrop of 1840s Istanbul.

It is Istanbul, 1838, and Lefevre, a French archaeologist, has arrived in Istanbul determined to uncover a lost Byzantine treasure. Yashim is hired to investigate him, but when the man turns up dead, there is only one suspect: Yashim himself. Once again, the investigator finds himself in a race against time to uncover the startling truth behind a shadowy secret society dedicated to the revival of the Byzantine Empire, caught in a deadly game deep beneath the city streets, a place where the stakes are high - and betrayal is death.

Charged by the Sultan to find a stolen painting by Bellini, Yashim the detective enlists the help of his friend Palewski, the Polish Ambassador, and goes undercover. Venice in 1840 is a city of empty palazzos and silent canals, and Palewski starts to mingle with Venetian dealers - but when two bodies turn up in the canal, he realises that art in Venice is a deadly business, and it is up to Yashim to attempt to rescue his intrepid friend from forces bigger than they had ever imagined . . .

In nineteenth-century Istanbul, a Polish prince has been kidnapped. His assassination has been bungled and his captors have taken him to an unused farmhouse. Little do they realize that their revolutionary cell has been penetrated by their enemies, who use the code name La Piuma (the Feather). Yashim is convinced that the prince is alive. But he has no idea where, or who La Piuma is - and has become dangerously distracted by falling in love. As he draws closer to the prince's whereabouts and to the true identity of La Piuma, Yashim finds himself in the most treacherous situation of his career: can he rescue the prince along with his romantic dreams? Jason Goodwin's bestselling 'Yashim' series has been published across the globe and received huge critical acclaim. In The Baklava Club, Goodwin takes Yashim on an adventure like no other, through the stylish, sensual world of Ottoman Istanbul.

Marco Polo’s account of his journey throughout the East in the thirteenth century was one of the earliest European travel narratives, and it remains the most important. The merchant-traveler from Venice, the first to cross the entire continent of Asia, provided us with accurate descriptions of life in China, Tibet, India, and a hundred other lands, and recorded customs, natural history, strange sights, historical legends, and much more. From the dazzling courts of Kublai Khan to the perilous deserts of Persia, no book contains a richer magazine of marvels than the Travels.

This edition, selected and edited by the great scholar Manuel Komroff, also features the classic and stylistically brilliant Marsden translation, revised and corrected, as well as Komroff’s Introduction to the 1926 edition.

From the Edgar(R) Award-winning author of "The Janissary Tree" comes the fourth and most captivating Investigator Yashim mystery yet It takes a writer of prodigious talents to conjure the Istanbul of the Ottoman Empire in all its
majesty. In three previous novels, Jason Goodwin has taken us on stylish, suspenseful, and vibrant excursions into its exotic territory. Now, in "An Evil Eye," the mystery of Istanbul runs deeper than ever before. It's 1839, and the admiral of the Ottoman fleet has defected to the Egyptians. It's up to the intrepid Investigator Yashim to uncover the man's motives. Of course, Fevzi Ahmet is no stranger to Yashim--it was Fevzi who taught the investigator his craft years ago. He's the only man whom Yashim has ever truly feared: ruthless, cruel, and unswervingly loyal to the sultan. So what could have led Yashim's former mentor to betray the Ottoman Empire? Yashim's search draws him into the sultan's seraglio, a well-appointed world with an undercurrent of fear, ambition, and deep-seated superstition. When the women of the sultan's orchestra begin inexplicably to grow ill and die, Yashim discovers that the admiral's defection may be rooted somewhere in the torturous strictures of the sultan's harem. No one knows more about the Ottoman Empire and Istanbul than Jason Goodwin, of whom Janet
Maslin wrote in "The New York Times": "Mr. Goodwin uses rich historical detail to elevate the books in this series . . . far above the realm of everyday sleuthing."

Investigator Yashim travels to Venice in the latest installment of the Edgar(R) Award-winning author Jason Goodwin's captivating series Jason Goodwin's first Yashim mystery, "The Janissary" "Tree," brought home the Edgar(R) Award for Best Novel. His follow-up, "The Snake Stone," more than lived up to expectations and was hailed by Marilyn Stasio in "The New York Times Book Review "as "a magic carpet ride to the most exotic place on earth." Now, in "The Bellini Card," Jason Goodwin takes us back into his "intelligent, gorgeous and evocative" ("The Independent" "on Sunday") world, as dazzling as a hall of mirrors and utterly compelling. Istanbul, 1840: the new sultan, Abdulmecid, has heard a rumor that Bellini's vanished masterpiece, a portrait of Mehmet the Conqueror, may have resurfaced in Venice. Yashim, our eunuch detective, is promptly asked to investigate, but--aware that the sultan's advisers are against any extravagant repurchase of the painting-- decides to deploy his disempowered Polish ambassador friend, Palewski, to visit Venice in his stead. Palewski arrives in disguise in down-and-out Venice, where a killer is at large as dealers, faded aristocrats, and other unknown factions seek to uncover the whereabouts of the missing Bellini. But is it the Bellini itself that endangers all, or something associated with its original loss? And why is it that all the killer's victims are somehow tied to the alluring Contessa d'Aspi d'Istria? Will the Austrians unmask Palewski, or will the killer find him first? Only Yashim can uncover the truth behind the manifold mysteries.

Detective, polyglot, chef, eunuch--Investigator Yashim returns in this evocative Edgar(R) Award-winning series set in Istanbul at the end of the Ottoman Empire
Istanbul, 1838. In his palace on the Bosphorus, Sultan Mahmud II is dying and the city swirls with rumors and alarms. The unexpected arrival of a French archaeologist determined to track down lost Byzantine treasures throws the Greek community into confusion. Yashim Togalu is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself. As the body count starts to rise, Yashim must uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the Sultan's West Indies-born mother, the Valide. With striking wit and irresistible flair, Jason Goodwin takes us into a world where the stakes are high, betrayal is death--and the pleasure to the reader is immense.

Winner of the Edgar Award for Best Novel It is 1836. Europe is modernizing and the Ottoman Empire must follow suit. But just before the sultan announces sweeping changes, a wave of murders threatens the fragile balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim, a man both brilliant and near-invisible in this world, an investigator who can walk with ease in the great halls of the empire, in its streets, and even within its harems--because, of course, Yashim is a eunuch. His investigation points to the Janissaries, who, for four hundred years were the empire's elite soldiers. Crushed by the sultan, could they now be staging a brutal comeback? And can they be stopped without throwing Istanbul into political chaos?
This first book in the Investigator Yashim series is a richly entertaining tale, full of exotic history and intrigue.

Defoe's account of the bubonic plague that swept London in 1665 remains as vivid as it is harrowing. Based on Defoe's own childhood memories and prodigious research, A Journal of the Plague Year walks the line between fiction, history, and reportage. In meticulous and unsentimental detail it renders the daily life of a city under siege; the often gruesome medical precautions and practices of the time; the mass panics of a frightened citizenry; and the solitary travails of Defoe's narrator, a man who decides to remain in the city through it all, chronicling the course of events with an unwavering eye. Defoe's Journal remains perhaps the greatest account of a natural disaster ever written.

This Modern Library Paperback Classic is set from the original edition published in 1722.

For six hundred years, the Ottoman Empire swelled and declined. Islamic, martial, civilized, and tolerant, it advanced in three centuries from the dusty foothills of Anatolia to rule on the Danube and the Nile; at its height, Indian rajahs and the kings of France beseeched the empire's aid. In its last three hundred years the empire seemed ready to collapse, a prodigy of survival and decay. In this striking evocation of the empire's power, Jason Goodwin explores how the Ottomans rose and how, against all odds, they lingered on. In doing so, he also offers a long look back to the origins of problems that plague present-day Kosovars and Serbs.